Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Today, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions...Show moreToday, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions of care. Moving beyond (neo)liberal care ethics, this thesis argues for a non-gendered Confucian care ethics, illustrating what it means to care democratically. The aim is to alter democratic deficits by embracing interrelated Confucian selfhood. This enables intergenerational care to adapt to contemporary social challenges to humanity, democracy, equality, and freedom. I expand the notion of Confucian interrelated selfhood – transforming dichotomous moral boundaries of identity, community, and society – to include non-gendered, non-dyadic relationships. To be relevant for future generations, Confucian care ethical democracy must offer a theory of justice that understands how to care for each other in society. Whilst facing numerous care crises, it is imperative to encourage people to explore what it means to care intergenerationally for the present and future world. A communal effort to flourish on this planet starts by understanding the complexity of raising oneself, each other, and a whole society.Show less
This paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of...Show moreThis paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of ancient bodies with modern views – creating cross-wired hypotheses on gender manifestation in prehistoric art. Concentrating on the Chalcolithic cruciform figurines, words patterns and trends will be analysed to gain a better understanding of how gendering ancient identities with modern biases is chronicled within a range of selected literature from the 1930s to the current day.Show less
Master thesis | European Politics and Society: Vaclav Havel Joint Master Programme
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Female political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly...Show moreFemale political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly progressive governments, challenging claims of increased gender equality in the global North. This thesis explores the differences in female political representation in parliament between two popularly deemed progressive European countries: the Netherlands and Finland. It does so by adopting a novel approach and engaging with the top-down personal perspective of politicians within parliament. Using semi-structured elite interviews, this thesis focuses on the causes for the gap in female political representation between these countries while also discussing what the interviewees envision as possible improvements. The parliamentarians provided unique insights into how gender stereotypes, gatekeeping, and unpaid care work determine the level of women's political representation. The results indicate that female parliamentarians, next to having more role models, centred childcare and parental leave at the core of the policies to address the disparity in female representation between the Netherlands and Finland and increase female political representation overall. This thesis thus contributes to gender and political studies.Show less
This thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras...Show moreThis thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras. The thesis investigates how relevant literary representations of injustice and oppression are within the broader discourse of human rights, equality and freedom. By juxtaposing the Feminist views of the writer, producers and its political climate in the 1980s during Ronald Reagan's administration and during the 2010s Trump administration the radicalisation of its activism and the change in current political protests are shown.Show less
This thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?”...Show moreThis thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?” To answer this question, films by Beri Shalmashi and Reber Dosky were analyzed by means of Visual Discourse Analysis on the basis of themes and symbols that fit within Kurdish political discourse. Unlike traditional International Relations (IR), this thesis takes an aesthetic turn and presents a more expressive and critical view from a diasporic narrative of the Kurdish question, which will deepen the knowledge concerning this conflict through visual discourse analysis. The themes and symbols discussed are cultural memory and collective trauma, the geo-linguistic homeland, autonomy, feminism, and the Kurdish mountains. These themes and symbols are all linked to Kurdish nationalism and cultural resistance and play an important role in the creation of a Kurdish identity among the Kurds living in diaspora. Moreover, this thesis demonstrates how the Kurdish diasporic community represents itself and how politicized Kurdish culture is.Show less
Studies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through...Show moreStudies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through carrying out a qualitative content analysis of key documents, the normative function of the ILO's Decent Work Agenda within the context of informal domestic workers in India between 2008 and 2018 was analysed. This provided a nuanced and in-depth understanding of the ILO's role in the development of women who work outside of the purview of the rule of law and are also often marginalised on the basis of social constructs such as class, caste, religion and gender. While the ILO's Decent Work Agenda has resulted in the limited improvement of the lives of Indian women working in the informal economy the organisation ability to drive change has been curbed by its inability to enforce international law, and the neoliberal global political economy.Show less
This thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and...Show moreThis thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and stereotypes perceived, and how does that perception influence reading choices? Boy's love is examined not only as an experience in itself, but also in connection with broader questions with regards to female sexuality and pornography.Show less
This essay will focus on the ways in which the house, and indeed the right to own property, shaped female experience in The Tenant of Wildfell Hall (1843), The Spoils of Poynton (1897) and Howard’s...Show moreThis essay will focus on the ways in which the house, and indeed the right to own property, shaped female experience in The Tenant of Wildfell Hall (1843), The Spoils of Poynton (1897) and Howard’s End (1910). The relationship between houses and female power will be explored through three chapters. The first will focus on The Tenant of Wildfell Hall and will examine the relevance of the house as a physical space within women’s lives. The second will look at The Spoils of Poynton in the context of female homelessness, shedding light on the importance of the female home in wielding power, as women without property are left disenfranchised throughout, as well as the precarious nature of female inhabitance of the home. The third and final chapter will examine Howard’s End in light of this. Women, able to take full ownership of the home, are able to exert control over their environment and exercise a relatively high degree of independence. Howard’s End, then, I will examine in terms of legal female ownership of the house and female inheritance. This essay will examine the role of the house in female agency within the novel, and how these novels emerge from, and form part of, the shifting political, social and legal context of the 19th Century.Show less
Focusing on second-wave feminism, this thesis explores the representation of gender and the expression of the predominant feminist ideas in Ursula K. Le Guin’s The Left Hand of Darkness (1969),...Show moreFocusing on second-wave feminism, this thesis explores the representation of gender and the expression of the predominant feminist ideas in Ursula K. Le Guin’s The Left Hand of Darkness (1969), Joanna Russ’s The Female Man (1975) and Pamela Sargent’s The Shore of Women (1986).Show less
In this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to...Show moreIn this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to Austen’s fictions. I shall argue that, although Austen uses the rather conservative genre of the courtship novel, or according to Marilyn Butler, the conservative partisan novel, she employs this genre to subversively express her radical ideas (Butler 3). I shall explore the idea that Austen rarely made her views explicit in her work, due to the prejudice that was attached to feminist opinions at the time due to the life story of Mary Wollstonecraft; I shall trace the effect of Wollstonecraft’s biography on Austen in the next chapter. By investigating different aspects of the family in Austen’s novels, I shall demonstrate how Austen did express her ‘feminist’ opinions through her works, albeit subversively. In particular, I shall examine the weakness of authority figures in her novels. The weakness of these authority figures allows Austen’s heroines to exert more power and therefore have a greater sense of their own agency. I shall further argue that Austen employs the weakness of authority figures in her novels to inspire more feminist behaviour in her heroines, who are not the ‘perfect’ image of Georgian femininity but are nevertheless, as is clear to the reader, favoured over the other characters by Austen. I attempt to show that Austen’s ‘feminist’ tendencies can be seen in her praising her heroines beyond all other characters while these are the characters that display the most agency and therefore are seen to possess ‘masculine’ properties.Show less
This paper engages in the debate on the banning of the burkini in coastal resorts in France in 2016. It uses this case study to assess whether there has been a change in attitudes towards Muslim...Show moreThis paper engages in the debate on the banning of the burkini in coastal resorts in France in 2016. It uses this case study to assess whether there has been a change in attitudes towards Muslim women in the country. The findings suggest that whilst perceptions remain similar there is now more open opposition towards women wearing Islamic veils. The history of France’s relationship with Islam, especially in regards to women, is used to put into perspective the 2016 bans. The differences between these prohibitions in comparison to previous laws regarding Islamic veils in France, but also the underlying similarities are analysed. Furthermore, the case study of France will be expanded EU-wide and will deliberate on the future of such restrictions to female Muslim dress.Show less
In the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an...Show moreIn the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an underlying ideology which hampered the achievement of full equality for women. This thesis investigates the subversive nature of these myths in a literary analysis of three dystopian novels by women authors published in this period. It also draws on the key ideas of major women theorists central to feminism’s ‘second wave’. Examining the dystopias of Angela Carter’s Heroes and Villains (1969), Pamela Kettle’s The Day of the Women (1969) and Emma Tennant’s The Time of the Crack (1973), I argue that that the possibilities open to the female characters to (re)claim their womanhood are not only undermined by their inability to recognize the deceptive facets of the myths of femininity fabricated in patriarchal societies, but also by their own unwillingness to renounce the dubious privileges that these myths bestow on the stereotypical female.Show less
