The study presented in this thesis investigates what structures can be interpreted as type of stone markers and how and why these have been used in the Jebel Qurma region, a desert landscape that...Show moreThe study presented in this thesis investigates what structures can be interpreted as type of stone markers and how and why these have been used in the Jebel Qurma region, a desert landscape that is part of the eastern badia (or Black Desert) northeast Jordan. The use of these structures is difficult to understand since these differ in physical qualities even when they have been positioned at the same places in the landscape. Some are well-built to be seen from far and all directions but many loosely piled and only visible from close distances. During two historical occupation phases stone markers are positioned in the Jebel Qurma region by societies with a pastoralist’s lifestyle. They explored and occupied the landscape intensively during a specific period of the year in order to hunt, pasture their livestock and to perform other dwelling activities in the landscape. . The complexities of the societies and the climate conditions in the research area contributed to a different way of the use of stone markers in the landscape. A typology/classifation could be established based on the needs of the societies. The physical qualities of the stone markers are related to their topographical positioning in the landscape. The stone markers used by the Safaitic society and traditional Bedouins are the evidence of a well-organized travel system to perform subsistence strategies in the interior of the landscape with livestock. Their interaction with stone markers contributes to the understanding how they used the landscape while they were moving with livestock through the region to get from one place to another.Show less
Beads were often neglected in archeological considerations, investigated in an unsatisfactory way, used as eye catcher for publications and reduced to their esthetic value. In fact they are an...Show moreBeads were often neglected in archeological considerations, investigated in an unsatisfactory way, used as eye catcher for publications and reduced to their esthetic value. In fact they are an essential and inseparable part of Neolithic life, requiring complex concepts. They are linked to technology, exchange, ritual and esthetic. Tell Sabi Ayad yielded beads from the Late Neolithic only, which facilitates a case study focused on this restricted period. A large part of the beads is not directly datable, as many bead types and materials are diachronic, used in the Late Neolithic and Late Bronze Age. So the beads are dated according the levels where they were found. The excavations on Tell Sabi Ayad were subdivided in 5 operations, all with an own stratigraphy. Operation III was excavated over the largest surface area and most levels could be C14 dated. Only this operation allowed statistical considerations. It turned out that bead rates, diversity of types and colors did not increase with time, but in certain periods only. Raw materials, unfinished and reused beads in association with possible tools are rare on the tell. However this evidence and the amount of local stones suggest production on household level on the tell. Partly beads are fractured, but there are no indications for intentional fragmentation. On the contrary it seems that in grave context only pristine pieces of jewelry were deposited, but jewelry is not mandatory in burials. There are large differences regarding amount and quality of beads in the graves. These differences might indicate some kind of stratification within the society. The major portions of beads are single, complete beads. Necklaces, bracelets and anklets were found in much lesser quantities and mainly in grave context. The beads are all stored in depots in Syria and could not be studied directly. Therefore my study is based on the documentations produced in the field, and Neolithic bead technology is discussed in general. Generally investigations on beads are focused on technological or social aspects but do not work out the variations between Early and Late Neolithic stone beads. It remains challenging to investigate how beads changed with the onset of the Late Neolithic in a semi sedentary society. Show less
The Halaf culture is known for having the finest pottery making traditions of the ancient Near East. Its assemblage is dominated by various geometric designs, and a small part of this assemblage is...Show moreThe Halaf culture is known for having the finest pottery making traditions of the ancient Near East. Its assemblage is dominated by various geometric designs, and a small part of this assemblage is comprised of realistic designs. These realistic designs include depictions of objects, structures, animals, and only a few depict human figures. A mere twenty-five depictions to be precise. This thesis has gathered, for the first time ever, all the available Halaf fragments that depict human figures. These images have been found at ten different Halaf sites, where some sites yielded more than one image. All of the images were depicted on “Halaf Fine Ware”, a technologically improved serving vessel, that supposedly changed the way prehistoric people used ceramic wares. Earlier studies have paid attention to different aspects of these anthropomorphic designs. Some studies have focused on the stylistic aspects, and others have also incorporated meaning in their analysis of the images. Yet, no study has incorporated and commented on the context in which these fragments were found. This thesis is data-oriented, and the data set is approached from a variety of analytical perspectives: formal-stylistic, functional, and depositional.Show less
