Post-foundational political thought, based on the recognition of necessary contingency of all political arrangements has been widely employed as both an analytical tool as well as a vehicle for...Show morePost-foundational political thought, based on the recognition of necessary contingency of all political arrangements has been widely employed as both an analytical tool as well as a vehicle for critique in light of several diagnoses of the abysmal future of contemporary democracies. Nonetheless, there is reason to belief that the efficacy of post-foundationalism is compromised through a deficit in the articulation of normative critique, and in the actualisation and operationalisation of critique revealing the contingency of the political, i.e., ethico-political critique. This thesis sets out to fulfil two endeavours: first, identify the possibility of articulating ethico-political critique within a paradigm of post-foundationalism through relational practices in social ontology, and second, apply this paradigm as an analytical tool onto one of the most prominent diagnoses of contemporary democracy’s decline, Wendy Brown’s account of neoliberal de-democratisation. Through this, this thesis argues that the site of ethico-political critique in post-foundationalism may be found in relational resistance practices within the ontic dimension of the social which reveal the contingency of both ontic and ontological arrangements in both the social and the political. Thus, such practices could serve as a first step in articulating a scheme of critique against neoliberal de-democratisation which, according to Brown, currently fails due to the absence of alternative world-views.Show less
A critical analysis of Charles Brockden Brown’s Wieland: or, The Transformation: An American Tale (1798) and James Hogg’s Private Memoirs and Confessions of a Justified Sinner (1824). Through...Show moreA critical analysis of Charles Brockden Brown’s Wieland: or, The Transformation: An American Tale (1798) and James Hogg’s Private Memoirs and Confessions of a Justified Sinner (1824). Through psychoanalytical and dialectic models, this thesis compares and contrasts Brown and Hogg's critique of religious fanaticism in two separate (British and American) contexts. The focus is on the Gothic trope 'the Double' used by both authors to unfold their criticism.Show less