K-pop has gained global recognition on a previously unknown level. K-pop artists are flying out to locations on every continent for events and concerts and are met with legions of adoring fans....Show moreK-pop has gained global recognition on a previously unknown level. K-pop artists are flying out to locations on every continent for events and concerts and are met with legions of adoring fans. Despite the language barrier and culture-difference, these fans feel nothing but understanding and excitement upon interaction with their favourite band. But the rise to the global stage has not been without obstacles. When the eyes of the world are on you, that means one is subjected to a myriad of cultural perspectives, many of which will inevitably clash with your own. In this scenario, cultural faux passes, or worse, are inevitable. Global fans, confronted with these instances, have reacted in various ways, ranging from witch hunts to blind defense. Knowing they have global fans should have made them more aware, is one of the sentiments, whereas another vocal group points out that perhaps cultural differences are to blame. Based on a review of the theory of parasocial interaction by Horton and Wohl (1956), two surveys were conducted. A quantitative survey was conducted among 328 respondents in the period of April 2020 to May 2020. Following the emergence of K-pop as a hot topic during the 2020 Black Lives Matter protests, a list of 15 open-ended questions was distributed in June 2020 among 26 respondents to gain more qualitative commentary to function as contrast and illustration to the survey’s results. Results showed a disconnect between the real-life experiences of the participants of the qualitative survey, and the numerical results of the quantitative survey, with the first suggesting a high level of parasocial attachment, and the latter a negligible level. Most important is the clear outcome that fans demand social action from their idols in return for their emotional labour as fans, as illustrated by the events involving K-pop fans during the 2020 Black Lives Matter protests. Further research is needed to fully reconcile the results, and keep an eye on the development of K-pop and its fandom among social movements.Show less
This thesis identifies the ideals of risshin shusse ("Rising in the world") as portrayed within Meiji period sugoroku boardgames targeted at elementary school students. It compares the actual...Show moreThis thesis identifies the ideals of risshin shusse ("Rising in the world") as portrayed within Meiji period sugoroku boardgames targeted at elementary school students. It compares the actual realities of children at the time to that which is portrayed in the sugoroku and places the primary sources in their historical context.Show less
This thesis researches how the concepts of tokenism and cultural memory are used to explain and strengthen the narrative of patriotic martyr Yu Kwansun as seemingly the sole important Korean female...Show moreThis thesis researches how the concepts of tokenism and cultural memory are used to explain and strengthen the narrative of patriotic martyr Yu Kwansun as seemingly the sole important Korean female resistance fighter in contemporary South Korean society. By critically analyzing the various South Korean school textbooks, online news articles, governmental weblogs, literature, memory sites, museum labels, cinematic texts and the presidential speech in 2019, it seems that Yu Kwansun has a more highlighted role in society compared to the other female historical figures who are portrayed in the history canon. The portrayal of Yu Kwansun as a token has the purpose of constructing the image of an inclusive society through history. While the narrative of Yu Kwansun in society might give the appearance of inclusivity, the narratives of other important historical female figures in Korean history are literally left in the background. (Korean) women in general are still viewed as a single entity and their accomplishments are often credited to the group instead of their own efforts. Ultimately, this thesis has shown how historical female figures are portrayed in contemporary society by focusing on the case study of Yu Kwansun.Show less
According to many scholars, the Chinese media increasingly subjugates women and depicts them in relation to marriage, and by extension home and motherhood. Women who do not adhere to these ideals,...Show moreAccording to many scholars, the Chinese media increasingly subjugates women and depicts them in relation to marriage, and by extension home and motherhood. Women who do not adhere to these ideals, are stigmatized by the media. At the same time, the media bestows men with important social roles and expectations. In my research, I investigated whether single men and single women are indeed depicted according to different standards.Show less
This piece of research looks at contemporary Chinese poetry through the lens of translation. The theoretical framework acting both as a premise and as the background for the whole project, which...Show moreThis piece of research looks at contemporary Chinese poetry through the lens of translation. The theoretical framework acting both as a premise and as the background for the whole project, which ties contemporary Chinese poetry and translation together, is the idea of world literature as defined by David Damrosch. By considering specific poems by Bei Dao and Yang Lian, this work aims at defining the crucial role of translation in determining the "trajectory" of texts within world literature.Show less
