A comparative study of the ways in which African American authors Ralph Ellison and Toni Morrison use the classical tradition in their novels Invisible Man and Song of Solomon. The thesis explores...Show moreA comparative study of the ways in which African American authors Ralph Ellison and Toni Morrison use the classical tradition in their novels Invisible Man and Song of Solomon. The thesis explores the texts through the lens of reception theory and considers the potential problems involved in writing about black classicism or 'classica africana.' It finds that both Ellison and Morrison not only comment on the classical tradition but also, through strategic allusion and appropriation, challenge the ideas of cultural purity and literary hierarchy it has historically been used to assert.Show less
This thesis is an analysis of two modernist texts, Virginia Woolf’s 'Mrs. Dalloway' and Jean Rhys’ 'Good Morning, Midnight', as a means of exploring how the contrasting states of solitude and...Show moreThis thesis is an analysis of two modernist texts, Virginia Woolf’s 'Mrs. Dalloway' and Jean Rhys’ 'Good Morning, Midnight', as a means of exploring how the contrasting states of solitude and sociality influence self-concept. As both of these texts engage with concepts of selfhood amid themes of social engagement and social isolation, they make ideal candidates for an investigation of this kind. The intentions of this thesis are, firstly, to show how the texts reveal that perceptions of self can be moulded by these contrasting states of sociality and solitude, and, secondly, to highlight the novels’ depictions of the consequences of each state. Because the perceptions of self these states generate manifest themselves in real-world behaviour and essentially influence self-creation, it is worth considering these consequences as represented by a literary movement which so carefully scrutinised the dichotomies of perception and reality, and self and other. By employing a psychological approach to character analyses of selected figures in the texts, this research will cast light on these characters’ personal relationships with sociality and solitude, consequently revealing how their lives, and their understandings of themselves, are positively and negatively influenced by each.Show less
In literature, madness has frequently been used by female writers as a guise, or as Elaine Showalter refers to it, a mask, to express the inexpressible. Using Showalter's term of the 'mask of...Show moreIn literature, madness has frequently been used by female writers as a guise, or as Elaine Showalter refers to it, a mask, to express the inexpressible. Using Showalter's term of the 'mask of madness', this thesis explores the image of madness and its link to self expression in three contemporary novels by female authors. Through a close reading of Virginia Woolf’s Mrs. Dalloway (1925), Margaret Atwood’s Surfacing (1972), and Gillian Flynn’s Sharp Objects (2006) – novels all featuring protagonists exhibiting signs of mental illness – this thesis examines how the image of madness can feature as a response to oppression, and how it can be used as a tool for societal criticism.Show less
This Thesis analyses the path toward a hybrid identity of the female protagonists in The Woman Warrior and White Teeth. The main theory is Homi Bhabha's Hybridity and Third Space. By comparing the...Show moreThis Thesis analyses the path toward a hybrid identity of the female protagonists in The Woman Warrior and White Teeth. The main theory is Homi Bhabha's Hybridity and Third Space. By comparing the similarities and differences between the two female character's search for an identity, the thesis concludes that the narrator in The Woman Warrior is in a primary stage of hybridity and that Irie in White Teeth is in a much advanced and modern stage of hybridity.Show less
This thesis focuses on the representation of masculinity in the Sherlock Holmes character, both in the original stories written by Arthur Conan Doyle in the late 19th and early 20th centuries as...Show moreThis thesis focuses on the representation of masculinity in the Sherlock Holmes character, both in the original stories written by Arthur Conan Doyle in the late 19th and early 20th centuries as well as in the modern BBC interpretation which first aired in 2010. It employs a Foucauldian notion of gender, which sees masculinity as a socially constructed concept and as such perceptible to change. The Sherlock Holmes stories were written over a forty-year time period. Two major historical events from this period could be said to have influenced the definition of masculinity, namely the Oscar Wilde trials and the First World War. Furthermore, Joseph Kestner has argued that Conan Doyle’s Holmes stories aimed to promote an ideal form of masculinity, which led us to consider the representation of Victorian masculinity in the Holmes character. Moreover, this thesis analyses the adaptation of Victorian Holmes in BBC’s Sherlock. Having defined Victorian and twenty-first-century masculinity, we will see that Conan Doyle’s Holmes aligns with numerous Victorian traits that were seen as masculine, and is portrayed as the ideal man. He is heroic, strong, brave, moral, rational and creative. Similarly, BBC Holmes aligns with masculine ideals of the twenty-first century but does not seem to personify the ideal man. He is strong, rational and creative, but his heroism is ambiguous, as well as his morality.Show less
This thesis deals with the topical themes of home, homelessness, exile, and migration as explored in James Joyce's novel Ulysses (1922). The aim is to analyze the manner in which Joyce has...Show moreThis thesis deals with the topical themes of home, homelessness, exile, and migration as explored in James Joyce's novel Ulysses (1922). The aim is to analyze the manner in which Joyce has presented the various perspectives on these notions, and to what extent these themes may be connected to the characters in the text, with an emphasis on the two male leading characters, Leopold Bloom and Stephen Dedalus. The thesis takes an original approach by using as its framework the sociological theories of Georg Simmel (1858-1918), a contemporary of Joyce.Show less
