Acquiring a place in society as a woman is a rigorous affair in Jane Austen’s Pride and Prejudice and Sense and Sensibility. Austen’s female characters have to jump through various societal hoops...Show moreAcquiring a place in society as a woman is a rigorous affair in Jane Austen’s Pride and Prejudice and Sense and Sensibility. Austen’s female characters have to jump through various societal hoops in order to achieve the reputation of being accomplished and marriageable. This thesis aims to highlight the journey of women trying to find agency in society by looking at the purpose of marriage, the meaning of marriageability and the journey to agency of Elizabeth and Marianne, in particular. How do women find agency in Austen’s patriarchal society and its marital expectations?Show less
The thesis deals with Dickens' commitment to expose and criticise the inequities of the British legal system in the 19th century. It provides insight into Dickens' fictional account of the Court of...Show moreThe thesis deals with Dickens' commitment to expose and criticise the inequities of the British legal system in the 19th century. It provides insight into Dickens' fictional account of the Court of Chancery and the Jarndyce and Jarndyce lawsuit in "Bleak House", and into the harmful effects of the criminalisation of the poor in "Great Expectations". Furthermore, it offers an analysis of specific moments of the novels in order to demonstrate Dickens' role in raising his readers' awareness of the social injustices of their time.Show less
Since the very first published appearance of J.R.R. Tolkien’s Middle-earth, contained within the adventure-filled pages of The Hobbit (1937), readers have been drawn into the fantastical, wondrous...Show moreSince the very first published appearance of J.R.R. Tolkien’s Middle-earth, contained within the adventure-filled pages of The Hobbit (1937), readers have been drawn into the fantastical, wondrous world so masterfully crafted by this Oxford philologist. Such an extensive collection of stories, unfinished tales, and background information garners much opportunity for study, both casual and academic. Academic interest in particular has come so far as to spawn its own field of ‘Tolkien Studies’, entirely dedicated to the study of Tolkien and his oeuvre. Perhaps the most heated debate within Tolkien Studies considers whether Tolkien’s legendarium is essentially Christian or Pagan in nature. What has not yet been offered is an examination of Arda’s religion that would suit the wishes of its author: a discussion of religion in Tolkien’s works from inside Middle-earth. This thesis will consider the signs and instances of reverence and religion from an ‘in-world’ perspective, in the same fashion that a wanderer of Middle-earth would encounter them, and in doing so, brings a new and valuable approach to the Christian/Pagan debate, namely the approach of the writer and the sub-creator.Show less
This thesis discusses the role of orphans in Charles Dickens' Oliver Twist and Bleak House. It argues that the role of the orphan is to function as a literary device with which the ideology of the...Show moreThis thesis discusses the role of orphans in Charles Dickens' Oliver Twist and Bleak House. It argues that the role of the orphan is to function as a literary device with which the ideology of the Victorian family can be challenged as well as consolidated.Show less
This thesis examines the use of a patriarchal system as a default in fantasy literature, and it critically explores the possibility of creating more equal systems – such as a matriarchal one that...Show moreThis thesis examines the use of a patriarchal system as a default in fantasy literature, and it critically explores the possibility of creating more equal systems – such as a matriarchal one that is not merely the mirror image of patriarchy – within the worldbuilding of fantasy novels. It does so by comparing the patriarchal system in Mervyn Peake's Titus Groan (1946), to the matriarchal system in Samantha Shannon's The Priory of the Orange Tree (2019).Show less
This BA thesis analyses female figures in Irish fairy tales and folklore as collected by W.B. Yeats to establish how women were represented in these stories. By analysing Carl Gustav Jung’s...Show moreThis BA thesis analyses female figures in Irish fairy tales and folklore as collected by W.B. Yeats to establish how women were represented in these stories. By analysing Carl Gustav Jung’s archetypal literary criticism, this thesis explores archetypes with the focus on the Mother and the Maiden. This thesis gives close readings of several Irish fairy tales that were selected from Yeats’s anthologies with the purpose of examining figures of the Maiden and the Mother that can be found within fairy tales more closely. Both archetypes can be chiefly be found in the passive figures of the daughter and mother, and it is this passivity that makes them into ‘good’ women. Whereas the figure of the stepmother is far from passive, but her aspirations are always associated with her malevolent nature. The passivity of these female characters is not just unique to Yeats’s fairy tales, but can be generally found in other fairy tales and folklore.Show less
