In recent years, in the field of contemporary literature, greater attention has been put on literary productions dealing with environmental pollution or destruction, prompting the surge of...Show moreIn recent years, in the field of contemporary literature, greater attention has been put on literary productions dealing with environmental pollution or destruction, prompting the surge of environmental criticism – ecocriticism – to a well developed and independent discipline within the environmental humanities. Nevertheless, the field, as Karen Thornber correctly noted, has been mainly focused on issues raised by western literary works. Environmental fictions – or ecofictions – produced in East Asia, despite their preoccupations with pollution and environmental disaster, are usually excluded from the analyses of ecocritics. In Japan in particular, after the Fukushima disaster of March 3, 2011, varied literary works – from short stories to novels and poems – have addressed topics of nuclear pollution and environmental disaster. Therefore, it becomes paramount to focus on this gap in ecocriticism and start to develop more comprehensive studies of ecofictions expanding beyond literary production in English or western languages. This thesis, presenting as a case study the novel Somersault (1999) – by the Japanese author O̅e Kenzaburō, tries to address this gap by focusing on the narrativization of nuclear disaster in relation to the representations of time and space. After the introduction of an analytical tool comprehensive of various theoretical concepts, this study endeavors to demonstrate the importance of accounting for those elements revealing deeper environmental concerns that are often overlooked by critics in literary productions. My study of narrrativizations of time and space, as they take shape in this Japanese case study, shall prove productive also for the analysis of other ecofictions produced in different languages and arising from varied cultural traditions. Furthermore, an analytical tool linking together temporality and space could enable comparative studies between East Asian and Western ecofictions. This study could thus contribute to the field of ecocriticism by allowing for a diversification in the understanding of perceptions of time and space in literary works from different literary and cultural traditions dealing with the threat, or in the aftermath, of an environmental disaster.Show less