Secondary schools in the Netherlands have been offering Chinese Language and Culture as an official exam subject for three years now. Studies on Dutch students SLA of Mandarin are very limited in...Show moreSecondary schools in the Netherlands have been offering Chinese Language and Culture as an official exam subject for three years now. Studies on Dutch students SLA of Mandarin are very limited in number, and established literature often studies participants in their twenties with English as their L1. This study aims to look at improvement shown in tonal production by Dutch teenagers aged 13-17 who follow the relatively new Mandarin course in secondary school, to provide deeper insight into SLA of Mandarin by Dutch teenagers, and into the effectiveness of the course. There were two groups of participants: students with four months of experience in Mandarin, and students from the same school with three and a half years of experience. They were asked to produce a selection of both monosyllabic and disyllabic words. Their tones were visualized using Praat, and compared to both the tonal production of native speakers to identify errors. The production of the two different grades was then compared to one another to identify points of improvement. The results showed that female students showed improvement mainly in pitch contour, and to some extent even acquired tonal coarticulation. The male students showed improvement in pitch height, and very little improvement in pitch contour. For both genders the production of tone 3 appeared most difficult, followed by tone 4, then tone 2. Tone 1 was the easiest to produce.Show less
This thesis explores the motivations of the protagonists of two love suicide puppet plays written by Japanese playwright Chikamatsu Monzaemon: Sonezaki Shinjū and Shinjū Ten no Amijima. Using...Show moreThis thesis explores the motivations of the protagonists of two love suicide puppet plays written by Japanese playwright Chikamatsu Monzaemon: Sonezaki Shinjū and Shinjū Ten no Amijima. Using sociological and (socio)psychological theories - primarily the socioemotional theory of suicide by Seth Abrutyn and Anna Mueller - it seeks to expand on the psychological level of interpretation that traditionally tends to use the giri/ninjō dichotomy. The thesis concludes that the protagonists are motivated by love and suicide suggestion to die together, although the suicide itself is rather the result of a perceived lack of control, the failure of social performance and the influence of negative social emotions.Show less
Okinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such...Show moreOkinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such films have been predominantly produced by mainland Japanese directors, and have often been criticized for depicting Okinawa in stereotypical and essentializing ways. This thesis places Paradise View, the understudied first feature film of Okinawa-born independent director Takamine Gō, in the above-mentioned context and focuses on the film’s thematic and narrative analysis to put it forward as a case study of a film that actively evades and challenges such representations.Show less
This thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and...Show moreThis thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and stereotypes perceived, and how does that perception influence reading choices? Boy's love is examined not only as an experience in itself, but also in connection with broader questions with regards to female sexuality and pornography.Show less
China desires to gain knowledge that is required to sophisticate its economy. This primarily involves investments in strategic sectors in Europe, which is increasingly received with anxiety and...Show moreChina desires to gain knowledge that is required to sophisticate its economy. This primarily involves investments in strategic sectors in Europe, which is increasingly received with anxiety and scepticism by European leaders. Therefore, an alternative for China to attain significant technological insights is open innovation. This research argues that this is a useful way of obtaining mutually profitable research and development. However, such a partnership requires confidence that is currently lacking. Therefore, this research answers the question: To what extent does the EU’s perception of China impede the Sino-EU cooperation on innovation? This dissertation examines this issue by analysing how the EU view on China influences trust towards this partner, and what this entails for open innovation. It is found that present preconceived negative notions on China lead to distrust. On certain issues, control mechanisms compensate for this lack of trust. However, more trust or control remains to be needed in order for future open innovation in this bilateral relationship to blossom.Show less
This thesis investigates the topic of nationalism in Weibo posts that discuss the detention of Meng Wanzhou, Chief Financial Officer (CFO) of Huawei. After the arrest, Weibo users quickly connected...Show moreThis thesis investigates the topic of nationalism in Weibo posts that discuss the detention of Meng Wanzhou, Chief Financial Officer (CFO) of Huawei. After the arrest, Weibo users quickly connected this case with broader nationalist topics, resulting in different types of nationalist reactions. This study describes how these reactions reflect, create or shape a nationalist discourse. This was done in three parts: first of all, I examined how the countries of Canada, the US and China are described. The analysis reveals that the comments describe the US as the active culprit and Canada as a more passive, docile country. Secondly, the question was formulated as to how Meng was described, as a person, as CFO of Huawei, and as a Chinese, in order to gain more insight into how these different layers of her identity coincide or contrast. This part concludes that most commenters express their support for Meng, but that her wealth and unclarity regarding her citizenship can result in a decrease of support. Finally, I investigated the ways in which nationalism can be converted into action. It became clear how consumption and nationalism can be linked: many Weibo users suggested to initiate a boycott, mainly against Apple. Simultaneously, others also reflected on the efficacy of such measures.Show less
