This thesis analyses Gloria Anzaldúa’s redefinition of "home" in her ground-breaking book Borderlands/La Frontera: The New Mestiza and applies it to Sandra Cisneros's The House on Mango Street....Show moreThis thesis analyses Gloria Anzaldúa’s redefinition of "home" in her ground-breaking book Borderlands/La Frontera: The New Mestiza and applies it to Sandra Cisneros's The House on Mango Street. Anzaldúa redefines home as a space of contradictions, instead of comfort, and this notion of home can also be seen in The House on Mango Street, especially towards the end of the novel. Importantly, home in the borderlands Anzaldúa and Esperanza inhabit is closely connected with their fractured sense of identity. However, both Anzaldúa and Esperanza eventually are able to make a home in the borderlands and resolve their identity struggles, albeit in different ways. Anzaldúa accomplishes this by theorizing what she calls a “mestiza consciousness,” which allows her to accept her multiple identities and to make a home in the contradictory space of the borderlands, while Esperanza makes her home by writing about growing up in the poor urban Latino neighborhood of Mango Street and thus comes to terms with her identity conflicts by constructing an identity for herself as a Chicana writer.Show less
