This thesis examines the concepts of populism and fascism as fodder for satirical themes in literature and as a device for warning of impending populist and fascist surges. Populism is a group...Show moreThis thesis examines the concepts of populism and fascism as fodder for satirical themes in literature and as a device for warning of impending populist and fascist surges. Populism is a group response to individual grievances and differences, and when compounded by social insecurities like ethnic and cultural insecurity and economic insecurity, can lead to a justification of fascism and the rise of authoritarian leaders. I will demonstrate the relevance of populism and fascism in a comparative literature analysis of Sinclair Lewis’s Main Street (1920) and Lewis’s It Can’t Happen Here (1935).Show less
In this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s...Show moreIn this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s It Can’t Happen Here. The former two novels do not explicitly engage with fascism, but aspects of the texts were linked to fascism by their authors. Faulkner retroactively referred to the character Percy Grimm from his book as a fascist, and Steinbeck linked the agriculture sector in California, which features heavily in his novel, to fascism. Lewis engages with fascism directly in It Can’t Happen Here as he envisions a fascist dictatorship in the United States. These texts are relevant today as fascism is not a concept of the past. They can be used to discuss visions of fascism in 1930s American Literature and what fascism may look like in the United States. I use a combination of close reading and the theory provided by Robert O. Paxton in The Anatomy of Fascism, as well as additional sources for necessary historical context to analyse each of the novels. I will argue that while only one of the novels explicitly engages with fascism, all three texts portray fascism to some extent and can be used to identify possible bases of fascist action.Show less
In this research a frame analysis is used to test the extent of ecofascist idealism is present in the manifestos of Brenton Tarrant and Patrick Crusius. Through a literature review key themes of...Show moreIn this research a frame analysis is used to test the extent of ecofascist idealism is present in the manifestos of Brenton Tarrant and Patrick Crusius. Through a literature review key themes of ecofascism are identified. These are integrated in a theoretical framework on which the analysis is based. Findings from the analysis indicate that Crusius and Tarrant differ to a large extent in their ideals. It is also found that Tarrant holds more extreme racially focused views while Crusius holds more ethnopluralist ecocentric views. Critically Crusius does not show any romanticised idealisations of nature and race, therefore lacking in a key component of ecofascist ideals. With the mass shooting by white nationalist Payton Grendon the importance of research in this area is reasserted.Show less
Research master thesis | Literary Studies (research) (MA)
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In popular culture, the European Middle Ages (ca. 500-1500) are commonly portrayed as a culturally homogenous time period in which the supremacy of the white, heterosexual male is taken for granted...Show moreIn popular culture, the European Middle Ages (ca. 500-1500) are commonly portrayed as a culturally homogenous time period in which the supremacy of the white, heterosexual male is taken for granted. This makes the period attractive to the far-right, whose members view the Middle Ages as an alternative to our modern, multicultural times. In the past, Medieval imagery and rhetoric have consequently been appropriated by groups and individuals ranging from the Ku Klux Klan and the Nazis to Anders Breivik, the Charlottesville protesters and Vladimir Putin. In this thesis, Guus van der Peet examines how the appropriation of history has taken place in the Dutch Language Area. He analyses four case studies: 1) an antisemitic sequel to the Middle Dutch classic Vanden Vos Reinarde; 2) the academic publications of Jan de Vries, a national-socialist professor in Leiden; 3) two Youtube videos from the Flemish far-right student association Schild & Vrienden; 4) two speeches by alt-right politician Thierry Baudet. In the end, Van der Peet concludes that there is a significant difference between the Flemish and Dutch appropriation of the past. Whereas the Flemish far-right repeatedly references the Middle Ages, the Dutch far-right deviates from the international tradition by instead appropriating the sixteenth and seventeenth centuries.Show less
This project explores the relation between 20th century Italian Fascist ideology and aesthetics, investigating the influence of the latter in the development of the former. To this end relevant...Show moreThis project explores the relation between 20th century Italian Fascist ideology and aesthetics, investigating the influence of the latter in the development of the former. To this end relevant literature, speeches, manifestos, and figures are consulted . I contend that aesthetics held a significant role, directly affecting the formation and development of Fascist ideology. However, I further argue that aesthetics was not the nature of Fascism, only an important tool. Socio-political developments lead to my conclusion that aesthetics was a significant component of Fascism which imploded under political pressures in the 1930’s, becoming subservient to an ideological component best interpreted as a civic religion. As such, I dismantle the intuitive notion that aesthetics were simply reflective, with artists as coerced mouthpieces of a totalitarian regime. But I also dismantle the modern academic consensus that Fascism is inherently aesthetic – a politics of spectacle. This project therefore provides a theory on the relation of aesthetics and Fascist ideology, further illuminating the nature of Fascism and outlining how politics can be aestheticized – plus the potential dangers of this.Show less
Master thesis | Classics and Ancient Civilizations (MA)
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During his reign, Benito Mussolini used ancient Rome and the Roman Empire as models for his fascist ideology. In his Romae Laudes, translated into Latin by Vincenzo Ussani, Mussolini depicts...Show moreDuring his reign, Benito Mussolini used ancient Rome and the Roman Empire as models for his fascist ideology. In his Romae Laudes, translated into Latin by Vincenzo Ussani, Mussolini depicts ancient Rome from a fascist perspective. In this Latin text, allusions are made to Latin texts from antiquity, both at text level and at theme level. Thus, Mussolini makes a connection between the imperial and the contemporary Rome, and he consciously uses ancient Rome in order to propagate fascist ideology.Show less
This is a thesis that analyses several Dr Who serials in relation to concepts such as Colonialism, Empire, Fascism, and Humanist values. As such it treats its popular-culture subject seriously and...Show moreThis is a thesis that analyses several Dr Who serials in relation to concepts such as Colonialism, Empire, Fascism, and Humanist values. As such it treats its popular-culture subject seriously and shows how such long-running TV serials are much more than just commercial entertainment.Show less
This investigation is the result of a resarch on Turkish and Italian archives through which an attempt is made to revive the story of the Turkish air officers training in Fascist Italy between 1930...Show moreThis investigation is the result of a resarch on Turkish and Italian archives through which an attempt is made to revive the story of the Turkish air officers training in Fascist Italy between 1930 and 1932.Show less
