This paper focuses on three aspects of the discussion surrounding the importance of historical and archaeological accuracy in video games to contribute insights into specific aspects of this...Show moreThis paper focuses on three aspects of the discussion surrounding the importance of historical and archaeological accuracy in video games to contribute insights into specific aspects of this discussion to the more general topic. These aspects are, in order: 1. The accuracy of medieval European double-edged sword designs in video games, specifically For Honor, Assassin’s Creed: Valhalla, and Elden Ring; 2. The accuracy of animations of attacks and defences as used by the Warden in the video game For Honor; 3. A look into how historical and archaeological accuracy is seen by people who play video games. These three points are discussed individually and their conclusions are related back to the general topic of historical accuracy in order to further scientific discussion surrounding this area. For this purpose, I use a variety of sources including video games, academic journals, historical fencing manuals, blog posts, an interview, and my own experience with the various areas covered in this paper.Show less
This thesis summarizes multiple ways of using comics to positively grow the field of archaeology. To be able to state these ways, I show how comics can be a useful education tool and why adopting...Show moreThis thesis summarizes multiple ways of using comics to positively grow the field of archaeology. To be able to state these ways, I show how comics can be a useful education tool and why adopting the medium can enrich our field of science. Once this has been established, an explanation of how comics can be used to enrich education is given, and then a variety of approaches for archaeology to benefit from the medium are examined. The approaches range from using the medium in public outreach, (children’s) education and academic utilization. For each approach there are examples to show how academic pioneers have already tried to use the medium, and reasons to further understand the possibilities of using it further. I will discuss how archaeology can benefit from using the medium for diversifying our field of academic research, as well as some possible drawbacks of the medium such as cost and skill. In conclusion I explain how using comics shows a good possibility for archaeology to enrich our science, draw more people to our research, and include a more diverse part of society to enrich our collective capacity.Show less
This BA thesis shows where artificial intelligence (AI) and archaeology meet, by presenting a case study that is inspired by the work of Brandsen and Koole, 2022. The case study focuses on the...Show moreThis BA thesis shows where artificial intelligence (AI) and archaeology meet, by presenting a case study that is inspired by the work of Brandsen and Koole, 2022. The case study focuses on the multi-label classification and textual analysis techniques to further data interpretation in archaeology. By building on the foundation laid by previous research, the thesis shows the potential of AI in archaeological research. The thesis discusses both theoretical perspectives on AI in archaeology and practical applications. I focus on the build-up of the use of AI in archaeology till the modern day and further reflect on the accessibility of the multilabel classification tool through the case study.Show less
This thesis compares the archaeobotanical remains from two Roman-era, Egyptian port sites: Berenike and Myos Hormos. A focus is put on the origin of the discovered materials, particularly in the...Show moreThis thesis compares the archaeobotanical remains from two Roman-era, Egyptian port sites: Berenike and Myos Hormos. A focus is put on the origin of the discovered materials, particularly in the context of the Silk Routes trade network of which these ports were a part. It concludes that Berenike seemingly had a larger focus on trade with Africa than Myos Hormos. Also, while both ports had Indian goods in their record, none seemed to have had a more pronounced focus on that subcontinent, although that was hypothesized beforehand. Furthermore, Berenike shows a decrease in the variety of goods traded after its period of inactivity in the 2nd and 3rd century, especially in regards to Indian goods. However, the variety and amount of local and African goods increased. The concurrent demise of Myos Hormos in this period did not seem to have an effect on the traded goods. Finally, this thesis served as a good example of how comparitive research beyond the level of the individual site could benefit the field of Silk Routes research, and which challenges this approach faces.Show less
