This project explores the relation between 20th century Italian Fascist ideology and aesthetics, investigating the influence of the latter in the development of the former. To this end relevant...Show moreThis project explores the relation between 20th century Italian Fascist ideology and aesthetics, investigating the influence of the latter in the development of the former. To this end relevant literature, speeches, manifestos, and figures are consulted . I contend that aesthetics held a significant role, directly affecting the formation and development of Fascist ideology. However, I further argue that aesthetics was not the nature of Fascism, only an important tool. Socio-political developments lead to my conclusion that aesthetics was a significant component of Fascism which imploded under political pressures in the 1930’s, becoming subservient to an ideological component best interpreted as a civic religion. As such, I dismantle the intuitive notion that aesthetics were simply reflective, with artists as coerced mouthpieces of a totalitarian regime. But I also dismantle the modern academic consensus that Fascism is inherently aesthetic – a politics of spectacle. This project therefore provides a theory on the relation of aesthetics and Fascist ideology, further illuminating the nature of Fascism and outlining how politics can be aestheticized – plus the potential dangers of this.Show less
