This thesis examines developments around the politicization of the Taj Mahal by Hindu nationalists and its consequences on a local, national and international level. The act is discussed against...Show moreThis thesis examines developments around the politicization of the Taj Mahal by Hindu nationalists and its consequences on a local, national and international level. The act is discussed against the background of the currently ruling right-wing Indian government and the construction of an Indian national identity. By linking the case to the dynamics of meaning making around heritage, the thesis questions notions on the material and symbolic value of heritage in heritage representation. Moreover, the understanding of ‘heritage in conflict’ as it is done from an international perspective is challenged. Here, the discussion emphasizes the role and importance of international regulation regarding the protection of heritage sites outside conflict zones. The study concludes by drawing attention to the limitations of international governance in heritage management and further developments around the concept, which offer interesting fields to be explored.Show less
The question of historical revisionism has long been a subject of discussion especially during the Soviet period of Russian history. In recent years, after the Russian annexation of Crimea and the...Show moreThe question of historical revisionism has long been a subject of discussion especially during the Soviet period of Russian history. In recent years, after the Russian annexation of Crimea and the civil war that is raging in the eastern parts of Ukraine, the issue has gained new interest. Within the cultural domain, a reflection of the politics of the Russian government can be perceived. The purpose of this thesis is to determine the presence of historical revisionism in the cinema of modern day Russia. Film has risen to be one of the leading art forms of the last century, in terms of its influence and popularity, and has remained this position until the present day. This paper establishes the presence of historical revisionism in of two recently produced Russian films, and indicates elements of revisionism in the other. Purposeful falsification of historical facts and the reinforcements of false narratives are shown to serve the political goals of the Kremlin, and are designed to influence public opinion domestically and abroad. This sadly indicates a broader problem in the Russian film industry, a fact that may warrant the need to further study and test the narratives that are presented to us by Russian film.Show less
