Perishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of...Show morePerishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of animal skins and organ linings as garments for the photographed women, the series aims to enter into a generative relationship with its spectators, where the female ageing body is explored and re-negotiated through its abject exploration. Departing from a sociological, philosophical and feminist perspective, I frame Perishables as a powerful and poignant commentary on the social abjection of female ageing bodies that engages with the feminist tradition of body reclamation. The aim of this paper is to deconstruct and unveil the ageist and patriarchal notions inscribed in the female ageing body, and to showcase (theoretical and socially engaged) practices to refute them.Show less
This thesis aims to explore attitudes towards nudity and nakedness in medieval art and literature by discussing key historical, religious and socio-political contexts surrounding the body and...Show moreThis thesis aims to explore attitudes towards nudity and nakedness in medieval art and literature by discussing key historical, religious and socio-political contexts surrounding the body and embodiment. By undressing the medieval understanding and approaches to the exposed body, I will present how nudity was received both publicly and privately, and evaluate whether cultural attitudes towards nakedness reflect or challenge contemporary notions of nakedness. Therefore, this research should contribute to a wider historical narrative of the relationship between the naked body and its material environment in both the medieval and modern period.Show less
Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
This research sees the act of "going abroad for work" from two perspectives. One is leaving home and then conducting a cross-cultural life. The other is the expansion or adjustment of a career...Show moreThis research sees the act of "going abroad for work" from two perspectives. One is leaving home and then conducting a cross-cultural life. The other is the expansion or adjustment of a career trajectory. This research examines how recent Chinese migrant workers cope with their overseas life when working in the catering industry in the Netherlands. By doing so, I have tried to understand what is the “social world” of my participants and how they interact with it. During 3 months of fieldwork, I talked with 8 participants and closely yet remotely studied social media content from this group. Our online conversations were based on getting along even virtually. The outcome comprises a written text and a film. The text discusses how these migrant workers engaged with labor and explores how the self was lost and rebuilt. As a trajectory pursuing success, and through daily practices in break times, I gradually gained insight in these migrant workers’ migration journey and witnessed their awareness and sacrifice of self. Sacrificing leisure life and prioritizing work, men I engaged with, can hardly think of their own feelings and needs or reflect on who they are. Yet their practice and narration indicated s certain expectation on self-presentation. The film portrays narratives of “labor migration” from several perspectives as a polyphonous testimony. Overall, the key findings are that for recent Chinese migrant workers who come to the Netherlands and work in the catering industry, the act of migration and adjusting to cross-cultural life are reported to be experienced as a "normal" process: It is experienced as natural that one needs to adjust to different coworkers and to the new work environment. As it is for money that they came overseas, they perceive it as normal to bear difficulties. Rather than entering in a process of trans-national transition and adjustment as I imagined, their journeys can be seen as a continued precarious yet independent career trajectory that illustrates how they, as labor migrants, do not relate more than necessary with their new environment. At the same time, these labor migrants seek and create breathing space for themselves in their daily break-times, and single free weekday, to maintain a sense of self. Also, bearing the uncomfortable, their tendency is to normalize it, and tend to talk about the self in a positive and independent way, together composing a sense of self.Show less
In this thesis Helmuth Plessner's view concerning natural artificiality is compared with with Andy Clark's view, with the aim to investigate if Clark can add something to Plessner.
This thesis explores twelfth to fourteenth century attitudes toward continuity and change in medieval stories about the Wild Man. Can these stories, dealing with the human-animal border, be seen as...Show moreThis thesis explores twelfth to fourteenth century attitudes toward continuity and change in medieval stories about the Wild Man. Can these stories, dealing with the human-animal border, be seen as an expression of discomfort? Could the Wild Man, like Ovid's poetry, be interpreted as a fascination with hybridity and metamorphosis? Or should we conclude that the Wild Man both frightens and fascinates in the way horror movies simultaneously repel and attract modern man? To provide a contrast to the half-way creature of the Wild Man, this work explores the way of presenting animals in Chaucer’s Parliament of Fowls and Sir Gawain and the Green Knight. It then analyses the twelfth century Vita Merlini, and the fourteenth century Sir Orfeo and Ywain and Gawain and argues that these texts, at least partly, express an unease with change and the loss of self.Show less
Brazil’s heterodominant cultural climate subjects trans individuals to turbulent social realities emerging from their deferred styles of embodiment. Such realities are depicted by Pep Bonet in his...Show moreBrazil’s heterodominant cultural climate subjects trans individuals to turbulent social realities emerging from their deferred styles of embodiment. Such realities are depicted by Pep Bonet in his photodocumentary series All Imperfect Things. Through systematic visual analysis, paying particular attention to the different "ways of seeing" provided by Bonet, this research has as its objective the exploration of the effect to which the trans body is captured and displayed throughout the documentary. Through considerations of the body in conjunction with tendencies of documentary genre, space, and a sense of community, research has shown how Bonet subverts the reinforcement of Brazilian trans' powerlessness. What materialises is a humanizing way of representing which is both empowering and true to itself and the community depicted.Show less
This paper attempts to answer the question of why sacrificial rituals were present within the cultures of Iron Age Northern Europe and to what extent human sacrifice in particular was a part of such...Show moreThis paper attempts to answer the question of why sacrificial rituals were present within the cultures of Iron Age Northern Europe and to what extent human sacrifice in particular was a part of such rituals. The assertion is made that sacrificial rituals as a concept represent a common thread woven into the fabric of human culture which manifests itself in different ways but can be observed cross-culturally and throughout time. Human sacrifice, although it represents the most extreme example of the ritualized sacrifice phenomenon can be observed in cultures around the globe. An in depth analysis of the concept of ritual is explored along with an attempt to define the parameters of the phenomenon in terms of how it applied to the culture of Pre-Roman Iron Age and Iron Age Northern Europe. This paper also explores the environmental conditions needed in order for a bog body to be preserved, with specific interest in the key element in the equation of preservation: sphagnan moss. The methods of dating bog bodies are analyzed, with radiocarbon dating usually being the most reliable and accurate. The cultural and spiritual characteristics of the ancient Germanic peoples are also examined as they are related to and give considerable insight into the reasons behind the practices of human sacrifice. A description is made of the various bog bodies which have been discovered and categorized as victims of this behavior and an analysis of the suspected reasons behind their deaths is also presented. Finally, along with the probable reasons behind the question of why a culture might practice human sacrifice and why the ancient Germans in particular engaged in such rituals, an assessment of the various approaches taken to study such things and archaeology in general is also presented.Show less