In the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample...Show moreIn the early Edo period (17th century), Christianity was persecuted in Japan after about a century of missionary activities by European priests. The Japanese persecution used fumi-e, ‘trample images’, to force converts to apostatize. This thesis analyses an extant fumi-e from the Rijksmuseum voor Volkenkunde, and aims to answer how this fumi-e can be used as an illustration of the process of mutual exchange and adaptation, also called transculturation, that occured before and during the persecution. Using Panofsky’s iconological analysis, the image on the fumi-e can be identified as a depiction of the Madonna of the Rosary. Art featuring this motif was brought to Japan by European missionaries. The fumi-e shows stylistic influences from non-European artistic traditions. These are reminiscent of the art made by Japanese students of the Jesuits, Japanese Buddhist art, the yamato-e style, and nanban art. These influences can be explained by placing the object in the context of the persecution. The Volkenkunde fumi-e was specifically made for the persecution, as a replacement of the worn-out initial fumi-e that consisted of paintings and other fragile items. Using other extant fumi-e featuring the same motif, the development and gradual change of the ‘Madonna of the Rosary’ image can be seen. This change can be explained by the lack of European examples due to the ongoing persecution, and the process of transculturation that had already begun with the first missionaries. This process of transculturation can be seen in other aspects of the persecution as well. The government systematized three major ways of persecution, which can be seen as methods of surveillance and population control. These methods were social control in the form of the goningumi system and offering rewards to informants, monitoring in the form of obligatory registration at Buddhist temples and the compilation of population registers, and tests of faith using the fumi-e. These methods did not only impact Christians, but became part of the fabric of Japanese society, and affected the shape of Japanese Buddhism as well. Furthermore, they asserted the authority of the Tokugawa government. The persecution also helped shape a narrative about identity, in which Christians served as the ‘Other’ against which ‘Japaneseness’ could be contrasted. Echos of this narrative can be seen throughout the Edo period extending into early Meiji, and even in contemporary attitudes towards (Western) foreigners. The Volkenkunde fumi-e illustrates all these points. Its visual qualities show the artistic exchange in the ‘Christian Century’, while its purpose and use demonstrate how the subsequent persecution transformed society by providing methods for population control, assertion of authority for the Tokugawa bakufu, and creating a narrative about identity. It is therefore both a product and an illustration of the transcultural process that occured in the encounter between Japan and Christianity.Show less
This thesis explores the conceptualization of selfhood, self-interest, and self-sacrifice in ancient Chinese thought by performing an intra-textual analysis of several anecdotes in the Han Feizi, a...Show moreThis thesis explores the conceptualization of selfhood, self-interest, and self-sacrifice in ancient Chinese thought by performing an intra-textual analysis of several anecdotes in the Han Feizi, a canonical text on ancient Chinese political philosophy dating back to the 3rd century BCE. More specifically, this thesis describes a paradox in early Chinese thought, particularly in the Han Feizi, about conceptions of self-hood as articulated in anecdotes involving self-interest and self-sacrifice. A close reading of relevant passages demonstrates that, according to the Han Feizi, the contradictory tension between self-interest and self-sacrifice that instigated the premise for this study is in fact not so paradoxical after all. According to the Han Feizi, individuals are motivated by their self-interested nature, even when they sacrifice their limbs, their children, or their lives in the pursuit of personal aggrandizement.Show less
The Japanese video game industry used to be a leading force in the world. During the 90’s and the early 2000’s, Japanese video games dominated the international market. Recently, however, during...Show moreThe Japanese video game industry used to be a leading force in the world. During the 90’s and the early 2000’s, Japanese video games dominated the international market. Recently, however, during the end of the last decade and the start of the current decade, Japanese video games experienced a huge dip in their sales. Japan has been attempting to use the ‘Soft Power’, the concept of influence generated by its popular culture overseas, to its advantage. The link between the Japanese video game industry and the concept of Soft Power have not been sufficiently examined as of now, hence why it was the focus of this study. The aim of this study was to come to an understanding of why these fluctuations in the market occurred, as well as look for the potential influence of Japanese video games and their popularity overseas on Japan’s Soft Power. By asking questions, in the form of a survey, to experts from the Dutch video game industry, the objective was to come to new insights on the matter and open up possibilities for further research. Results from the survey showed that previously underrepresented factors contributed to the fall in popularity of Japanese video games in the West. Elements like ease of use, lingual nuances, as well as intrinsic differences in preferences of the Japanese domestic audience and the Western audience, were identified. The link between the performance of Japanese video games overseas and Japan’s Soft Power was also confirmed. Respondents acknowledge the capability of Japanese video games to influence the consumer’s image of Japan, albeit not always in a purely positive way. Arguments were also raised that the Japan portrayed in video games is often not the real Japan. This holds true, but in order to make a target audience think more positively about Japan, the ‘real’ Japan does not need to be represented accurately. Thus, it can be argued that popularity of Japanese video games overseas does indeed correlate to an increase in Japan’s Soft Power.Show less
This thesis is a study of the role of one of the constituent domains of the early modern Japanese state, Hizen, in the Meiji Revolution which overthrew the Tokugawa state.