In deze bachelor scriptie is een selectie van gietijzeren kanonskogels uit de collectie van het Maritiem Archeologisch Depot van Batavialand onderzocht met het doel de oorzaak vast te stellen voor...Show moreIn deze bachelor scriptie is een selectie van gietijzeren kanonskogels uit de collectie van het Maritiem Archeologisch Depot van Batavialand onderzocht met het doel de oorzaak vast te stellen voor de waargenomen degradatie in deze objecten. De kogels zijn onderzocht doormiddel van visueel onderzoek, het lezen van oude archeologische- en conserverings-documentaties en door vergelijkingen in conditie te trekken tussen de kogels in het verleden en heden, om zo de oorzaak van de degradatie te achterhalen. Uit dit onderzoek is gebleken dat het overgrote deel van de kanonskogels actief aan het corroderen is. Na verder onderzoek naar de eerdere conservering is gebleken dat een deel van de conserveringstechnieken die zijn gebruikt voor de kogels achterhaald en minder effectief zijn in vergelijking met huidige technieken. Een van de voornaamste verouderde technieken die een grote invloed hebben op de huidige conditie van de canonskogels, zijn het ontzouten van het ijzer doormiddel van gloeien tot 800°C, en het aanbrengen van een dikke coating van epoxyhars op het oppervlak van de kanonskogels. Ook is gebleken dat de huidige wijze van opslag in Batavialand ontoereikend is voor de opslag van maritiem archeologisch ijzer. Deze conclusie is getrokken uit onderzoek naar de opstelling, relatieve luchtvochtigheid (RV), temperatuur, licht en verontreinigende stoffen in de opslagruimte. Hiervan was vooral de RV zeer verontrustend omdat deze sterk schommelt: ’s winters tussen de 20-50%, en ’s zomers tussen de 55-85%. Aan de hand van deze onderzoeksuitslagen is geconcludeerd dat de gietijzeren kanonskogels interventie nodig hebben om te voorkomen dat deze verder degraderen en zo archeologische informatie verloren gaat. Tot slot zijn aanbevelingen gegeven voor aanpassingen in het collectiebeheer van Batavialand om deze voortdurende degradering te voorkomen.Show less
This paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of...Show moreThis paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of ancient bodies with modern views – creating cross-wired hypotheses on gender manifestation in prehistoric art. Concentrating on the Chalcolithic cruciform figurines, words patterns and trends will be analysed to gain a better understanding of how gendering ancient identities with modern biases is chronicled within a range of selected literature from the 1930s to the current day.Show less
During the Chalcolithic period (ca. 4000 – 2400 BCE) Cyprus was home to several highly distinctive styles of anthropomorphic figurines. These figurines were produced using clay and different types...Show moreDuring the Chalcolithic period (ca. 4000 – 2400 BCE) Cyprus was home to several highly distinctive styles of anthropomorphic figurines. These figurines were produced using clay and different types of stone. Picrolite, was the most common type of stone used for figurines. The figurines feature carved or painted figurative elements which are thought to represent concepts such as dress, hairdo, jewelry, tattoos, and body paint. There is no way to study the dress, hairdo, tattoos, and body paint worn by the Chalcolithic inhabitants of Cyprus directly. As such, these concepts can be studied within the confines of figurine studies, not necessarily in relation with the dress of the Chalcolithic population of Cyprus. In order to analyze the relationship between carved and painted figurative elements on picrolite and ceramic figurines and Chalcolithic bodies and their dress, jewelry, tattoos, or face and body painting, the following research question was established: “Do painted and carved elements on pottery and picrolite figurines from Chalcolithic Cyprus represent dress, hairdo, jewelry, tattoos, and body paint?” To answer this question, a database was established, using Winkelmann’s (2020) extensive catalog of Cypriot figurines, as well as the catalog of the Souskiou Project (Peltenburg et al., 2019). All painted and carved figurative elements, as well as their locations on the figurines were entered in the database. The figurative elements were analyzed and compared using charts and tables and results were compared with previous works on the topic. This thesis illustrates that certain figurative elements, such as hair and decoration on the neck, occur on both ceramic and picrolite figurines. However, their occurrence rates may differ between ceramic and picrolite. Most figurative elements occur in standard locations on the body, suggesting these elements represent concepts in relation to this location (e.g., tassels, clothing, and body paint). While many suggest ceramic and picrolite figurines represent the same concept, figurative elements rarely overlap between the two materials. Certain figurative elements appear to correspond to body adornments known from the archaeological record, while some painted figurative elements resemble common RW ware motifs, suggesting a purely decorative function. It is very likely that painted and carved figurative elements represent dress, hairdo, jewelry, tattoos, and body paint.Show less
