This thesis explores the legal implications of global feminist debates centring radical and liberal feminist stances on Human Trafficking (HT) and prostitution as interrelated phenomena. It...Show moreThis thesis explores the legal implications of global feminist debates centring radical and liberal feminist stances on Human Trafficking (HT) and prostitution as interrelated phenomena. It explores the 2000 Dutch repeal of the brothels ban and the 1999 Swedish prohibition on the purchase of sex services. It posed the question - What are the discourses underlying the two dominant feminist stances on Human Trafficking and its link to prostitution? Do they reveal a similar or a radically opposed logic in their articulation of female subject positions? If so, how? By employing post-structuralist theory of discourse, notions of bio-power, docile bodies, governmentality and others, this paper argues that despite the fierce opposition between radical and liberal feminist standpoints on the two issues at hand, both positions frame female subjects as bodies to be governed or as the loci for state incursions and governmental control. In the case of abolitionist feminists, women are held to be passive victims who are in need of governmental protection and saving. Conversely, the liberal stance perceives them as a separate economic class that must be placed under state supervision with its activities regulated and controlled. Importantly, this thesis contributes to the research on international political theory by offering a new interpretation of the debate on HT and prostitution. By employing a comparative case study as means to demonstrate its theoretical argument, it aims to create an alternative understanding of the polarised debate which essentially expresses one overarching framework. As such, it is highly relevant to post-modern feminist theory and gender studies since it presents a new perspective on one of the central and most pressing crises in global gender equality. This assertion is of vital importance for international relations and regionalist debates on state power insofar as it addresses important questions concerning the role of the nation-state in managing domestic affairs, such as prostitution, and tackling international issues, such as HT. In that regard, this paper argues against one of the widely-held beliefs, prevalent in liberal political circles, envisioning a decreased role for post-modern states in international relations and national policies. Instead, it posits that the construction of the two feminist discourses, creating easily governable subjects and enhancing state interventions, and their policy impact on HT and prostitution have successfully worked to solidify the role of the nation-state in addressing both HT and prostitution. Lastly, radical and liberal feminist movements in Sweden and The Netherlands have rendered one of the most successful lobbying efforts in the world which manifests the implications of international and regional political debates on national level. Admittedly, this serves a wider agenda in which national Dutch and Swedish feminist movements embody a culminating success of a global endeavour and as such are of broad importance with indisputably reverberating effects.Show less
This essay will focus on the ways in which the house, and indeed the right to own property, shaped female experience in The Tenant of Wildfell Hall (1843), The Spoils of Poynton (1897) and Howard’s...Show moreThis essay will focus on the ways in which the house, and indeed the right to own property, shaped female experience in The Tenant of Wildfell Hall (1843), The Spoils of Poynton (1897) and Howard’s End (1910). The relationship between houses and female power will be explored through three chapters. The first will focus on The Tenant of Wildfell Hall and will examine the relevance of the house as a physical space within women’s lives. The second will look at The Spoils of Poynton in the context of female homelessness, shedding light on the importance of the female home in wielding power, as women without property are left disenfranchised throughout, as well as the precarious nature of female inhabitance of the home. The third and final chapter will examine Howard’s End in light of this. Women, able to take full ownership of the home, are able to exert control over their environment and exercise a relatively high degree of independence. Howard’s End, then, I will examine in terms of legal female ownership of the house and female inheritance. This essay will examine the role of the house in female agency within the novel, and how these novels emerge from, and form part of, the shifting political, social and legal context of the 19th Century.Show less
Focusing on second-wave feminism, this thesis explores the representation of gender and the expression of the predominant feminist ideas in Ursula K. Le Guin’s The Left Hand of Darkness (1969),...Show moreFocusing on second-wave feminism, this thesis explores the representation of gender and the expression of the predominant feminist ideas in Ursula K. Le Guin’s The Left Hand of Darkness (1969), Joanna Russ’s The Female Man (1975) and Pamela Sargent’s The Shore of Women (1986).Show less
In this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to...Show moreIn this thesis, I am going to interrogate what might be meant by ‘feminism’ in the 1810s, what Austen might have understood by it, what we now understand by it and how we might apply those ideas to Austen’s fictions. I shall argue that, although Austen uses the rather conservative genre of the courtship novel, or according to Marilyn Butler, the conservative partisan novel, she employs this genre to subversively express her radical ideas (Butler 3). I shall explore the idea that Austen rarely made her views explicit in her work, due to the prejudice that was attached to feminist opinions at the time due to the life story of Mary Wollstonecraft; I shall trace the effect of Wollstonecraft’s biography on Austen in the next chapter. By investigating different aspects of the family in Austen’s novels, I shall demonstrate how Austen did express her ‘feminist’ opinions through her works, albeit subversively. In particular, I shall examine the weakness of authority figures in her novels. The weakness of these authority figures allows Austen’s heroines to exert more power and therefore have a greater sense of their own agency. I shall further argue that Austen employs the weakness of authority figures in her novels to inspire more feminist behaviour in her heroines, who are not the ‘perfect’ image of Georgian femininity but are nevertheless, as is clear to the reader, favoured over the other characters by Austen. I attempt to show that Austen’s ‘feminist’ tendencies can be seen in her praising her heroines beyond all other characters while these are the characters that display the most agency and therefore are seen to possess ‘masculine’ properties.Show less
