Research master thesis | Classics and Ancient Civilizations (research) (MA)
open access
This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Today, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions...Show moreToday, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions of care. Moving beyond (neo)liberal care ethics, this thesis argues for a non-gendered Confucian care ethics, illustrating what it means to care democratically. The aim is to alter democratic deficits by embracing interrelated Confucian selfhood. This enables intergenerational care to adapt to contemporary social challenges to humanity, democracy, equality, and freedom. I expand the notion of Confucian interrelated selfhood – transforming dichotomous moral boundaries of identity, community, and society – to include non-gendered, non-dyadic relationships. To be relevant for future generations, Confucian care ethical democracy must offer a theory of justice that understands how to care for each other in society. Whilst facing numerous care crises, it is imperative to encourage people to explore what it means to care intergenerationally for the present and future world. A communal effort to flourish on this planet starts by understanding the complexity of raising oneself, each other, and a whole society.Show less
Perishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of...Show morePerishables is a photographic series that features the portraits of nineteen white women between the ages of fifty and seventy. Through its engagement with abject materials, namely its use of animal skins and organ linings as garments for the photographed women, the series aims to enter into a generative relationship with its spectators, where the female ageing body is explored and re-negotiated through its abject exploration. Departing from a sociological, philosophical and feminist perspective, I frame Perishables as a powerful and poignant commentary on the social abjection of female ageing bodies that engages with the feminist tradition of body reclamation. The aim of this paper is to deconstruct and unveil the ageist and patriarchal notions inscribed in the female ageing body, and to showcase (theoretical and socially engaged) practices to refute them.Show less
In sociolinguistic studies, researchers state that there is such a thing as gendered language. These studies looked at gendered language in discourse and came up with a list of stereotypical...Show moreIn sociolinguistic studies, researchers state that there is such a thing as gendered language. These studies looked at gendered language in discourse and came up with a list of stereotypical linguistic characteristics used by women and men. In other words, certain linguistic features such as emotional adjectives and tag-question are more feminine, whereas judgemental adjectives and directives are said to be more masculine. However, the findings are divided and do not always give a common consensus on the reason behind the phenomenon. The differences could stem from social norms, personal preferences, inherited schemata, or the social setting in which the discourse occurs. For example, specific situational settings could be more likely to induce gendered language than other settings. James Bond movies present settings that are potentially more likely to induce gendered language due to the sexually charged nature of the relationship between James Bond and his women. In these situational settings, men are more likely to behave like stereotypical men, and women are more likely to behave like stereotypical women. Therefore, this thesis will look at the specific sociolinguistic context of the potentially sexually charged relationship between James Bond and various female characters and investigate if the characters use stereotypical feminine versus masculine linguistic features and, therefore, contribute to the sociolinguistic corpus of gendered language and its origin. In addition, it looks at the change over time, taking into account the changing Western society in regard to social norms and gender roles. To summarize, this thesis will look at whether the language in discourse found in the movies reflect findings in previous studies, whether the use of linguistic features changes over time, and if the changes can explain the nature of gendered language. This thesis is divided into five chapters the introduction, methodology, results, discussion, and last but not least, the conclusion. In chapter one, the introduction will give a brief overview of the significant sociolinguistic theories present, their relation to gendered language, what research has been done regarding James Bond movies, and how this research contributes to current discussions of feminism. Chapter one also includes a literature review, which goes into depth about the aforementioned sociolinguistic studies. Last but not least, it will give an overview of the research question. Chapter two will discuss the methodology, how social and linguistic factors were chosen, and which difficulties were encountered. Chapter three displays the results found with the help of graphs and figures. Chapters four and five will discuss the findings, their relevance to the ongoing discussion of sociolinguistics and gendered language, and the study’s main takeaway.Show less
This paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of...Show moreThis paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of ancient bodies with modern views – creating cross-wired hypotheses on gender manifestation in prehistoric art. Concentrating on the Chalcolithic cruciform figurines, words patterns and trends will be analysed to gain a better understanding of how gendering ancient identities with modern biases is chronicled within a range of selected literature from the 1930s to the current day.Show less
Master thesis | European Politics and Society: Vaclav Havel Joint Master Programme
open access
Female political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly...Show moreFemale political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly progressive governments, challenging claims of increased gender equality in the global North. This thesis explores the differences in female political representation in parliament between two popularly deemed progressive European countries: the Netherlands and Finland. It does so by adopting a novel approach and engaging with the top-down personal perspective of politicians within parliament. Using semi-structured elite interviews, this thesis focuses on the causes for the gap in female political representation between these countries while also discussing what the interviewees envision as possible improvements. The parliamentarians provided unique insights into how gender stereotypes, gatekeeping, and unpaid care work determine the level of women's political representation. The results indicate that female parliamentarians, next to having more role models, centred childcare and parental leave at the core of the policies to address the disparity in female representation between the Netherlands and Finland and increase female political representation overall. This thesis thus contributes to gender and political studies.Show less
