This thesis analysed how recreational divers' interactions with underwater cultural heritage (UCH) can positively add to UCH's narrative, values, and safeguarding. Investigation on this topic...Show moreThis thesis analysed how recreational divers' interactions with underwater cultural heritage (UCH) can positively add to UCH's narrative, values, and safeguarding. Investigation on this topic included the creation of interactions and values coupled with a review of the relevance of current laws and scuba schools’ education pertaining to UCH. Nonetheless, recreational scuba divers are recurrently sidelined as stakeholders in preserving the longevity of UCH, oftentimes due to a lack of knowledge and awareness, despite them being the core community able to interact with UCH. As a piece of collective history, cultural heritage belongs to the community and should be an accessible experience. Methods of investigation included both desk-based and ethnographic research. Observations from desk-based research on ocean dynamics highlighted the anthropocentric mindset of current understandings of legislation and education, which influences individuals' interactions and values. These experiences are all subjective to the beholder, shifting the discussion from 'how do we value' to 'how do we live' with UCH. While ethnographic research in the form of interviews with recreational dive professionals emphasised the need to adhere to simple mottos to instil proper etiquette while diving on UCH, regardless of the dive site (nature vs culture) and call for more accountability from scuba schools to relay universal guidelines. Questionnaires from maritime archaeologists and heritage managers gave a professional perspective on the recreational dive community and their interactions with UCH, demonstrating that personal narratives shift the interpretation of our affiliation regardless of how objective one can be on a subject. By taking into account the issue of recreational divers' impact having a direct bearing on UCH, it can be deduced that with training and education, the negative effects may be greatly minimised. Achieving this will be an ongoing process that requires continual monitoring while keeping an open and ongoing dialogue, ensuring no voices remain unheard. Finally, by advocating that UCH is a resource of economic benefit, the scuba diving industry's potential within the Blue Economy is valued. Ultimately, making UCH more accessible will ensure its longevity and survival.Show less
Research master thesis | Literary Studies (research) (MA)
open access
This research incorporates my analyses, based on close-readings, of cultural representations of the posthuman, each of which embodies different anxieties and power-relations. I depart from the...Show moreThis research incorporates my analyses, based on close-readings, of cultural representations of the posthuman, each of which embodies different anxieties and power-relations. I depart from the assumption that there are three dominant anxieties represented here: the fear of disembodiment; the fear of a loss of human uniqueness; and a fear of totalitarian control in relation to technology’s dehumanizing potential. By close-reading Mamoru Oshii’s Ghost in the Shell (1995) I address issues concerning the representation of the female cyborg as disembodied. Philip K. Dick’s Do Android’s Dream of Electric Sheep? (1968) and the novel’s adaptation into Ridley Scott’s film Blade Runner (1982) are analysed as challenging ideas about human nature and human uniqueness as based on more affective notions such as empathy. The analysis of the game We Happy Few (Compulsion Games, 2016) focuses on how the game thematises concerns about the dehumanizing potential of technologies in relation to notions of control and state-regulation. The aim of this research is to achieve a better understanding of the social and economic influences that shape different representations of humans and posthumans, and to demonstrate how definitions of what it means to be human are produced and represented in order to conceal their inherent fabricated, artificial character. I will demonstrate that fears and anxieties surrounding potential dystopic outcomes of human enhancement are all informed by (a fear of the loss of) power and control, and ideas of inequality and potential social disruption already present in society today.Show less