Since the beginning of the 1980s, much debate in the jurisprudential literature on freedom of speech has been about the (alleged) right to produce and publish pornography. Law professor and...Show moreSince the beginning of the 1980s, much debate in the jurisprudential literature on freedom of speech has been about the (alleged) right to produce and publish pornography. Law professor and feminist Catherine A. MacKinnon produced an interesting argument to justify censorship: pornography itself silences women (and we are allowed to silence silencing speech). This thesis seeks to investigate this normative defence of the 'silencing of the silencing', particular in the form promulgated by Rae Langton from the 1990s on. It argues that Langton and other feminists are right to conclude that free speech implies more than a mere 'right to locution' -- there must also be a right to be heard. Yet, it puts into question the premise that that fact alone could justify a censorship. That usually constitutes an offence against the spirit of autonomy, one of the main reasons to accept free speech in the first place.Show less
This paper engages in the debate on the banning of the burkini in coastal resorts in France in 2016. It uses this case study to assess whether there has been a change in attitudes towards Muslim...Show moreThis paper engages in the debate on the banning of the burkini in coastal resorts in France in 2016. It uses this case study to assess whether there has been a change in attitudes towards Muslim women in the country. The findings suggest that whilst perceptions remain similar there is now more open opposition towards women wearing Islamic veils. The history of France’s relationship with Islam, especially in regards to women, is used to put into perspective the 2016 bans. The differences between these prohibitions in comparison to previous laws regarding Islamic veils in France, but also the underlying similarities are analysed. Furthermore, the case study of France will be expanded EU-wide and will deliberate on the future of such restrictions to female Muslim dress.Show less
In the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an...Show moreIn the late sixties and early seventies the myths of motherhood, the stereotypical ‘eternal feminine’ and a caricutural or dismissive understanding of women’s physiology were elements of an underlying ideology which hampered the achievement of full equality for women. This thesis investigates the subversive nature of these myths in a literary analysis of three dystopian novels by women authors published in this period. It also draws on the key ideas of major women theorists central to feminism’s ‘second wave’. Examining the dystopias of Angela Carter’s Heroes and Villains (1969), Pamela Kettle’s The Day of the Women (1969) and Emma Tennant’s The Time of the Crack (1973), I argue that that the possibilities open to the female characters to (re)claim their womanhood are not only undermined by their inability to recognize the deceptive facets of the myths of femininity fabricated in patriarchal societies, but also by their own unwillingness to renounce the dubious privileges that these myths bestow on the stereotypical female.Show less
Master thesis | Theology and Religious Studies (Master)
open access
This MA-thesis deals with a highly fascinating topic in the domains of religious, literary, and cultural history. It is ambitious in its attempt to approach the topic of marriage and divorce in the...Show moreThis MA-thesis deals with a highly fascinating topic in the domains of religious, literary, and cultural history. It is ambitious in its attempt to approach the topic of marriage and divorce in the fin de siècle from the perspective of contemporary fiction in close alliance with religious and social dimensions of the issues. Given the fact that, as far as the topic of marriage and divorce goes, religion is quite understudied in literary research, this is an effort to bring these disciplines together in one thesis. Central to the thesis is the work of the prominent Dutch feminist Cecile de Jong van Beek en Donk who underwent a radical change from feminism to orthodox Catholicism. Whereas the first novel discussed in this thesis (Hilda van Suylenburg, 1897) has been the object of literary and feminist studies, the second novel (Bij de waskaarsen, 1929/30), stemming from the novelists’ Catholic phase of life, has been largely neglected up till today. To discuss these two interesting novels together is quite an original aspect of this thesis.Show less
Within the filmic landscape, the male gaze has always had the upper hand. Films are generally made by men, for men and although this may seem as something from the past, it is still the case. There...Show moreWithin the filmic landscape, the male gaze has always had the upper hand. Films are generally made by men, for men and although this may seem as something from the past, it is still the case. There is an imbalance between the presence of women and men in film, how they are presented and, more importantly, who the films are made for. Within this thesis I want to explore this further and see how this lack of equality has influenced the possibility for identification with the characters on screen by the female spectator. With this I want to focus on the female (super)hero as she is up and coming, but struggling to truly settle in within the male genres of film. I want to try to discover whether her presence has made a difference for the female spectator and if she is someone to they can identify with, as this has for the most part been difficult to do in the past. Moreover, I want to look at what female heroes have been important over the past decade and whether they have changed the gender imbalance or have kept it intact, only seemingly changing things on the surface but not on a deeper level. What possibility for identification have they been able to offer to the female spectator?Show less
Upon first impression, the so-called anti-feminist ranting in lines 2414 to 2428 of the fourteenth century poem Sir Gawain and the Green Knight appears patently misogynistic; however, in analyzing...Show moreUpon first impression, the so-called anti-feminist ranting in lines 2414 to 2428 of the fourteenth century poem Sir Gawain and the Green Knight appears patently misogynistic; however, in analyzing the poem as a whole using Dominique Battles's pre-Conquest and post-Conquest dichotomy together with a close analysis of the linguistic and specifically the semantic qualities of the speech in relation to the rest of the text, it is possible to view this ostensibly anti-feministic diatribe in a new light. In this thesis, it is argued that this uncharacteristically gruff speech that the otherwise courteous Sir Gawain articulates can be placed in the category of cursing or swearing, where the literal meaning of the words are given less valuation than the underlying semantic conveyance of an emotional and psychological catharsis.Show less
