This thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity...Show moreThis thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity theories of double consciousness, the white gaze, and generational trauma to examine how historical events have affected the identity of the characters in the American narrative. This essay also underscores how the novel depicts the effects of systemic racism on African American identity. It concludes that the characters' struggle with identification is tied to the loss of their ancestry, which forces them to forge a new culture and identity. Marcus, the final character of the novel, heals the trauma inflicted on his lineage by returning to his ancestral home.Show less
The African diaspora has a historical connection to the Trans-Atlantic slave trade and has faced political and social discrimination throughout its existence. As a result, individuals within this...Show moreThe African diaspora has a historical connection to the Trans-Atlantic slave trade and has faced political and social discrimination throughout its existence. As a result, individuals within this diaspora have developed a transnational Black consciousness, wherein they confront their identity while grappling with the pressure to conform to Eurocentric norms regardless of territory. This complexity is further heightened by the experience of hybridity, as diaspora members navigate the challenges of adapting to new environments while striving to maintain their ancestral roots. The trauma endured by the diaspora has served as a wellspring of inspiration for expressing their narratives through various cultural mediums, including theatre, music, literature, and visual arts. The objective of this research is to shed light on the deep importance of visual art as a medium through which the African diaspora can express their experiences, question dominant narratives, and assert their autonomy, both within their local contexts and on a global scale. By examining the artworks of Rosana Paulino from Brazil and Arnaldo Roche Rabell from Puerto Rico through the lenses of postcolonialism and semiology, we can delve into the intricate dynamics of power, identity, and resilience that arise from the creative expressions of the African diaspora.Show less
This thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity...Show moreThis thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity theories of double consciousness, the white gaze, and generational trauma to examine how historical events have affected the identity of the characters in the American narrative. This essay also underscores how the novel depicts the effects of systemic racism on African American identity. It concludes that the characters' struggle with identification is tied to the loss of their ancestry, which forces them to forge a new culture and identity. Marcus, the final character of the novel, heals the trauma inflicted on his lineage by returning to his ancestral home.Show less
This thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity...Show moreThis thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity theories of double consciousness, the white gaze, and generational trauma to examine how historical events have affected the identity of the characters in the American narrative. This essay also underscores how the novel depicts the effects of systemic racism on African American identity. It concludes that the characters' struggle with identification is tied to the loss of their ancestry, which forces them to forge a new culture and identity. Marcus, the final character of the novel, heals the trauma inflicted on his lineage by returning to his ancestral home.Show less
This thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity...Show moreThis thesis offers a close reading of Yaa Gyasi’s historical fiction novel Homegoing, which is set from roughly the eighteenth century until the end of the twentieth century. It explores identity theories of double consciousness, the white gaze, and generational trauma to examine how historical events have affected the identity of the characters in the American narrative. This essay also underscores how the novel depicts the effects of systemic racism on African American identity. It concludes that the characters' struggle with identification is tied to the loss of their ancestry, which forces them to forge a new culture and identity. Marcus, the final character of the novel, heals the trauma inflicted on his lineage by returning to his ancestral home.Show less
People of African descent in the West share a similar experience of oppression through European colonization and the Trans-Atlantic slave trade. Such a shared experience has led to a transnational...Show morePeople of African descent in the West share a similar experience of oppression through European colonization and the Trans-Atlantic slave trade. Such a shared experience has led to a transnational black consciousness. The black scholars W.E.B. DuBois and Frantz Fanon both discussed this concept, which describes an the existence of transnational black solidarity and identity, due to the subjugation to oppression. The black race has become the subject of negative discourses, a product of white supremacy and western hegemony. This thesis is a postcolonial reading of the artworks of black American artist Jean-Michel Basquiat and the Black British artist Chris Ofili, through which we explore the transnational connection among the peoples of the African diaspora. With the use of semiotic analysis, we uncover the hidden meanings within Basquiat’s and Ofili’s work, analyzing the themes of being black in the West and being black in connection to the African diaspora.Show less
