Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Today, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions...Show moreToday, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions of care. Moving beyond (neo)liberal care ethics, this thesis argues for a non-gendered Confucian care ethics, illustrating what it means to care democratically. The aim is to alter democratic deficits by embracing interrelated Confucian selfhood. This enables intergenerational care to adapt to contemporary social challenges to humanity, democracy, equality, and freedom. I expand the notion of Confucian interrelated selfhood – transforming dichotomous moral boundaries of identity, community, and society – to include non-gendered, non-dyadic relationships. To be relevant for future generations, Confucian care ethical democracy must offer a theory of justice that understands how to care for each other in society. Whilst facing numerous care crises, it is imperative to encourage people to explore what it means to care intergenerationally for the present and future world. A communal effort to flourish on this planet starts by understanding the complexity of raising oneself, each other, and a whole society.Show less
Perishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of...Show morePerishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of animal skins and organ linings as garments for the photographed women, the series aims to enter into a generative relationship with its spectators, where the female ageing body is explored and re-negotiated through its abject exploration. Departing from a sociological, philosophical and feminist perspective, I frame Perishables as a powerful and poignant commentary on the social abjection of female ageing bodies that engages with the feminist tradition of body reclamation. The aim of this paper is to deconstruct and unveil the ageist and patriarchal notions inscribed in the female ageing body, and to showcase (theoretical and socially engaged) practices to refute them.Show less
This paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of...Show moreThis paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of ancient bodies with modern views – creating cross-wired hypotheses on gender manifestation in prehistoric art. Concentrating on the Chalcolithic cruciform figurines, words patterns and trends will be analysed to gain a better understanding of how gendering ancient identities with modern biases is chronicled within a range of selected literature from the 1930s to the current day.Show less
Anorexia Nervosa is a debilitating illness characterized by the limitation of food intake and a fear of weight gain. While we might at face value take the illness to be irrational, within this...Show moreAnorexia Nervosa is a debilitating illness characterized by the limitation of food intake and a fear of weight gain. While we might at face value take the illness to be irrational, within this project we find that the dangerous condition is fueled by a foundation of justifications based on shared cultural ideas and the values derived from them. I will argue that anorexia occurs when an individual manages to embody attitudes of mind, body, and desire found in the Western philosophical tradition. For the anorexic, rather than being a project of vanity, losing weight can be understood as a spiritual project of transcending the human body and dissolving craving, thus, a quest for liberation. The illness functions in a way in which the anorexic individual sees the world through a filter that seeks out motivation to continue starving, as the self-denial is so extreme that it goes against the individual’s basic human instinct of survival and thus requires constant fuel to persist. What I call the anorexic worldview is a system of values and beliefs that promises the individual who adopts it liberation through transcending one’s ordinary humanity and becoming invulnerable, but at the end of the day, this worldview serves merely the contrary purpose of powering the mental and physical deterioration of the individual. Interestingly, themes inherent to anorexia such as a negative view of the body and the strict denial of craving are also prevalent in early Buddhist philosophy.Show less
James Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United...Show moreJames Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United States’ first Woman’s Hospital, but one of his first major contributions to medicine was finding a cure for vesico-vaginal fistula: the tearing of the vaginal wall due to trauma. This launched his career in medicine. However, he found this cure by performing medical experiments on enslaved Black women in his private clinic. In the Woman’s Hospital his patients were predominantly Irish immigrant women from the working classes of the city. This research explores what made it possible for a White man such as Sims to perform these unethical experiments on these women, who were racialised as Black. Through Foucault’s concept of the medical gaze and Kimberlé Crenshaw’s intersectional feminist critique, this thesis explores the professionalisation of medicine in the nineteenth century, scientific racism, the genesis of gynaecology, racial formation, medical experimentation and how Sims fits into these structures. The focus is the identity formation of Sims himself and his patients, who were intersectionally marginalised. Considering their race, class, ability and gender, one can reconstruct how they fit into the fabric of American society, and why exactly Sims and his colleagues were allowed to experiment on enslaved, working class, ill women when they never considered treating more privileged women (or men) in such a manner.Show less
