In this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to...Show moreIn this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to Austen’s fictions. I shall argue that, although Austen uses the rather conservative genre of the courtship novel, or according to Marilyn Butler, the conservative partisan novel, she employs this genre to subversively express her radical ideas (Butler 3). I shall explore the idea that Austen rarely made her views explicit in her work, due to the prejudice that was attached to feminist opinions at the time due to the life story of Mary Wollstonecraft; I shall trace the effect of Wollstonecraft’s biography on Austen in the next chapter. By investigating different aspects of the family in Austen’s novels, I shall demonstrate how Austen did express her ‘feminist’ opinions through her works, albeit subversively. In particular, I shall examine the weakness of authority figures in her novels. The weakness of these authority figures allows Austen’s heroines to exert more power and therefore have a greater sense of their own agency. I shall further argue that Austen employs the weakness of authority figures in her novels to inspire more feminist behaviour in her heroines, who are not the ‘perfect’ image of Georgian femininity but are nevertheless, as is clear to the reader, favoured over the other characters by Austen. I attempt to show that Austen’s ‘feminist’ tendencies can be seen in her praising her heroines beyond all other characters while these are the characters that display the most agency and therefore are seen to possess ‘masculine’ properties.Show less
This thesis explores the ways in which gendered language related to love and marriage can illuminate aspects concerning the themes of love and marriage in Jane Austen’s Pride and Prejudice and Emma...Show moreThis thesis explores the ways in which gendered language related to love and marriage can illuminate aspects concerning the themes of love and marriage in Jane Austen’s Pride and Prejudice and Emma. A literature review has been provided in order to support the investigations conducted in this thesis, and it summarises the areas of gendered language which have been selected for analysis. In the subsequent sections, a study of the data collected with the use of the application WordSmith focuses on the ways in which patterns of gendered language uttered by various characters highlight fundamental features of different ages and classes. Key elements of age and class differences were uncovered, with extremely varying perspectives on love and marriage by the older generations and those of the higher upper classes, as opposed to the younger generations and members of lower positions in society. A reading of the two novels together has allowed for a wide analysis of Austen’s themes across her works, and it has led to the discovery of interesting parallels between Pride and Prejudice and Emma.Show less