One might argue that the Christian themes in Flannery O'Connor's fiction were prevalent not because she wished to produce religious texts about redemption, but rather because Christianity and the...Show moreOne might argue that the Christian themes in Flannery O'Connor's fiction were prevalent not because she wished to produce religious texts about redemption, but rather because Christianity and the church played a great role in her life and in the South in general. In fact, she claimed that “the South is hardly Christ-centered, it is most certainly Christ- haunted” (861). This thesis argues that Wise Blood is not a religious novel nor does it have a religious message. Instead, O’Connor deploys the gothic, or more specifically its southern variety of the grotesque, to criticise Evangelical Protestantism for obscuring and sustaining the social injustices in the South.Show less