Over the past fifty years, Seoul has seen significant transformations in politics, business, and culture. These changes have simultaneously impacted the urban fabric of Seoul to a great extent....Show moreOver the past fifty years, Seoul has seen significant transformations in politics, business, and culture. These changes have simultaneously impacted the urban fabric of Seoul to a great extent. Within contemporary government redevelopment policies, there is a trend that focuses on composing a modern and global image of Korea. Despite the positive impacts of these policies, such as an increase in wealth and living conditions of the average Korean, the redevelopment projects have also negatively affected the livelihoods of Seoul’s locals. This thesis explores this phenomenon through the lens of place memory, urbicide, and heterotopia and answers the question ‘How has the redevelopment of Seoul impacted the urban fabric of Euljiro-dong and its locals?’ This is done through a historical overview of redevelopment in Seoul spanning from the Chosŏn period until the twenty-first century. In addition, the contemporary impact of redevelopment is explored through a case study and a survey that focused on business owners in Seoul’s Euljiro-dong. In conclusion, this thesis demonstrates that the planning of Seoul is characterised by a distinct form of urban destruction. Although South Korea has grown immensely based on democracy, there is still room for improvement in local participation and bottom-up initiatives.Show less
This study examines the most prevalent lexical errors committed by Dutch learners when they write in Korean. It also examines whether the proficiency levels of learners influence their tendency to...Show moreThis study examines the most prevalent lexical errors committed by Dutch learners when they write in Korean. It also examines whether the proficiency levels of learners influence their tendency to make language transfer errors, distinguishing between inter- or intralingual errors. Although error analysis studies are plentiful in the field of second language acquisition, both lexical errors and Dutch learners of Korean have been neglected as research subjects. By making use of error and statistical analysis, this study aims to fill that gap. This results demonstrate that the most prevalent lexical errors among Dutch learners of Korean of all proficiency levels is literal translation, followed by confusion with semantic similarity, paraphrasing or circumlocution, confusion with formal similarity, and omission or incompletion errors. The study further finds evidence for the claim that learners with high proficiency levels of Korean make more intralingual errors than learners with low proficiency levels, but it does not find evidence that learners with low proficiency levels make more interlingual errors than learners with high proficiency levels. These results suggest that instructors might need to focus on helping advanced learners in their understanding and use of complex Korean language structures and vocabulary, whilst not neglecting correction of language transfer errors in general.Show less
This thesis investigates the visual promotion of government-constructed female identities and addresses the question of how the North Korean government visually constructs the ideal female citizen....Show moreThis thesis investigates the visual promotion of government-constructed female identities and addresses the question of how the North Korean government visually constructs the ideal female citizen. It does so to uncover the underlying narratives that the North Korean state seeks to promote about womanhood, national identity, and allegiance to the regime. It conducts extensive literature research on the current field of study to generate theories and variables to test. Using a mixed methods approach, it examines 130 North Korean propaganda posters and 272 depicted characters between 2000-2010. This study finds that the posters greatly emphasise a dichotomy between male and female duties and characteristics. The North Korean regime employs diverse strategies in symbolism and composition that equate most female identities to docile and demure and put them in charge of delegating traditional culture. It can be interpreted that the regime seeks to visualise nationalised womanhood that connects the citizens through tradition, culture, and community.Show less
In this thesis, I argue that, perhaps more than any other contributing factor, the card game known as Hyakunin Isshu karuta plays a major role in the popularity of the Hyakunin Isshu anthology...Show moreIn this thesis, I argue that, perhaps more than any other contributing factor, the card game known as Hyakunin Isshu karuta plays a major role in the popularity of the Hyakunin Isshu anthology today, and has done so ever since the conception of the game. Where the once-popular woodblock printed parodies and educational books that featured the poems inevitably fell out of fashion, karuta has seen attempts at modernization, standardization and national organization that secured not only its own survival into the twenty-first century, but that of the anthology as well. As there was very little research on this specific topic at the time of writing, I sought to answer this question: how has karuta, and the popularity thereof, concretely contributed to the popularity of the Hyakunin Isshu in the past 70 years?Show less
