Using the premise set forth by Roland Barthes that “food signifies,” this thesis analyzes immigrant fiction and how diasporized peoples construct and perform their identities along class, gender,...Show moreUsing the premise set forth by Roland Barthes that “food signifies,” this thesis analyzes immigrant fiction and how diasporized peoples construct and perform their identities along class, gender, and ethnic lines. The first chapter unpacks and presents food culture theory as a meaningful tool to analyze works of literature. The subsequent two chapters apply food culture theory and its role in identity production through a close reading of T.C. Boyle’s novel The Tortilla Curtain (1995) and Jhumpa Lahiri’s short story collection Unaccustomed Earth (2013). In both, food behavior of the migrants exemplifies the ongoing vacillation between the desire for assimilation and rejection of the host culture. Moreover, the various foodways presented in the works show how food consumption can signify a divide or exemplify a struggle to reconcile public and private identities.Show less
This thesis offers a close reading of three neo-slave narratives, Octavia Butler's "Kindred," Toni Morrison's "Beloved" and Charles Johnson's "Middle Passage" focusing on the themes of slave and...Show moreThis thesis offers a close reading of three neo-slave narratives, Octavia Butler's "Kindred," Toni Morrison's "Beloved" and Charles Johnson's "Middle Passage" focusing on the themes of slave and post-slavery community, family and gender in relation to the historical trauma of slavery. This thesis first addresses the historiographical debates about the agency and resistance of enslaved people within a system of systematic oppression and dispossession and then demonstrates how the three novels negotiate this issue. Both "Kindred" and "Beloved" probe into the limitations and possibilities of the community as a site of black male and female empowerment. Instead of romanticizing life in the free and enslaved black communities, both Butler and Morrison challenge these sites and call attention to the costs of resistance to the slavery regime. On the other hand, in his effort to liberate his fiction from black identity politics that foreground the works of Butler and Morrison, Johnson explores the cultural hybridity of his protagonist, but he ultimately only reproduces patriarchal values he overtlty parodies.Show less
At a time in which the dominant culture’s pressure on immigrants to Americanize increased, Mary Antin (1881-1949) and Abraham Cahan (1860-1951) wrote literary works that bore witness to the...Show moreAt a time in which the dominant culture’s pressure on immigrants to Americanize increased, Mary Antin (1881-1949) and Abraham Cahan (1860-1951) wrote literary works that bore witness to the complexity and personal costs of assimilation. The Eastern European Jewish immigrants in Antin’s (fictionalized) autobiography The Promised Land (1912) and Cahan’s novella Yekl; A Tale of the New York Ghetto (1896) and his novel The Rise of David Levinsky (1917) offer insights into the impact of America’s assimilationist ideology on identity construction, showing how both ethnic and national identities are imagined, constructed, and performed. The protagonists explore the social injustices Jewish immigrants suffered in the United States and the complex nature of Americanization by sometimes bluntly criticizing the pressure to conform, but elsewhere demonstrating that they have assimilated to a certain degree. The protagonists find themselves in a bind: on the one hand they need to give in to the pressure to assimilate in order to attain the American dream, while on the other hand they often feel tied to their Jewish cultural heritage.Show less
