Catalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular...Show moreCatalogues have been a staple library feature for the last several centuries, a useful finding tool for readers and organizational aid for librarians; they are also a representation of a particular place and time. The form and content of a catalogue can provide insights into the social norms and scholarly interests of the era in which it was created. Employing a longitudinal and comparative approach, this thesis examines the published catalogues of Leiden University Library’s Hebrew manuscripts collection throughout its four centuries of existence. I compare these catalogues, mark the differences in the ways they describe Hebrew manuscripts, and illuminate the social changes or emerging scholarly fields that likely influenced their creators. Throughout this thesis, I argue that when it comes to Hebrew manuscripts, any examination of historical cataloguing trends or choices cannot be complete without also considering that era’s societal attitudes toward Jews, the original creators of the language and texts contained in said manuscripts. I conclude that there exists a direct correlation between the quality of the catalogues’ manuscript descriptions and the cataloguer’s knowledge of the Hebrew language and of Jewish literature and culture; I extrapolate the implications of this conclusion for the future of manuscript cataloguing in the digital age.Show less
This thesis establishes the Japanese otome visual novel genre of media as a new, digital type of immersive multimodal reading for women. Otome revives the bygone late 20th-century academic debate...Show moreThis thesis establishes the Japanese otome visual novel genre of media as a new, digital type of immersive multimodal reading for women. Otome revives the bygone late 20th-century academic debate on interactive fiction, as the subgenre challenges the categories of media as we understand them: the otome visual novel format combines romantically-themed prose with visual, audial, and interactive elements. Otome visual novels evoke a feeling of influence over the plot progression through interactivity, yet present walls of text as their method of story-building and therefore require a significant amount of reading, which could preclude their consideration as either literature or games per se. Because of this generic ambiguity, visual novels have long been overlooked in academia. This thesis presents a comprehensive analysis of otome visual novels as part of Japanese (women’s) reading habits using Espen Aarseth’s concept of ‘ergodic literature’, supported by theory from Reading Studies, Literature Studies, and Game Studies. In doing so, this thesis sheds light on the subgenre’s immense popularity in its country of origin and illuminates its unique position to bridge the academic fields of Literature Studies and Game Studies in the digital age.Show less
This thesis studies a Middle Dutch Book of Hours which was copied in 1498 and illuminated in 1499 for Aef van Bolgerien, an inhabitant of Beverwijk, and which is currently preserved in the Special...Show moreThis thesis studies a Middle Dutch Book of Hours which was copied in 1498 and illuminated in 1499 for Aef van Bolgerien, an inhabitant of Beverwijk, and which is currently preserved in the Special Collections of Leiden University Libraries under the shelfmark BPL 2747. While several aspects of this manuscript have already received scholarly attention (in particular its colophon and decoration), this thesis presents a first comprehensive study into the history and contents of the codex. It focuses in particular on the way(s) in which the book was customized for the use by Aef van Bolgerien. Books of Hours were often made to order, meaning their contents could be adjusted to the preferences of the comissioner. As a result, while Books of Hours are the most surviving type of texts from the Middle Ages, they show great variety among them. As the selection of additional prayers in particular is specific to each copy, they offer insight into both the relgious practice of the first owner and, in general, into the practice of customising Books of Hours. For this reason, the eleven additional prayers contained in BPL 2747 were chosen to be transcribed and edited as part of the thesis. In the first chapter, the historical developments surrounding the production and use of the Book of Hours are discussed, focussing on developments in lay religious culture, the Devotio Moderna, and the vernacular translation of the Hours that was created in this context. The second chapter introduces the manuscript central to the study, BPL 2747, and provides insight into elements such as the materiality, provenance and decorations of the book. The third chapter contains a transcription of the prayers separate from the Hours. The final chapter, chapter 4, adresses the dissemination of the prayers and what they may tell us about van Bolgerien’s devotional practice.Show less
This thesis is a complete edition of the MS. album amicorum of the publisher and printmaker Pieter Schenck I, in Leiden University Library Special Collections (LTK 903), together with a critical...Show moreThis thesis is a complete edition of the MS. album amicorum of the publisher and printmaker Pieter Schenck I, in Leiden University Library Special Collections (LTK 903), together with a critical introduction and apparatus.Show less
Newspapers are published fast and often, even in the eighteenth century. Setting type by hand is a rather extensive process. Do we see traces of this complicated process in newspapers? And who...Show moreNewspapers are published fast and often, even in the eighteenth century. Setting type by hand is a rather extensive process. Do we see traces of this complicated process in newspapers? And who decides on the layout and typographical features of newspapers? Did typesetters copy typesetting habits from each other? Is it possible to see right away where a newspaper has been printed or do they all look similar? To find out more about printing processes and newspapers layouts during the late eighteenth century five French newspapers from three different countries were analyzed: the Gazette de Leyde, the Gazette d’Amsterdam, the Gazette de Nice, the Courrier d’Avignon and the Gazette de Berne. First, the historical background for all three countries and all five newspapers was researched, which is presented in chapter two and the first half of chapter three, before the printing practices in the Netherlands are introduced in the second half of chapter three. By looking more extensively at the manual written by David Wardenaar, Beschrijving der boekdrukkunst [Description of book printing], the process of printing newspapers became clearer. In chapter four the analysis of the five newspapers can be found, which helped distinguish whether there were typographical features that could be found in all five newspapers and whether the newspapers followed certain ‘trends’ or habits of other newspapers which they adopted.Show less