Ryukyu, also known as Okinawa, is the southernmost prefecture of Japan today. However, these islands were once an independent Kingdom and played a crucial role as a link between Northeast and...Show moreRyukyu, also known as Okinawa, is the southernmost prefecture of Japan today. However, these islands were once an independent Kingdom and played a crucial role as a link between Northeast and Southeast Asia during the maritime period. Established in 1429, the Ryukyu Kingdom existed as a separate state for nearly 450 years until it was incorporated into Okinawa Prefecture by the Meiji Japanese government in 1879. Scholarship on Okinawa has predominantly focused on post-war geopolitics or the general exchanges between China, Japan, and Ryukyu in the early modern period, often relying on textual accounts. Unfortunately, the arts of Okinawa have largely been overlooked by the Western world due to the prevailing notion that Japan is a homogeneous culture, disregarding local variations and leading Western Japanologists to lack specialized interest in Japan's peripheral regions. Similarly, ethnographic museums in the West have limited collections related to the Ainu people. These circumstances suggest that contemporary studies on Japan are largely influenced by the country's nationalist concept of a unified nation, particularly after the Meiji Restoration. China had been sending diplomatic envoys to the Ryukyu Kingdom since the Ming Hongwu Emperor, and this practice continued until the mid-19th century when Japan annexed Ryukyu and made it part of its territory. The four-century-long diplomatic history between Ryukyu and China can be considered the golden age of Okinawan history, during which numerous art forms thrived, and Okinawans took great pride in their unique culture and language. The Okinawans referred to the vessels carrying envoys from China as Okansen (meaning "crown ships"), and the primary envoys who crowned the Ryukyu King were called Sappōshi. Although the Ryukyu Kingdom was officially established as a unified dynasty by King Shō Hashi in 1429, the tributary relationship with Ming China had already begun in 1372, during the reign of the Ming Hongwu Emperor and King of Chūzan. In addition to the vassal and tributary relationship with China, the Kingdom maintained careful relations with Japan after the invasion by the Japanese Satsuma-Shimazu clan based in Kagoshima, Kyushu in 1609. The Ryukyu Kingdom pursued a diplomacy of equidistance and multilateralism, establishing trade with China, Japan, Korea, and Southeast Asian countries as the foundation of its economy. Consequently, people, goods, and information from various Asian countries were exchanged, giving rise to an international "Ryukyu culture." This study aims to explore the enduring but relatively understudied tributary relationship between the suzerain and vassal states through an examination of historical documents and material culture. Specifically, I will analyze similar tributary offerings found in the collections of various museums.Show less
The Japanese Mingei (Folk craft) theory has played a prominent role in the realm of crafts, drawing parallels to the Arts and Crafts movement that emerged in Great Britain during the late 19th and...Show moreThe Japanese Mingei (Folk craft) theory has played a prominent role in the realm of crafts, drawing parallels to the Arts and Crafts movement that emerged in Great Britain during the late 19th and early 20th centuries. Mingei, as a counter-movement, aimed to revive traditional crafts in response to the perceived decline of fine arts. Influenced by pioneers of the Arts and Crafts movement, Yanagi Sōetsu (1889-1961) began developing Mingei theory in the early 20th century after exploring Korean crafts. Yanagi's theory centered on appreciating objects crafted by the people (min) and aimed to highlight the significance of these creations. Even today, Mingei continues to be applied to various objects, endowing them with an air of "authenticity" and "naturalness." Objects classified as Mingei are often perceived as traditional, reflecting regional techniques and shapes. The link to "nature" arises from the production process, where craftsmen prefer using locally available materials, operating in a state of mushin (no mind) – a concept derived from Zen Buddhism. According to Yanagi Sōetsu, this non-conscious state enables craftsmen to channel "nature" or a higher power, resulting in objects that embody a spiritual connection to the natural world. This research explores the evolution of Mingei theory in the context of Japanese ceramics and its reciprocal influence on ceramicists. Focusing predominantly on Yanagi's original theories, this study investigates how ceramicists have adapted and applied these ideas. Notably, Mingei theory has been instrumental in differentiating Japanese ceramics from non-Japanese works, imbuing them with a sense of "authenticity" associated with "folk art." While certain elements may not inherently qualify as "folk," they still carry Mingei attributes, reflecting national and possibly essentialist notions. Through comparative analysis, this study examines the work and comments of two prominent figures in Japanese ceramics – Hamada Shōji (1894-1978) and contemporary ceramicist Matsuo Haruka (b. 1974). Hamada Shōji, renowned for his association with Yanagi Sōetsu and the Mingei movement, serves as a compelling case study. His influence on Yanagi and vice versa sheds light on the essence of being a Mingei artist. In contrast, Matsuo Haruka, a ceramicist active in the Netherlands, offers a contemporary perspective, adhering to traditional "folk" techniques while receiving formal education in fine arts and textiles. Her experience and familial connections to Yanagi Sōri, Sōetsu's son, present a unique opportunity to explore the intersection of tradition and modernity in Mingei theory. Ultimately, this research aims to illuminate the dynamic relationship between Mingei theory and Japanese ceramics, uncovering the ways in which this influential movement has shaped the world of crafts. By examining the insights of Yanagi Sōetsu, Hamada Shōji, and Matsuo Haruka, this study contributes to a deeper understanding of Mingei's impact on the appreciation of Japanese ceramics and its continued relevance in contemporary artistic practice.Show less
