This essay presents a study of 31 kanshi poems by the Heian poet/scholar/official Sugawara no Michizane (845-903) written during his governorship in the province of Sanuki (poems 183-213). Taking...Show moreThis essay presents a study of 31 kanshi poems by the Heian poet/scholar/official Sugawara no Michizane (845-903) written during his governorship in the province of Sanuki (poems 183-213). Taking issue with common approaches to Michizane and his writings, I deal with the material in four different ways in order to show the problems inherent in these practices, while simultaneously attempting to provide alternative inroads to Michizane's oeuvre. These four issues are: 1. the discrepancies between modern and premodern 'poethood', which usually remain unquestioned but are here complicated by zooming in on Michizane the scholar and the official instead; 2. the limited scope of biographers, for whom the period in Sanuki central in this essay is peripheral to Michizane's identity; 3. a strongly selective attitude towards Michizane's writings, which I avoid by taking the entire oeuvre attributed to one single year; and 4. what I call the 'biographical fallacy', where biographers take details found in Michizane's oeuvre about his life at face value. Instead, I understand his literary compilation as a consciously subjective collection of works that was designed to portray a desirable Self. By focussing on Michizane's use of the three different personae - that of poet, scholar, and administrative official - I show how the original compositions compiled into one new work are made to take on new meaning, which act, rather than a portrayal of historical fact, constitutes a politically motivated act intended to convey a specific self-representational message, disseminated by Michizane at the time, just before the exile to Kyushu, when his position at court was rapidly deteriorating, and which can thus be seen as one bid in the political game in the high echelons of court power.Show less
Research master thesis | Asian Studies (research) (MA)
open access
Under the title ‘seeing culture by ear’, this thesis discusses what radio and radio studies is able to ‘show’ academia, what Japanese radio listeners get to ‘see’ when they tune in to their...Show moreUnder the title ‘seeing culture by ear’, this thesis discusses what radio and radio studies is able to ‘show’ academia, what Japanese radio listeners get to ‘see’ when they tune in to their favourite (community) radio stations and why these stations can be eye-opening for scholars researching radio and communities. The main argument is that radio is able to (greatly) contribute to the socialisation and cultivation of its listeners (especially on a local level) and that it is an appropriate medium for creating a sense of locality. To show how this could possibly be achieved, this thesis uses George Gerbner’s “Cultural Indicators Approach” and applies it to two community radio stations in northern Japan, namely FM Wappy in Wakkanai (Hokkaidō) and BeFM in Hachinohe (Aomori). By looking at the institutions involved with the creation of broadcasts and the messages which actually fill the airwaves, it becomes easier to see how the cultivating (and socialising) capabilities of these radio stations are realised. A few of the results are the large emphasis on the experiences of people, the participation of the station with local events and the opportunity for members of the community to create their own (short) shows. Also, especially in the case of BeFM, a continuous referral to local history, culture and language adds to the idea of radio being a tool for strengthening communal sentiments and local identity. Besides secondary (academic) literature, this thesis also contains fieldwork done by the author in 2015, an interview held with Mrs. Katō Yumi, the chairwoman of the board of directors at FM Wappy, and a message analysis of radio programmes broadcast during the summer of 2016.Show less
Deze scriptie behandelt de naoorlogse films van Ozu Yasujiro, en met name de films met het Noriko-personage 'Late Spring', 'Early Summer' en 'Tokyo Story'. Gekeken wordt naar de verhouding tussen...Show moreDeze scriptie behandelt de naoorlogse films van Ozu Yasujiro, en met name de films met het Noriko-personage 'Late Spring', 'Early Summer' en 'Tokyo Story'. Gekeken wordt naar de verhouding tussen het personage en de tijdperk waarin het personage 'leeft'.Show less
