Master thesis | Cultural Anthropology and Development Sociology (MSc)
open access
The displacement of the Betawi after Indonesia’s independence is an example of how processes of evictions in urban cities led to the essentialization of the indigenous culture and a loss of...Show moreThe displacement of the Betawi after Indonesia’s independence is an example of how processes of evictions in urban cities led to the essentialization of the indigenous culture and a loss of heritage. Urban displacement of Indigenous peoples can cause spatial dispersion, which can break their community’s cohesion apart, which in turn can result in a loss of knowledge and identity, together with the possibility of the emergence of smaller local communities. This ethnographic research raises questions concerning the perseverance of the Betawi within Jakarta after their evictions and uses a multimodal approach to explore how they adapt to their new environments, if they experience a sense of displacement, and how they express their heritage. This written text and documentary film are in dialogue with each other. Where the film shows how the Betawi express and perform their cultural heritage, the written text describes the attributes of the moment they express their cultural heritage. Together, they argue that urban displacement negatively impacts the identity of the Betawi since they lost their collective legitimacy for a common identity. The story of the Betawi foregrounds the broader issues of displacement, community, and culture in a postcolonial and urbanized country.Show less
This thesis offers an explanation of Katherine Mansfield’s sterile depiction of colonial life by employing the postcolonial concept of displacement. It examines four of Mansfield’s New Zealand...Show moreThis thesis offers an explanation of Katherine Mansfield’s sterile depiction of colonial life by employing the postcolonial concept of displacement. It examines four of Mansfield’s New Zealand stories, namely “The Woman at the Store” (1912), “Prelude” (1918), “At the Bay” (1922), and “The Garden Party” (1922), and argues that the characters of the woman at the store, Linda Burnell, Beryl Fairfield and Laura Sheridan are displaced postcolonial subjects in the New Zealand landscape. The thesis also demonstrates that these four stories represent the settler existence as imbued with loneliness, alienation and identity crises, and that the protagonists are unable to lead meaningful lives due to the psychological consequences of displacement.Show less
This thesis explores urban dynamics in Morocco. Specifically, it examines whether the geographies of urban population displacement and poverty concentration in Casablanca have changed due to slum...Show moreThis thesis explores urban dynamics in Morocco. Specifically, it examines whether the geographies of urban population displacement and poverty concentration in Casablanca have changed due to slum eradication since the implementation of the Cities Without Slums Programme in 2004, and if so, how. Moreover, it explores the different political and socioeconomic consequences of this displacement for slum-dwellers. My contribution to the field is an exhaustive search of displacement patterns throughout the Casablanca prefecture and the creation of a dichotomy of soft vs. hard displacement, which differentiates extents of displacement in the region. The theoretical framework that guides the research is a combination of Henri Lefebvre’s theory of the production of space and an analysis of the neoliberal forces at work. This is done through an analysis of Moroccan news media and official policy documents published by different Moroccan state departments that discuss operations of resettlement and rehousing. The research concludes that slum dwellers have indeed been displaced from different areas of Casablanca since the launch of the programme. In some cases, they have been displaced to the periphery, this is to say, to the different provinces and prefectures adjacent to Casablanca. However, in other cases, displacement has taken place within the same area. These different degrees of displacement have had ambiguous political and socioeconomic effects on the affected populations.Show less
In recent years, in the field of contemporary literature, greater attention has been put on literary productions dealing with environmental pollution or destruction, prompting the surge of...Show moreIn recent years, in the field of contemporary literature, greater attention has been put on literary productions dealing with environmental pollution or destruction, prompting the surge of environmental criticism – ecocriticism – to a well developed and independent discipline within the environmental humanities. Nevertheless, the field, as Karen Thornber correctly noted, has been mainly focused on issues raised by western literary works. Environmental fictions – or ecofictions – produced in East Asia, despite their preoccupations with pollution and environmental disaster, are usually excluded from the analyses of ecocritics. In Japan in particular, after the Fukushima disaster of March 3, 2011, varied literary works – from short stories to novels and poems – have addressed topics of nuclear pollution and environmental disaster. Therefore, it becomes paramount to focus on this gap in ecocriticism and start to develop more comprehensive studies of ecofictions expanding beyond literary production in English or western languages. This thesis, presenting as a case study the novel Somersault (1999) – by the Japanese author O̅e Kenzaburō, tries to address this gap by focusing on the narrativization of nuclear disaster in relation to the representations of time and space. After the introduction of an analytical tool comprehensive of various theoretical concepts, this study endeavors to demonstrate the importance of accounting for those elements revealing deeper environmental concerns that are often overlooked by critics in literary productions. My study of narrrativizations of time and space, as they take shape in this Japanese case study, shall prove productive also for the analysis of other ecofictions produced in different languages and arising from varied cultural traditions. Furthermore, an analytical tool linking together temporality and space could enable comparative studies between East Asian and Western ecofictions. This study could thus contribute to the field of ecocriticism by allowing for a diversification in the understanding of perceptions of time and space in literary works from different literary and cultural traditions dealing with the threat, or in the aftermath, of an environmental disaster.Show less
