In this thesis, the concept of identity as presented in The Handmaid’s Tale - both the novel and the Hulu series - will be dismantled to reveal the identity politics within its narrative and...Show moreIn this thesis, the concept of identity as presented in The Handmaid’s Tale - both the novel and the Hulu series - will be dismantled to reveal the identity politics within its narrative and literary context. In the first chapter, identity politics within the 1985 novel will be explored, to find out how these fit in with the contemporary identity politics debate. The second chapter will contain an analysis of the 2017 series, which will be compared to the 1985 novel, to further explore how the book's identity concepts have been adapted for the modern small screen. Furthermore, the second chapter will critically discuss which adaptation choices have been made and how these affect The Handmaid’s Tale (2017- ) as an updated version of the book. The second chapter will also display the use of The Handmaid’s Tale within contemporary identity politics, to show how The Handmaid’s Tale - both the novel's source material and the series' adaptation - have become part of the current popular culture. As this thesis will show, The Handmaid’s Tale (1985) contains the identity politics elements that are necessary to adapt it to a twenty-first century version. The Handmaid’s Tale is a still relevant speculative version of reality that (1) explores a possible outcome of the essentialism - constructivism debate, (2) where totalitarianism is used as a political framework, inspired by historical politics - and where (3) the exploration of gender identity, minority identities and identity in general is a main objective. Through these elements, The Handmaid’s Tale has been able to participate in critical debates concerning the construction of identities, especially gender identities, in the broader context of feminism and identity politics as a whole, and to establish itself as a symbol of the modern identity politics debate featured on the small screen.Show less
Using the premise set forth by Roland Barthes that “food signifies,” this thesis analyzes immigrant fiction and how diasporized peoples construct and perform their identities along class, gender,...Show moreUsing the premise set forth by Roland Barthes that “food signifies,” this thesis analyzes immigrant fiction and how diasporized peoples construct and perform their identities along class, gender, and ethnic lines. The first chapter unpacks and presents food culture theory as a meaningful tool to analyze works of literature. The subsequent two chapters apply food culture theory and its role in identity production through a close reading of T.C. Boyle’s novel The Tortilla Curtain (1995) and Jhumpa Lahiri’s short story collection Unaccustomed Earth (2013). In both, food behavior of the migrants exemplifies the ongoing vacillation between the desire for assimilation and rejection of the host culture. Moreover, the various foodways presented in the works show how food consumption can signify a divide or exemplify a struggle to reconcile public and private identities.Show less
Since, as anthropologists and cultural critics have argued, food and food practices constitute a system of communication that conveys social meaning, food as a cultural and social practice and as a...Show moreSince, as anthropologists and cultural critics have argued, food and food practices constitute a system of communication that conveys social meaning, food as a cultural and social practice and as a literary trope provides insight into society and culture and the identities they produce. If we are what we eat, food is an important means to define and, more specifically, perform our identities. In a globalizing world, in which both people and products constantly travel, food follows migratory flows. When placed in a political, economic, and cultural context food functions as a boundary marker as well as a boundary crosser. This makes food a useful trope in postcolonial and other migrant literature in particular, as these novels explore the effects of migration and cultural encounters on the formation, negotiation, and performance of identities. Placing my reading of Desai’s postcolonial novel The Inheritance of Loss in the theoretical framework of food theories, I will argue that Desai uses food as a metaphorical instrument not only to deconstruct colonial identities, such as that of the Anglophile judge and his friends, and fixed ethnic identities, such as Biju’s, but also to imagine more fluid, multiple, migrant identities, such as Saeed Saeed’s, and to focus attention on unequal power relations and the fluidity of nationhood and national identity.Show less
