The Museum of Arts of São Paulo Assis Chateaubriand (MASP) devoted years to exhibiting and representing histories and narratives through its mission of plurality and inclusion. The exhibition...Show moreThe Museum of Arts of São Paulo Assis Chateaubriand (MASP) devoted years to exhibiting and representing histories and narratives through its mission of plurality and inclusion. The exhibition Histórias Feministas: artistas depois de 2000 symbolises the museum’s mission not only by dedicating an entire exhibition to feminisms, but also for its curatorial practice. This research analyses the case study through the frameworks of decolonialism, curatorial activism, empathic inclusion and feminisms in order to demonstrate to what extent can a decolonial curatorial practice affect the inclusion of different cultural backgrounds in contemporary curating. Analysing also the best methods of fomenting the development of decolonial curating, as well as disclosing the relevance of a decolonial curatorial practice, this thesis challenges the traditional institution of arts towards a plural and intercultural contemporary curating.Show less