Representative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties....Show moreRepresentative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties. She discusses the delicate topics of female suffering and self-expression, which broaches unavoidably the salience of religious influence on the historical formation of gender roles in the Japanese society. In this thesis, I will analyze this subject through the dichotomy of purity versus impurity, as it is instrumental in organizing space in the lives of ordinary Japanese. In varied contexts, purity is used to contrast the sacred and the abominable, the clean and the polluted, or the male and the female body. By placing the paintings of Matsui Fuyuko in the syncretic religious context unique to Japan, it is possible to establish a connection between Buddhist meditation practices and Shinto rituals. In this sense, the aesthetic collation of the pure feminine and the shock-inducing realism of the rotting female corpse in Matsui's paintings can be seen as a form of social protest against pernicious gender biases. She challenges the traditional expectations towards women to display humility, self-restraint and to embrace their role as mothers and caretakers by instead painting them in defiant and provocative poses. The main question to be tackled in this research is how the painter modifies the concept of purity to communicate her feelings and ideas to the viewer through artistic means. I will disclose why the art of Matsui Fuyuko can be seen as an emotional purification of the artist, a meditative tool for the audience, as well as how it defies traditional views on the female body.Show less
Master thesis | European Politics and Society: Vaclav Havel Joint Master Programme
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Female political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly...Show moreFemale political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly progressive governments, challenging claims of increased gender equality in the global North. This thesis explores the differences in female political representation in parliament between two popularly deemed progressive European countries: the Netherlands and Finland. It does so by adopting a novel approach and engaging with the top-down personal perspective of politicians within parliament. Using semi-structured elite interviews, this thesis focuses on the causes for the gap in female political representation between these countries while also discussing what the interviewees envision as possible improvements. The parliamentarians provided unique insights into how gender stereotypes, gatekeeping, and unpaid care work determine the level of women's political representation. The results indicate that female parliamentarians, next to having more role models, centred childcare and parental leave at the core of the policies to address the disparity in female representation between the Netherlands and Finland and increase female political representation overall. This thesis thus contributes to gender and political studies.Show less
This thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its...Show moreThis thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its sexually provocative imagery and lyrics, unlike other similar songs. The question arises: If Cardi and Megan’s song is so unique that it might be the start of a feminist paradigm shift, or whether it follows an already established trend? First, the song is looked at scene by scene, scouting for reoccurring elements. Then, general representational tactics of women in media are analyzed, which help evaluate the elements in WAP further, determining feminist or non-feminist tactics. Lastly, the music of other female artists like Madonna, Lil Kim and Christina Aguilera are studied in order to determine whether WAP is following a trend or stands on its own. After exploring these different aspects, it is possible to see that WAP is a starting point for a feminist paradigm shift in media, of which there are likely more artists or songs to follow.Show less
This thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras...Show moreThis thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras. The thesis investigates how relevant literary representations of injustice and oppression are within the broader discourse of human rights, equality and freedom. By juxtaposing the Feminist views of the writer, producers and its political climate in the 1980s during Ronald Reagan's administration and during the 2010s Trump administration the radicalisation of its activism and the change in current political protests are shown.Show less
This thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?”...Show moreThis thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?” To answer this question, films by Beri Shalmashi and Reber Dosky were analyzed by means of Visual Discourse Analysis on the basis of themes and symbols that fit within Kurdish political discourse. Unlike traditional International Relations (IR), this thesis takes an aesthetic turn and presents a more expressive and critical view from a diasporic narrative of the Kurdish question, which will deepen the knowledge concerning this conflict through visual discourse analysis. The themes and symbols discussed are cultural memory and collective trauma, the geo-linguistic homeland, autonomy, feminism, and the Kurdish mountains. These themes and symbols are all linked to Kurdish nationalism and cultural resistance and play an important role in the creation of a Kurdish identity among the Kurds living in diaspora. Moreover, this thesis demonstrates how the Kurdish diasporic community represents itself and how politicized Kurdish culture is.Show less
