It has often been observed that ancient heroes suffer both acclaim and tragedy. This is true of both Beowulf and Gilgamesh, two heroes who gain much in their journeys, but ultimately lose far more...Show moreIt has often been observed that ancient heroes suffer both acclaim and tragedy. This is true of both Beowulf and Gilgamesh, two heroes who gain much in their journeys, but ultimately lose far more despite their epic feats; in the case of Beowulf, the kingdom he built and in the case Gilgamesh, his greatest friend, Enkidu. These tragedies are seen as inevitabilities and thus put to question the purpose of heroics (see Greenfield 1962 and Wolf 1969). Both have often had their heroism examined individually, but rarely together, especially in light of newer translations and editions (see Stark 1966). In my thesis, I will analyze the relevant themes of both heroic tales. I will compare and contrast the themes of gain and loss and discern the reason each hero is considered heroic within the context of their own tale and where these forms of heroism meet and diverge.Show less
Master thesis | Classics and Ancient Civilizations (MA)
open access
Exclusionary and self-serving, the purpose of gender constructs are fundamentally more concerned with the longevity and social-standing of the hegemonic participants – for they perpetuate the...Show moreExclusionary and self-serving, the purpose of gender constructs are fundamentally more concerned with the longevity and social-standing of the hegemonic participants – for they perpetuate the construct itself – than those who fall short of its criteria. Because constructs of masculinity are inherently hierarchal, we would expect the aged to become a “subclass” against which younger participants validate their own masculinity and increase their standing. Thus, in the introduction of her ground-breaking book Being a Man: Negotiating Ancient Constructs of Masculinity, published in 2017, I would have to agree with I. Zsolany’s statement: “to enact a version of masculinity considered less than a societal ideal cannot only be undesirable, but humiliating.” However, against my own presumptions, Mesopotamian art and literature reveals a gerontocratic society which favoured the aged over the young, one where the dominant social construct was monopolised by a group who were unable to adhere to its values and norms, and thus struggled meet its expectations. In this thesis we will investigate this paradox, using the Standard Babylonian (abbreviated as “SB” throughout the essay) Gilgamesh epic to explore the ways in which older men navigated the obstacles of ageing whilst paying particular attention to how they validated their own masculinity based on that of younger men.Show less
