Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Today, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions...Show moreToday, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions of care. Moving beyond (neo)liberal care ethics, this thesis argues for a non-gendered Confucian care ethics, illustrating what it means to care democratically. The aim is to alter democratic deficits by embracing interrelated Confucian selfhood. This enables intergenerational care to adapt to contemporary social challenges to humanity, democracy, equality, and freedom. I expand the notion of Confucian interrelated selfhood – transforming dichotomous moral boundaries of identity, community, and society – to include non-gendered, non-dyadic relationships. To be relevant for future generations, Confucian care ethical democracy must offer a theory of justice that understands how to care for each other in society. Whilst facing numerous care crises, it is imperative to encourage people to explore what it means to care intergenerationally for the present and future world. A communal effort to flourish on this planet starts by understanding the complexity of raising oneself, each other, and a whole society.Show less
James Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United...Show moreJames Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United States’ first Woman’s Hospital, but one of his first major contributions to medicine was finding a cure for vesico-vaginal fistula: the tearing of the vaginal wall due to trauma. This launched his career in medicine. However, he found this cure by performing medical experiments on enslaved Black women in his private clinic. In the Woman’s Hospital his patients were predominantly Irish immigrant women from the working classes of the city. This research explores what made it possible for a White man such as Sims to perform these unethical experiments on these women, who were racialised as Black. Through Foucault’s concept of the medical gaze and Kimberlé Crenshaw’s intersectional feminist critique, this thesis explores the professionalisation of medicine in the nineteenth century, scientific racism, the genesis of gynaecology, racial formation, medical experimentation and how Sims fits into these structures. The focus is the identity formation of Sims himself and his patients, who were intersectionally marginalised. Considering their race, class, ability and gender, one can reconstruct how they fit into the fabric of American society, and why exactly Sims and his colleagues were allowed to experiment on enslaved, working class, ill women when they never considered treating more privileged women (or men) in such a manner.Show less
Representative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties....Show moreRepresentative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties. She discusses the delicate topics of female suffering and self-expression, which broaches unavoidably the salience of religious influence on the historical formation of gender roles in the Japanese society. In this thesis, I will analyze this subject through the dichotomy of purity versus impurity, as it is instrumental in organizing space in the lives of ordinary Japanese. In varied contexts, purity is used to contrast the sacred and the abominable, the clean and the polluted, or the male and the female body. By placing the paintings of Matsui Fuyuko in the syncretic religious context unique to Japan, it is possible to establish a connection between Buddhist meditation practices and Shinto rituals. In this sense, the aesthetic collation of the pure feminine and the shock-inducing realism of the rotting female corpse in Matsui's paintings can be seen as a form of social protest against pernicious gender biases. She challenges the traditional expectations towards women to display humility, self-restraint and to embrace their role as mothers and caretakers by instead painting them in defiant and provocative poses. The main question to be tackled in this research is how the painter modifies the concept of purity to communicate her feelings and ideas to the viewer through artistic means. I will disclose why the art of Matsui Fuyuko can be seen as an emotional purification of the artist, a meditative tool for the audience, as well as how it defies traditional views on the female body.Show less
Master thesis | European Politics and Society: Vaclav Havel Joint Master Programme
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Female political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly...Show moreFemale political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly progressive governments, challenging claims of increased gender equality in the global North. This thesis explores the differences in female political representation in parliament between two popularly deemed progressive European countries: the Netherlands and Finland. It does so by adopting a novel approach and engaging with the top-down personal perspective of politicians within parliament. Using semi-structured elite interviews, this thesis focuses on the causes for the gap in female political representation between these countries while also discussing what the interviewees envision as possible improvements. The parliamentarians provided unique insights into how gender stereotypes, gatekeeping, and unpaid care work determine the level of women's political representation. The results indicate that female parliamentarians, next to having more role models, centred childcare and parental leave at the core of the policies to address the disparity in female representation between the Netherlands and Finland and increase female political representation overall. This thesis thus contributes to gender and political studies.Show less
This thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras...Show moreThis thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras. The thesis investigates how relevant literary representations of injustice and oppression are within the broader discourse of human rights, equality and freedom. By juxtaposing the Feminist views of the writer, producers and its political climate in the 1980s during Ronald Reagan's administration and during the 2010s Trump administration the radicalisation of its activism and the change in current political protests are shown.Show less
This thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?”...Show moreThis thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?” To answer this question, films by Beri Shalmashi and Reber Dosky were analyzed by means of Visual Discourse Analysis on the basis of themes and symbols that fit within Kurdish political discourse. Unlike traditional International Relations (IR), this thesis takes an aesthetic turn and presents a more expressive and critical view from a diasporic narrative of the Kurdish question, which will deepen the knowledge concerning this conflict through visual discourse analysis. The themes and symbols discussed are cultural memory and collective trauma, the geo-linguistic homeland, autonomy, feminism, and the Kurdish mountains. These themes and symbols are all linked to Kurdish nationalism and cultural resistance and play an important role in the creation of a Kurdish identity among the Kurds living in diaspora. Moreover, this thesis demonstrates how the Kurdish diasporic community represents itself and how politicized Kurdish culture is.Show less
Studies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through...Show moreStudies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through carrying out a qualitative content analysis of key documents, the normative function of the ILO's Decent Work Agenda within the context of informal domestic workers in India between 2008 and 2018 was analysed. This provided a nuanced and in-depth understanding of the ILO's role in the development of women who work outside of the purview of the rule of law and are also often marginalised on the basis of social constructs such as class, caste, religion and gender. While the ILO's Decent Work Agenda has resulted in the limited improvement of the lives of Indian women working in the informal economy the organisation ability to drive change has been curbed by its inability to enforce international law, and the neoliberal global political economy.Show less
This thesis project investigates how the personal experience contributes to International Relations’ understanding of migration. Employing a feminist IR theoretical framework and an engaged,...Show moreThis thesis project investigates how the personal experience contributes to International Relations’ understanding of migration. Employing a feminist IR theoretical framework and an engaged, qualitative methodology of semi-structured interviews, I investigate the migration experiences of undocumented Latina factory workers, as an interplay between their gender, their undocumented immigration status, and their work. The findings allow us to examine self-narrativized realities where the politicization of the personal is paramount. Gaby, Valentina, and Margarita, the collaborators, share their personal experience with undocumented migration, motherhood, tiring work schedules and hard labor, all while navigating gendered oppressions. I find that even the most common private matters and experiences are imbibed with power dynamics and tensions, and that they are present at all stages of international politics. The research concludes that using the personal experience in order to make (feminist) sense of International Relations is a necessity.Show less
This thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and...Show moreThis thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and stereotypes perceived, and how does that perception influence reading choices? Boy's love is examined not only as an experience in itself, but also in connection with broader questions with regards to female sexuality and pornography.Show less
Christine de Pizan was one of the very first female authors in medieval Europe. She produced texts in which women are defended against misogyny. In her treatises Christine makes use of existing...Show moreChristine de Pizan was one of the very first female authors in medieval Europe. She produced texts in which women are defended against misogyny. In her treatises Christine makes use of existing misogynistic texts and uses them in her advantage in order to paint a positive picture of women. In addition she reprimands authors who besmirch the reputation of females. This thesis focuses on the manner in which she defends women against misogyny (which was common in medieval Europe) while she uses contemporary sources containing the very misogynistic ideas she argues against.Show less
Research master thesis | Literary Studies (research) (MA)
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this thesis argues that alternative approaches outside of the dominant deconstructive model of trauma theory are in order to more comprehensively represent the (embodied) experience of trauma...Show morethis thesis argues that alternative approaches outside of the dominant deconstructive model of trauma theory are in order to more comprehensively represent the (embodied) experience of trauma amongst women in Western society. In chapter 1 I will start out by tracing the concept of trauma back to its origins. I will pay particular attention to the narratives emanating from the medical discourse surrounding hysteria and trauma, highlighting the paradoxical and problematic conceptualization of the female subject in psychoanalysis. Furthermore, I will show, taking Alias Grace as a case study, how psychoanalysis and the dominant model of trauma theory can be a fruitful epistemological tool when applied to trauma narratives, but also what its limitations are in the face of the female trauma. Chapter 2, then, will further examine the underlying cause of these limitations and the origin of the harmful narratives perpetuated within the trauma theory discourse by exploring the relationship between the phallogocentric nature of Western society and women’s place within it. It will demonstrate why the female experience of trauma warrants additional reflection and that, in some ways, it lies beyond the reaches of the dominant model. And finally, Chapter 3 will propose three alternative approaches that aim at providing a more inclusive account of the female trauma. All three approaches will be characterized by an emphasis on the embodied experience of trauma and treat the female body as a potential site of expression.Show less
This MA thesis explores the independence of the working heroines in Charlotte Brontë's Jane Eyre (1847), Anne Brontë’s The Tenant of Wildfell Hall (1848), and Thomas Hardy’s Far from the Madding...Show moreThis MA thesis explores the independence of the working heroines in Charlotte Brontë's Jane Eyre (1847), Anne Brontë’s The Tenant of Wildfell Hall (1848), and Thomas Hardy’s Far from the Madding Crowd (1874). The heroines establish and maintain their independence by performing the profession of governess, artist, or farmer, while the love interests threaten the women's independence by encroaching upon their professions. This thesis shows that all three novels are simultaneously ahead of their time in relation to the working women and very much of their time in relation to Victorian conventions.Show less