The Chalcolithic on Cyprus (ca. 3900-2400 BCE) is an important period for the research of key developments taking place on the island, such as social differentiation, craft specialisation and long...Show moreThe Chalcolithic on Cyprus (ca. 3900-2400 BCE) is an important period for the research of key developments taking place on the island, such as social differentiation, craft specialisation and long-distance trade. With extensive excavations at the sites of Lemba-Lakkous, Kissonerga-Mosphilia and Kissonerga-Mylouthkia, the Chalcolithic is generally well investigated (see Peltenburg, 1985; 1998; 2003). The poorly investigated transition between the Middle (ca. 3400-2900 BCE) and the Late Chalcolithic (ca. 2800-2400 BCE), on the other hand, still leaves a research gap. The currently ongoing excavations at the site of Chlorakas-Palloures revealed remains of both the Middle and Late Chalcolithic and, therefore, have great potential to close this gap. This research involves analysing the ceramic assemblage of trench BU13 at Chlorakas-Palloures by investigating how this assemblage changes from the Middle to Late Chalcolithic. This leads to the following research question: How does the pottery assemblage of Chlorakas-Palloures change over time from the Middle to Late Chalcolithic and how does this improve our understanding of this transition? The analysis is conducted on the basis of four categories: ware, shape, fabric and surface and the results will be displayed using seriation diagrams. For this, a diagnostic selection was made consisting of 116 sherds, which was studied during the summer of 2021. This selection is placed alongside the stratigraphy of trench BU13 to create a chronological overview of the ceramic material. In this thesis, I show that the use of seriation to create a chronological overview of how pottery changes over time is a success. The ceramic assemblage of case study BU13 changes as expected. Moving from the Middle to the Late Chalcolithic, earlier wares get replaced by later ones and pottery becomes harder and more refined in texture. However, this research also importantly reveals an anomaly in the trench. Material belonging to one of the earliest units of BU13 actually matches the characteristics of that of Late Chalcolithic pottery, while Middle Chalcolithic pottery would be expected. It indicates that the trench needs to be investigated further and current interpretations perhaps need to be re-evaluated. This not only merits the ongoing excavations at Chlorakas-Palloures but the method can also be applied to other trenches and sites on the island to improve the knowledge of Cypriot Prehistory.Show less
The ERC-Synergy project Nexus1492: New World Encounters In A Globalising World is, amongst others, investigating past activities in the indigenous Caribbean. One of these activities was the...Show moreThe ERC-Synergy project Nexus1492: New World Encounters In A Globalising World is, amongst others, investigating past activities in the indigenous Caribbean. One of these activities was the production of pottery. This thesis aims to investigate the chaîne opératoire of pre-colonial pottery through studying the 'act' of incising and punctating ceramic vessels during the Late Ceramic Age. This research was executed through the macroscopic analysis and comparison of 35 Meillacoid and Chicoid pottery sherd samples with 44 experimentally manufactured clay-slabs which were incised and punctated with 16 different experimental tools of various material types. The archaeological samples which were studied in this research are all originating from the pre-Columbian archaeological site of El Flaco, Dominican Republic. An inland site situated along the 'Ruta de Colon' and at the southern foothills of the Cordillera Septentrional at a distance of approximately 20km from the ocean. The main focus of this research is the potter's toolkit re-creation, comparing archaeological sample sherds with experimental clay-slabs with the goal of figuring out which tools were probably part of the potter's toolkit for the sake of incising and punctating ceramic vessels and which were not. Other variables like the dryness of clay vessels at the time of incising and punctating and the different possible gestures or motions are also discussed in this study. Preliminary conclusions include, but are not limited to a probably extensive toolkit with many tool-types as possible utensils for producing specific incisions and punctations, with tools from the category plant matter (read small wooden sticks and twigs) as the most important part of this toolkit. Additionally, it seems plausible that incisions and punctations were more likely to be applied to pre-colonial pottery on a relatively plastic clay, as opposed to a drier vessel.Show less
