This thesis examines the way in which the novels Parable of the Sower and Parable of the Talents present inequality based on disability, gender, class, religion and race and critically examines the...Show moreThis thesis examines the way in which the novels Parable of the Sower and Parable of the Talents present inequality based on disability, gender, class, religion and race and critically examines the intersections between these socioeconomic inequalities. This thesis focuses on the concept of change. Butler utilises science fiction — the genre of change — to critique social inequality on the basis of disability, gender, class, religion and race by founding Earthseed — the religion of change. Intersectionality is a tool, or lens, that aids in achieving change.Show less
This thesis discusses the socio-political factors that contributed to the rising popularity of the dystopian genre in the early and late 20th Century. This is done in part by placing the dystopian...Show moreThis thesis discusses the socio-political factors that contributed to the rising popularity of the dystopian genre in the early and late 20th Century. This is done in part by placing the dystopian novels The Iron Heel (by Jack London) and The Handmaid's Tale (by Margaret Atwood) in their respective historical contexts.Show less
This thesis presents an analysis of the way language is used as a form of power in Nineteen Eighty-Four and Fahrenheit 451. Orwell’s Nineteen Eighty-Four represents a society which uses the...Show moreThis thesis presents an analysis of the way language is used as a form of power in Nineteen Eighty-Four and Fahrenheit 451. Orwell’s Nineteen Eighty-Four represents a society which uses the manipulation of meaning in order to restrict individual thought. Bradbury’s Fahrenheit 451 likewise presents a government whose goal it is to diminish individual thought. However, Fahrenheit 451 focuses more on the violent destruction of written language.Show less
In this thesis, the concept of identity as presented in The Handmaid’s Tale - both the novel and the Hulu series - will be dismantled to reveal the identity politics within its narrative and...Show moreIn this thesis, the concept of identity as presented in The Handmaid’s Tale - both the novel and the Hulu series - will be dismantled to reveal the identity politics within its narrative and literary context. In the first chapter, identity politics within the 1985 novel will be explored, to find out how these fit in with the contemporary identity politics debate. The second chapter will contain an analysis of the 2017 series, which will be compared to the 1985 novel, to further explore how the book's identity concepts have been adapted for the modern small screen. Furthermore, the second chapter will critically discuss which adaptation choices have been made and how these affect The Handmaid’s Tale (2017- ) as an updated version of the book. The second chapter will also display the use of The Handmaid’s Tale within contemporary identity politics, to show how The Handmaid’s Tale - both the novel's source material and the series' adaptation - have become part of the current popular culture. As this thesis will show, The Handmaid’s Tale (1985) contains the identity politics elements that are necessary to adapt it to a twenty-first century version. The Handmaid’s Tale is a still relevant speculative version of reality that (1) explores a possible outcome of the essentialism - constructivism debate, (2) where totalitarianism is used as a political framework, inspired by historical politics - and where (3) the exploration of gender identity, minority identities and identity in general is a main objective. Through these elements, The Handmaid’s Tale has been able to participate in critical debates concerning the construction of identities, especially gender identities, in the broader context of feminism and identity politics as a whole, and to establish itself as a symbol of the modern identity politics debate featured on the small screen.Show less
Landscape occupies a prominent place in the history of Chinese painting and lives on in contemporary art, reflecting the changes which China and more generally the world have undergone in the last...Show moreLandscape occupies a prominent place in the history of Chinese painting and lives on in contemporary art, reflecting the changes which China and more generally the world have undergone in the last few decades. On the wake of their ancestors, contemporary artists still turn to the subject of landscape to express themselves, although this style seems now freed from the stricter boundaries of pre-modern landscape painting. The research has the aim to investigate Chinese contemporary artists’ perception of the changing surroundings through the examination of a selection of artworks that will highlight the role of the landscape as an effective means to convey a wide array of feelings.Show less
This MA Thesis has sought to highlight the extent to which the dystopian genre foregrounds the role played by language in controlling people's perception of reality. As such it is a study that...Show moreThis MA Thesis has sought to highlight the extent to which the dystopian genre foregrounds the role played by language in controlling people's perception of reality. As such it is a study that reflects on the meta-textual themes in dystopian fiction, rather then socio-political themes, which is an original approach. It builds a methodological framework by bringing together critical concepts from major scholars within formalist and structuralist literary-critical theory, to show that the manipulation of language, using various tools, is of paramount importance in maintaining the ideology that the dystopian society aims for. This thesis concludes that language can be manipulated in many ways to gain power, but also, that with the correct tools, such as defamiliarization, one can escape these manipulative approaches.Show less
In light of recent debates on post-truth politics within a discourse of populism, and a socio-political American zeitgeist of uncertainty and ambiguity, questions arise considering the recent...Show moreIn light of recent debates on post-truth politics within a discourse of populism, and a socio-political American zeitgeist of uncertainty and ambiguity, questions arise considering the recent dramatic interpretations of this socio-political atmosphere. In an attempt to highlight the complex nexus between visual culture and politics, this thesis examines this intersection between culture and politics using the American political climate as a case study of a larger global political trend of democracy fatigue, post-truth politics, and populist discourses. This thesis sheds light on the hopeful and critical postmodern dramatic storytelling that illustrates the importance of critical drama within a contemporary post-truth American socio-political sphere. As there has been a longstanding academic focus on the authoritative accounts in cinema and television, particularly in a post 9/11 context, this study embraces a discourse analysis that is concerned with how such accounts are ‘contested’. Drawing on a postmodern theoretical framework and HBO’s The Night Of, this thesis offers a fresh analysis of post-truth politics and the ability of visual culture to present and highlight a disillusionment with political currents.Show less
In the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an...Show moreIn the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an underlying ideology which hampered the achievement of full equality for women. This thesis investigates the subversive nature of these myths in a literary analysis of three dystopian novels by women authors published in this period. It also draws on the key ideas of major women theorists central to feminism’s ‘second wave’. Examining the dystopias of Angela Carter’s Heroes and Villains (1969), Pamela Kettle’s The Day of the Women (1969) and Emma Tennant’s The Time of the Crack (1973), I argue that that the possibilities open to the female characters to (re)claim their womanhood are not only undermined by their inability to recognize the deceptive facets of the myths of femininity fabricated in patriarchal societies, but also by their own unwillingness to renounce the dubious privileges that these myths bestow on the stereotypical female.Show less
This thesis will show that Suzanne Collins’ Hunger Games trilogy and Veronica Roth’s Divergent trilogy critically explore contemporary social concerns in modern-day America, such as the unfair...Show moreThis thesis will show that Suzanne Collins’ Hunger Games trilogy and Veronica Roth’s Divergent trilogy critically explore contemporary social concerns in modern-day America, such as the unfair distribution of wealth, the potentially corruptive nature of power and the dual nature of identity. The trilogies also question the capability of both totalitarian and democratic political regimes to govern their people fairly. Both authors introduce their young-adult audience to such pressing socio-political topics by presenting them with two different prospective dystopian futures. Both the Hunger Games as well as the Divergent series present protagonists who are young adults themselves – making the storyline easier to relate to – and the novels critically explore socio-political themes specifically tailored for the young readership. Beyond these initial similarities, both trilogies exhibit a different vision regarding not only contemporary America, but its future development as well, giving relevance to their comparison. Whereas the Hunger Games series' social critique is mainly centered around governmental systems, the Divergent series focuses more on the controversy surrounding identity development, commenting on the precarious balance between a character’s free will to develop his or her own identity and an imposed identity constructed from various external social and economic forces.Show less
