Feminist movements have existed since the late 19th century but the most recent wave of feminism has been particularly significant in South Korea. In 2018 numerous women came forward with...Show moreFeminist movements have existed since the late 19th century but the most recent wave of feminism has been particularly significant in South Korea. In 2018 numerous women came forward with allegations of sexual violence against people in power under the MeToo movement. This movement was popularized in the United States on social media and soon reached other parts of the world where it gave marginalized women a voice. The movement gained momentum in South Korea after prosecutor Seo Ji-hyeon opened up about sexual harassment allegations against a high-level prosecutor and spoke of pressure by state bodies to keep silent. The MeToo movement brought sexual violence issues from the private sphere to the public sphere and showed women that the country’s patriarchal system is unacceptable. In the following years there was a rise in gendered activism such as the “Escape the Corset” movement, that rejected South Korea’s rigid beauty standards, and anti-digital sex crime movement. This paper seeks to answer, “how successful has gendered activism been in South Korea since 2018?” The reason 2018 has been selected as starting point for the thesis is due to the start of MeToo movement that particular year. This topic will be analyzed by use of feminist theory due to it being one of the rising frameworks that is growing in importance and relevance. Feminist theory is focused on gender inequality and addresses many issues that the Korean women challenged in their movements. Along with feminist theory, the history of gendered movements is crucial when discussing feminist movements in South Korea and will therefore be examined in the literature review. To further establish the definition of success of contemporary gendered movements, the historical background of gendered movements in South Korea will be explored. By analyzing the history of gendered movements in South Korea dating back to the 1980s up to now, this chapter defines success and how success of feminist movements has been determined in the past. These case studies will be analyzed through a feminist lens to ascertain the degree to which they have been successfulShow less
The topic of challenging gender stereotypes within the music genre of Reggaeton is a timely and relevant one in the European Union, the research question that this thesis is aiming to answer is: To...Show moreThe topic of challenging gender stereotypes within the music genre of Reggaeton is a timely and relevant one in the European Union, the research question that this thesis is aiming to answer is: To what extent are female gender stereotypes challenged in the lyrics of Spanish female Reggaeton performers? In order to do so, two well-known Reggaeton songs were analysed. The analysis was made through the close reading of the denotative and connotative meaning expressed in the lyrics and critical discourse analysis with musical discourse analysis. By using two songs sung by women this thesis explores, through a feminist lens, the appropriation of the musical genre of reggaeton as a subversive tool for commentary on gender stereotypes. This research concluded that Reggaeton is transformed by the relevant artist into a feminist instrument for the dissemination of feminist messages since the female characters have a history of constantly defending themselves from prejudices for instance, whereas males do not.Show less
Studies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through...Show moreStudies have been carried out that explore the effect of the ILO's Decent Work Agenda but there has been a lack of focus of its effect on the working conditions of women working informally. Through carrying out a qualitative content analysis of key documents, the normative function of the ILO's Decent Work Agenda within the context of informal domestic workers in India between 2008 and 2018 was analysed. This provided a nuanced and in-depth understanding of the ILO's role in the development of women who work outside of the purview of the rule of law and are also often marginalised on the basis of social constructs such as class, caste, religion and gender. While the ILO's Decent Work Agenda has resulted in the limited improvement of the lives of Indian women working in the informal economy the organisation ability to drive change has been curbed by its inability to enforce international law, and the neoliberal global political economy.Show less
Bollywood both shapes and is shaped by Indian society and its ideas on gender and nationhood. As such, it engages in the politics of representation as theorised by feminist film scholars. While...Show moreBollywood both shapes and is shaped by Indian society and its ideas on gender and nationhood. As such, it engages in the politics of representation as theorised by feminist film scholars. While extensive literature on the representation of women in Bollywood has arisen in the last two decades, less attention has been put on how rural populations or, more particularly, rural women are represented. This thesis attempts to fill this gap, recognising the invisibilization of rural women in India, especially the agrarian female workers who make up a major part of the national economy and around a fourth of the Indian population. I have used content and discourse analysis techniques on the Bollywood films Lagaan (2001) and Parched (2016) to investigate, firstly, the representation of Indian rural women in Bollywood, secondly the applicability of the theories developed through the literature on Indian women in Bollywood, and lastly, the possible implications of such representations on the visibility of Indian rural women, considering both the content and the reach of the films in the context of contemporary Bollywood. There is a multiplicity of representations of Indian women across Bollywood films, and this also applies for the representation of Indian rural women. In Lagaan, women play side-roles and are defined by their relation to the male characters; they are dedicated daughters, mothers and lovers. In Parched, the rural women are nuanced characters with desires, struggles and the will to fight for their agency in a patriarchal society. Even though the representations in Parched challenge notions of patriarchal and upper-class nationhood, its viewership and therefore the impact of the visibilization Indian rural women is limited to an elite and largely foreign audience, whereas the more patriarchal, but subaltern-perspective film Lagaan has reached Indian masses. Although women centric Bollywood films have been on the rise, a low number of films portray rural Indians and of those only few depict female characters in nuanced ways like done in Parched. This implies that Indian rural women remain largely invisibilized and stigmatized in Bollywood and in the imagination of the nation by the Bollywood audiences. Going forward, middle cinema offers a promising space for critical but still influential films, stimulating larger discussions on class and gender.Show less
This thesis project investigates how the personal experience contributes to International Relations’ understanding of migration. Employing a feminist IR theoretical framework and an engaged,...Show moreThis thesis project investigates how the personal experience contributes to International Relations’ understanding of migration. Employing a feminist IR theoretical framework and an engaged, qualitative methodology of semi-structured interviews, I investigate the migration experiences of undocumented Latina factory workers, as an interplay between their gender, their undocumented immigration status, and their work. The findings allow us to examine self-narrativized realities where the politicization of the personal is paramount. Gaby, Valentina, and Margarita, the collaborators, share their personal experience with undocumented migration, motherhood, tiring work schedules and hard labor, all while navigating gendered oppressions. I find that even the most common private matters and experiences are imbibed with power dynamics and tensions, and that they are present at all stages of international politics. The research concludes that using the personal experience in order to make (feminist) sense of International Relations is a necessity.Show less
This thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and...Show moreThis thesis explores the conflicted experience of reading boy's love manga, based on intimate interviews with a handful of non-japanese readers. How are issues such as consent, representation and stereotypes perceived, and how does that perception influence reading choices? Boy's love is examined not only as an experience in itself, but also in connection with broader questions with regards to female sexuality and pornography.Show less
This thesis seeks to answer the following research question: “To what extent can the comfort women be considered the forerunners of the #MeToo movement?”. For this, I used qualitative data to...Show moreThis thesis seeks to answer the following research question: “To what extent can the comfort women be considered the forerunners of the #MeToo movement?”. For this, I used qualitative data to support my thesis statement. This qualitative data is secondary data, meaning I extracted information that was collected by other researchers from their research papers, as opposed to new, primary data. In order to gain a better insight in the workings of both the comfort women issue and the #MeToo movement, I discuss events connected to both the comfort women issue and the #MeToo movement that emerged before, during and after the issues became known in Korean society. By comparing, I have found that there are a significant amount of similarities between the two issues. First, i found that both issues were not completely new to the public, and were just not spoken about often. Adding to this, in both situations, the women who spoke up first had been quiet about theit abuse for a long time. Lastly, it is seen that support for the victims in both cases was built from grassroots organizations, and these organizations pressured the government into taking action. By analyzing how both the comfort women issue and the #MeToo movement have progressed over the years, I can confirm the theory that at its core, the comfort women could very well be considered the forerunners of the #MeToo movement.Show less
