Representative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties....Show moreRepresentative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties. She discusses the delicate topics of female suffering and self-expression, which broaches unavoidably the salience of religious influence on the historical formation of gender roles in the Japanese society. In this thesis, I will analyze this subject through the dichotomy of purity versus impurity, as it is instrumental in organizing space in the lives of ordinary Japanese. In varied contexts, purity is used to contrast the sacred and the abominable, the clean and the polluted, or the male and the female body. By placing the paintings of Matsui Fuyuko in the syncretic religious context unique to Japan, it is possible to establish a connection between Buddhist meditation practices and Shinto rituals. In this sense, the aesthetic collation of the pure feminine and the shock-inducing realism of the rotting female corpse in Matsui's paintings can be seen as a form of social protest against pernicious gender biases. She challenges the traditional expectations towards women to display humility, self-restraint and to embrace their role as mothers and caretakers by instead painting them in defiant and provocative poses. The main question to be tackled in this research is how the painter modifies the concept of purity to communicate her feelings and ideas to the viewer through artistic means. I will disclose why the art of Matsui Fuyuko can be seen as an emotional purification of the artist, a meditative tool for the audience, as well as how it defies traditional views on the female body.Show less