This thesis examines how Greta Gerwig’s film adaptation Little Women (2019) retains Louisa May Alcott’s 1868 eponymous novel’s progressive ideas about gender roles, marriage and women’s ambitions...Show moreThis thesis examines how Greta Gerwig’s film adaptation Little Women (2019) retains Louisa May Alcott’s 1868 eponymous novel’s progressive ideas about gender roles, marriage and women’s ambitions for its present-day audience. The theoretical foundation of this research is based on the adaptation studies written by Julie Sanders and Linda Hutcheon.Show less
An analysis of how female character's are portrayed in the late '90s and early '00s adaptations 10 Things I Hate About You, She's the Man, and Never Been Kissed of the Shakespeare plays: Taming of...Show moreAn analysis of how female character's are portrayed in the late '90s and early '00s adaptations 10 Things I Hate About You, She's the Man, and Never Been Kissed of the Shakespeare plays: Taming of the Shrew, Twelfth Night, and As You Like It.Show less
This thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its...Show moreThis thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its sexually provocative imagery and lyrics, unlike other similar songs. The question arises: If Cardi and Megan’s song is so unique that it might be the start of a feminist paradigm shift, or whether it follows an already established trend? First, the song is looked at scene by scene, scouting for reoccurring elements. Then, general representational tactics of women in media are analyzed, which help evaluate the elements in WAP further, determining feminist or non-feminist tactics. Lastly, the music of other female artists like Madonna, Lil Kim and Christina Aguilera are studied in order to determine whether WAP is following a trend or stands on its own. After exploring these different aspects, it is possible to see that WAP is a starting point for a feminist paradigm shift in media, of which there are likely more artists or songs to follow.Show less
This thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras...Show moreThis thesis analyzes the novel The Handmaid's Tale by Margaret Atwood and the first three seasons of the HULU series in their historical contexts, and relates them to feminist activism in both eras. The thesis investigates how relevant literary representations of injustice and oppression are within the broader discourse of human rights, equality and freedom. By juxtaposing the Feminist views of the writer, producers and its political climate in the 1980s during Ronald Reagan's administration and during the 2010s Trump administration the radicalisation of its activism and the change in current political protests are shown.Show less
This thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?”...Show moreThis thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?” To answer this question, films by Beri Shalmashi and Reber Dosky were analyzed by means of Visual Discourse Analysis on the basis of themes and symbols that fit within Kurdish political discourse. Unlike traditional International Relations (IR), this thesis takes an aesthetic turn and presents a more expressive and critical view from a diasporic narrative of the Kurdish question, which will deepen the knowledge concerning this conflict through visual discourse analysis. The themes and symbols discussed are cultural memory and collective trauma, the geo-linguistic homeland, autonomy, feminism, and the Kurdish mountains. These themes and symbols are all linked to Kurdish nationalism and cultural resistance and play an important role in the creation of a Kurdish identity among the Kurds living in diaspora. Moreover, this thesis demonstrates how the Kurdish diasporic community represents itself and how politicized Kurdish culture is.Show less
Feminist movements have existed since the late 19th century but the most recent wave of feminism has been particularly significant in South Korea. In 2018 numerous women came forward with...Show moreFeminist movements have existed since the late 19th century but the most recent wave of feminism has been particularly significant in South Korea. In 2018 numerous women came forward with allegations of sexual violence against people in power under the MeToo movement. This movement was popularized in the United States on social media and soon reached other parts of the world where it gave marginalized women a voice. The movement gained momentum in South Korea after prosecutor Seo Ji-hyeon opened up about sexual harassment allegations against a high-level prosecutor and spoke of pressure by state bodies to keep silent. The MeToo movement brought sexual violence issues from the private sphere to the public sphere and showed women that the country’s patriarchal system is unacceptable. In the following years there was a rise in gendered activism such as the “Escape the Corset” movement, that rejected South Korea’s rigid beauty standards, and anti-digital sex crime movement. This paper seeks to answer, “how successful has gendered activism been in South Korea since 2018?” The reason 2018 has been selected as starting point for the thesis is due to the start of MeToo movement that particular year. This topic will be analyzed by use of feminist theory due to it being one of the rising frameworks that is growing in importance and relevance. Feminist theory is focused on gender inequality and addresses many issues that the Korean women challenged in their movements. Along with feminist theory, the history of gendered movements is crucial when discussing feminist movements in South Korea and will therefore be examined in the literature review. To further establish the definition of success of contemporary gendered movements, the historical background of gendered movements in South Korea will be explored. By analyzing the history of gendered movements in South Korea dating back to the 1980s up to now, this chapter defines success and how success of feminist movements has been determined in the past. These case studies will be analyzed through a feminist lens to ascertain the degree to which they have been successfulShow less
The topic of challenging gender stereotypes within the music genre of Reggaeton is a timely and relevant one in the European Union, the research question that this thesis is aiming to answer is: To...Show moreThe topic of challenging gender stereotypes within the music genre of Reggaeton is a timely and relevant one in the European Union, the research question that this thesis is aiming to answer is: To what extent are female gender stereotypes challenged in the lyrics of Spanish female Reggaeton performers? In order to do so, two well-known Reggaeton songs were analysed. The analysis was made through the close reading of the denotative and connotative meaning expressed in the lyrics and critical discourse analysis with musical discourse analysis. By using two songs sung by women this thesis explores, through a feminist lens, the appropriation of the musical genre of reggaeton as a subversive tool for commentary on gender stereotypes. This research concluded that Reggaeton is transformed by the relevant artist into a feminist instrument for the dissemination of feminist messages since the female characters have a history of constantly defending themselves from prejudices for instance, whereas males do not.Show less
