Research master thesis | Asian Studies (research) (MA)
open access
The thesis analyses grassroots-government interactions in the formation and the development of the dagong 打工 poetry scene of Pearl River Delta in Guangdong province, China. Dagong poetry is a wide...Show moreThe thesis analyses grassroots-government interactions in the formation and the development of the dagong 打工 poetry scene of Pearl River Delta in Guangdong province, China. Dagong poetry is a wide and eclectic literary genre, written by Chinese rural migrant workers, often referred to as Chinese subalterns, who move to the cities to make a living, because of a lack of economic opportunities in the countryside. I use Bourdieu’s theory of the literary field to survey three main types of agents involved the dagong poetry dynamic and its discourse: (1) grassroots activists, (2) party-state-affiliated cultural policy institutions, and (3) intermediaries, meaning various individuals who advance the interactions of (1) and (2), and may be considered as belonging to both groups. By surveying textual sources, including literary journals, websites and public WeChat accounts, and through qualitative interviews with poets, critics, literary scholars and other agents involved in dagong poetry discourse, I provide in depth case studies of some of most important dagong poetry-related persons and organizations in the Delta region dagong poets’ community. The thesis shows that party-state cultural policy institutions play a significant role in formation and development of a literary community that began as a grassroots movement. Their far reaching influence is present in many aspects and is mainly executed through negotiation with grassroots groups, in which a crucial role is played by top-down and bottom-up intermediaries that are very helpful for attracting financial, political and also discursive support for the dagong poets’ community, but also ensure that dagong poetry discourse remains controlled and in line with government’s cultural policy.Show less
Research master thesis | Asian Studies (research) (MA)
open access
The Chinese city of Shenzhen in Guangdong province is often seen as the success story of China’s reform policies that were initiated by Hua Guofeng in the late 1970s, and popularised by Deng...Show moreThe Chinese city of Shenzhen in Guangdong province is often seen as the success story of China’s reform policies that were initiated by Hua Guofeng in the late 1970s, and popularised by Deng Xiaoping in the 1980s. Shenzhen – China’s first Special Economic Zone (SEZ) – is also representative of the ideal of a new, modernized, and economically strong China. The communist ideals of the Maoist era have long been pushed aside to make way for newer ideologies such as ‘Socialism with Chinese Characteristics’, or more recently, Xi Jinping’s ‘Chinese Dream’. These shifts in ideology have had a significant influence on the identity that the Chinese state wishes to convey to its citizens and beyond. This paper examines how national and regional identities and their subsequent narratives interact or conflict in the permanent exhibition of Shenzhen museum. Furthermore, I will look at how similar exhibition practices (Shenzhen Museum and the National Museum of China) are used to convey a different message. Shenzhen Museum plays an important part in communicating the city’s identity and its position in China as a model city both to the local population and beyond. Shenzhen illustrates that the way we perceive nationalism has to change in an ever-globalising world, where large cities within a nation can play as large a role in defining the nation as the country at large.Show less
Research master thesis | Asian Studies (research) (MA)
open access
In this thesis I conduct discourse analysis on the traditional values of talent show The Voice of China (TVoC). Whereas former talent shows have been suspended because of ‘low moral standards and...Show moreIn this thesis I conduct discourse analysis on the traditional values of talent show The Voice of China (TVoC). Whereas former talent shows have been suspended because of ‘low moral standards and vulgar content’, TVoC already finished its third season in 2014. In this thesis I show that traditional Chinese values can intertwine perfectly with the Western values of TVoC, and that the discourse of harmony is reinforced multiple times in the end. The traditional values and the concept of harmony are in line with what the Chinese government propagates. Taking this and the restrictions on former talent shows into account I therefore argue that self-censorship of TVoC due to soft-power of the government has been the case in talent show TVoC.Show less
