El Saco de Amberes is an unedited play whose authority has been questioned by academics -the question remains of whether it was written by Calderón de la Barca, as the two copies that are left...Show moreEl Saco de Amberes is an unedited play whose authority has been questioned by academics -the question remains of whether it was written by Calderón de la Barca, as the two copies that are left affirm, or Rojas Zorrilla. This is an edition of the text that can be found in the eighteenth-century prints found in the Castilla-la-Mancha library and the Institut del Teatre, the two only copies left of this play. This edition includes a thorough introduction and a a version of the text translated to English.Show less
This thesis has examined the presence of English books in the libraries of three well-read Dutchmen in the seventeenth century: Balthasar Lydius, Johannes de Laet and Justus Turcq. Consequently,...Show moreThis thesis has examined the presence of English books in the libraries of three well-read Dutchmen in the seventeenth century: Balthasar Lydius, Johannes de Laet and Justus Turcq. Consequently, it has examined the influence of Anglo-Dutch relations on the contents of the libraries of Dutchmen in the Golden Age.Show less
Pirates have long played an integral role in people’s ideas of the history and heritage of the Caribbean, yet this heritage goes undefined. While academic scholarship on piracy has increased in...Show morePirates have long played an integral role in people’s ideas of the history and heritage of the Caribbean, yet this heritage goes undefined. While academic scholarship on piracy has increased in recent years, no investigation has yet been done on how piracy manifests as part of the heritage of the region. This paper is an attempt to examine this understudied area, and extend research on heritage in the Caribbean into a new direction. The concept of heritage as defined by Smith and Waterton in their essay ‘The Envy of the World?’ Intangible Heritage in England (2009) has provided the basis for the conceptualization of the heritage of piracy in this paper. They contend that all heritage is inherently intangible and that heritage is “the performance and negotiation of identity, values and a sense of place” (Smith and Waterton 2009, 292). By examining what form the heritage of pirates and piracy from the Golden Age (1650-1724) takes today, and how both Europeans and Americans, and Afro-Caribbeans view that heritage, this paper contends that pirates are absolutely part of the heritage of the Caribbean, and that pirate heritage manifests in both the modern romanticized idea of pirates portrayed in popular culture for European and Americans, and as part of the colonial legacy for Afro-Caribbeans. Moreover, while both of these groups do see pirates of the Golden Age as part of their heritage, the first embraces and celebrates it, whereas the second does not. This provides a clear example of the dissonance of all heritage, as described by Tunbridge and Ashworth (1996) and Smith and Waterton (2009); while heritage may be viewed as positive by one group, it will be viewed as negative by another.Show less
The importance of the Hinterland as a factor in economic growth of the economy of the Dutch Republic. Analysed three sectors; Peat, Windmill and Agriculture, to calculate the level of social...Show moreThe importance of the Hinterland as a factor in economic growth of the economy of the Dutch Republic. Analysed three sectors; Peat, Windmill and Agriculture, to calculate the level of social savings these highly productive sectors were capable of upholding in order to argue that the modern level of economic growth is for a large part caused by the economy of the Hinterland. This in contrast to the overly emphasized importance of trade and commerce in traditional Dutch history.Show less
In this thesis the creation and appearance of Joan Blaeu’s town atlas of the city and monuments of Rome, the Admiranda Urbis Romæ, are treated. In the first part the social-historic context related...Show moreIn this thesis the creation and appearance of Joan Blaeu’s town atlas of the city and monuments of Rome, the Admiranda Urbis Romæ, are treated. In the first part the social-historic context related to the appearance of the town atlas is discussed: relevant elements for the interest in Italy in the second half of the seventeenth century were taken into consideration (Humanism, the collecting of antiquities, Grand Tour). The flourishing of Dutch publishing in this period has also been treated, in particular the emergence of the Blaeu firm in Amsterdam. In the second phase of the research focus was shifted towards the town atlas of Rome. Its goal, contents and intended audience, as well as the relationships with Italian sponsors and the collaboration of the Blaeu firm with their Italian contacts were discussed. After a description of the characteristics of the original Blaeu edition, in the final part of the thesis later editions by other publishers were treated. A conclusion was then reached about the development of a subtly changing perspective on Rome as witnessed through the various editions of the town atlas of Rome; the relations between the Netherlands and Italy in the second half of the seventeenth century were a guiding theme through the entire research.Show less
