The purpose of my research is to study the dominant discourse on China’s Belt and Road Iniative in Africa within news articles published by the Chinese news agency Xinhua, and how China perceives...Show moreThe purpose of my research is to study the dominant discourse on China’s Belt and Road Iniative in Africa within news articles published by the Chinese news agency Xinhua, and how China perceives its own role in Africa.Show less
The thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's...Show moreThe thesis explores the uses of the skull-cup and the thighbone trumpet in Tibet, their employment from the pre-Buddhist religion to Tibetan Buddhism. It also compares their symbolism as deity's attributes in the Buddhist and pre-Buddhist religious art of Tibet.Show less
The purpose of this research is to show how Asian countries appear to be aestheticized in documentary photographs, often considered as reliable evidence of reality, and to understand to what extent...Show moreThe purpose of this research is to show how Asian countries appear to be aestheticized in documentary photographs, often considered as reliable evidence of reality, and to understand to what extent this is influencing the knowledge “Western” countries have on Asia. Starting from the analysis of current theories on photography and art, I will see how they can be applied to documentary photography, regarded as a practice that only aims at informing the public. Then, tracing back to colonial photography, I will show how documentary photography appears to present an aesthetic of its own, which has had a fundamental role in the structuring and circulation of fantasies, sentiments and ideas between “Western” countries and Asia. Besides, I will determine to what extent this aestheticization of Asian countries has been fostered by contemporary magazines, such as National Geographic. Finally, through the analysis of some of the most iconic images by the documentary photographer Steve McCurry, I wish to show how in the name of artistry, the documentary practice is failing in providing the viewer with visual documents.Show less