The aim of this research is to gain new insights in the changing of cooking practices and eating habits as a result of Frankish influence. To reach this aim, this study strives to seek a relation...Show moreThe aim of this research is to gain new insights in the changing of cooking practices and eating habits as a result of Frankish influence. To reach this aim, this study strives to seek a relation between cooking wares and cooking practices, and diet and eating habits. As a result, it aims to provide valuable information regarding the socio-economic, the cultural, and the local and regional perspective of both cooking practices and eating habits during the Middle to Late Byzantine period (ca. 1200-1500 AD). This research shows that there were indeed changes in cooking practices and eating habits during the Late-Byzantine/Frankish period in the Aegean, and these could have been related to each other. The evidence suggests that smaller, thinner, and taller cooking pots appear somewhere around the middle of the 13th century, replacing the previous globular, thicker ones from the Middle Byzantine period. This change could have been the result of a trend during the Late Byzantine/Frankish period towards more watery dishes, cooked in their own juices. The dietary evidence supports this considerable difference in the Byzantine Aegean diet and the Medieval Western diet, primarily at the higher classes of society. Unfortunately, the effects of Christian Orthodox fasting rules on diet and eating habits or Frankish meat consumption are not visible in stable isotope values from multiple sites in Greece. A socio-economic perspective on the ceramic and dietary evidence during this period could indicate a possible Frankish influence on local cooking practices and eating habits. However, it is not with certainty to say that these changes were actual the result of Frankish influence. From a cultural perspective, it appears that the change to different cooking practices and eating habits in Late Byzantine/Frankish times may not only have been the result of the appearance of the Franks into the scene, but also of growing wealth. Furthermore, it is difficult to distinguish different cooking practices between the higher and lower classes in the Byzantine Aegean or the Medieval West, while substantial variations between town and country or between different local environments must have determined food choice and availability to a certain extent. The local and regional perspective also supports the fact that ceramic and dietary distinctions existed between town, country, and other areas. Urban settlements were more likely to be influenced by a Frankish presence than rural settlements. The experimentation indicates that similar production methods were used for both type of cooking wares. In this regard, it seems very plausible that the Franks did not bring their own potters. The Middle Byzantine way of production seems to have persisted after the Frankish conquest, without noticeable morphological changes.Show less
The thesis analyses the extension of the Urartian Empire and focuses on its northern provinces and frontier regions. It demonstrates how far the Urartian state extended to north in Transcaucasia...Show moreThe thesis analyses the extension of the Urartian Empire and focuses on its northern provinces and frontier regions. It demonstrates how far the Urartian state extended to north in Transcaucasia and shows the different degrees of political control exercised by the central imperial authority over the conquered regions. Urartu, like other ancient empires and states, was not a monolithic, contiguous political and territorial formation, and its boundaries were rather fluid and loosely defined than static like the borders of modern nation states. To achieve a better understanding of the archaeology of political control of the Urartian Empire, four categories and further subcategories of the Urartian cultural assemblage are defined that best represent the Urartian political/administrative landscape: architecture (subdivided by major administrative centres, fortresses and tombs), the display inscriptions, metalwork and pottery. By analysing the distribution of Urartian cultural assemblage, different zones are defined within the Urartian political/administrative landscape such as core, province and frontier, in which the central authority exercised its power and control to varying degrees.Show less
Het Gudit Stèle Veld was een gebied ten zuidwesten van Aksum, Ethiopië. Het dateert uit de 3e en 4e eeuw na Chr. en in deze periode zijn ongeveer honderd stèles hier neergezet. Welke functie had...Show moreHet Gudit Stèle Veld was een gebied ten zuidwesten van Aksum, Ethiopië. Het dateert uit de 3e en 4e eeuw na Chr. en in deze periode zijn ongeveer honderd stèles hier neergezet. Welke functie had het Gudit stèle veld binnen de Aksumitische samenleving gedurende de opkomst van het christendom?Show less
Summary This thesis deals with the research question whether music played a pivotal role in complex societies, which emerged during the ED period (2900-2450 BCE) in Sumer, present day southern Iraq...Show moreSummary This thesis deals with the research question whether music played a pivotal role in complex societies, which emerged during the ED period (2900-2450 BCE) in Sumer, present day southern Iraq. In relation to this assessment, the focus of this study is on the social identity of the musician and on the evolution of the stringed music instrument. Accordingly, a literature study has been conducted focusing on a selection of relevant artifacts encountered at the Royal Cemetery of Ur: 1) the stringed music instruments, 2) the cylinder seals, and 3) the artifacts with cuneiform texts. Complex Society and Music: One of the key socio-political developments, which occurred during the ED IIIa period (2600-2450 BCE), was that kingship became hereditary. As such the legitimacy of kingship towards the citizens, became of critical importance, especially during the transition of power, now from father to son. Therefore the palace ideology, consisting of a body of doctrines, had to be inculcated effectively in society, now more than ever. To achieve this, music would prove to come to the rescue. This, since the elite would select two arenas to fulfill their propaganda needs, one in the domain of the living, the palace, the other in the domain of the death, the (royal) cemetery. The Musician: Therefore the “gala” singer attended not only the royal banquets, at the palace, and plucked the lyre, as can be observed from the cylinder seals and the Standard of Ur. But she also performed during the funerary ritual of the deceased ruler, as can be observed from the contextual evidence, the skeletons of “Dumu-kisal” and her colleagues in relation to the harps and lyres, of the royal cemetery. The Music Instrument: A sumptuous variety of stringed music instruments has been skillfully retrieved by Woolley from the Royal Cemetery, which is testimony to the long evolutionary path these instruments have followed. The lyre is thought to have evolved out of the arched harp (+/- 3000 BCE), which itself is interpreted to have developed from the hunter’s bow. The number of strings increased from 3-5 during the Uruk period to 11-15 observed during the ED period, enhancing the tonal capacity of the instrument significantly.Show less
