In 2010 the BBC launched a new series called Sherlock, a contemporary adaption of the Holmes stories. In this recent adaption created by Stephen Moffat and Mark Gattis, the original characters are...Show moreIn 2010 the BBC launched a new series called Sherlock, a contemporary adaption of the Holmes stories. In this recent adaption created by Stephen Moffat and Mark Gattis, the original characters are presented with a modern twist. Gattis and Moffat are known for their work on the BBC series Dr Who, a programme with a central character himself notably indebted to Holmes. The villains in the BBC series Sherlock challenge Sherlock to commit wicked deeds, and therefore perhaps to become a villain himself. This thesis will argue that in this way the show sets out to destabilize and call into question notions of an essential distinction between heroism and villainy.Show less
Within his account of the Islamic Revolution, The Priest and the King, Desmond Harney, a former British diplomat in Teheran, made reference to the “old Iranian conviction of ‘the hand of the...Show moreWithin his account of the Islamic Revolution, The Priest and the King, Desmond Harney, a former British diplomat in Teheran, made reference to the “old Iranian conviction of ‘the hand of the English’ (dast-e Englis-ha).” The most obvious manifestations of the British presence in Iran during the 1970s were the British Foreign Office (FCO) and the BBC Persian Service (BBCPS). The BBCPS was significant as a media enterprise, in relation to the heavily censored domestic Iranian media, but also due to the part it played in the triangle which existed between the BBCPS, the British FCO and the Shah. The Shah believed that it was, in part, the BBC that had instigated, or at least promoted, the unrest which resulted in the 1979 revolution. Was this paranoia on the part of the Shah, or was it justified? A consideration of archival sources in the BBC written archives and the FCO archives during the decade preceding the Iranian Revolution helps to elucidate the complex relationship which existed between the BBCPS and the British FCO, while also providing some sort of answers as to why the Shah felt so threatened by the activities of a foreign media institution.Show less