n de benadering van het werk van vrouwelijke Japanse dichters zoals Itō komt veelal de term vrouwelijkheid naar voren, om te stellen dat vrouwen wezenlijk anders schrijven dan mannen. Toshiko...Show moren de benadering van het werk van vrouwelijke Japanse dichters zoals Itō komt veelal de term vrouwelijkheid naar voren, om te stellen dat vrouwen wezenlijk anders schrijven dan mannen. Toshiko Ellis2 legt uit dat een categorie als ‘vrouwelijk’ ontstaan is, omdat het werk van moderne vrouwelijke schrijvers oorspronkelijk gepromoot werd als werk dat vanuit een uniek vrouwelijk oogpunt werd geschreven en dat vrouwen dus wezenlijk anders schreven. Bij een begrip als vrouwelijkheid komt echter onherroepelijk de vraag omhoog wat dit begrip precies betekent. Wanneer is iets ‘vrouwelijk’ in Japan en waarom wordt een dergelijk kenmerk toegekend aan zoiets als moderne poëzie door vrouwen?Show less
This thesis illuminates the idea of a cross-cultural genre comparison within the field of Literary Studies. Commonly, this means focussing on a certain genre and its characteristics within the...Show moreThis thesis illuminates the idea of a cross-cultural genre comparison within the field of Literary Studies. Commonly, this means focussing on a certain genre and its characteristics within the literatures of two or more different cultural contexts. However, as an experiment, this thesis assumes the narrative status of literature and contemporary popular culture to be similar. This would mean that it is possible to compare genres cross-culturally within literature and within other types of media. After discussing the field of World Literature and the existence of transcultural narratives, the thesis will move on to a case study between American and Japanese authors. To clarify the potential and usefulness of cross-cultural genre comparisons, three genres will be looked at: gothic, mystery/detective and Lovecraftian weird tale literature. The first two will be explored in short stories by American author Edgar Allan Poe (1809-1849) and those by three Japanese writers, namely Tanizaki Junichirō 谷崎潤一郎 (1886-1965), Akutagawa Ryūnosuke 芥川龍之介 (1892-1927) and Edogawa Rampo 江戸川乱歩 (1894-1965). The third genre will be used to see how the literary characteristics of weird tales by American author H.P. Lovecraft (1890-1937) have been used, not only in Japanese literature, but also in Japanese popular culture, like manga and anime. As such, it will eventually show how key conventions within the genres of gothic, mystery/detective and Lovecraftian weird tale literature cannot be explained from within one national or cultural context alone and how cross-cultural and cross-media studies add to the international potential of Literary Studies.Show less
Deze bachelorscriptie onderzoekt de positie van de alleenstaande moeder in de hedendaagse Japanse samenleving. Door middel van films poogt dit werkstuk een interpretatie te maken van de...Show moreDeze bachelorscriptie onderzoekt de positie van de alleenstaande moeder in de hedendaagse Japanse samenleving. Door middel van films poogt dit werkstuk een interpretatie te maken van de alleenstaande moeder in de huidige Japanse samenleving.Show less
This thesis tries to combine characteristics of identity building in a community with the existence of gotōchi hīrō ご当地ヒーロー (local heroes) in Japan. Throughout Japan, almost every prefecture and/or...Show moreThis thesis tries to combine characteristics of identity building in a community with the existence of gotōchi hīrō ご当地ヒーロー (local heroes) in Japan. Throughout Japan, almost every prefecture and/or city has its own hero that represents the specific traits of the region it belongs to. The heroes speak in dialect, visit famous locations and constantly use and refer to local products. One of the primary reasons for creating these heroes is to strengthen the regions community identity. Television plays an important role in the distribution of imagery surrounding the local heroes. Because of cultural proximity, local television programmes are often very popular and consequently, so are the local heroes. To exemplify this connection between identity construction and local heroes, this thesis analyses Ryūjin Mabuyā 琉神マブヤー, a local hero from Okinawa prefecture. By looking at the locations, language, cultural references used and the intentions of the creators of the programme, it becomes clear that Ryūjin Mabuyā was created to introduce and emphasize Okinawan community identity.Show less
This thesis explores the relationship between censorship of the authoritarian government of early modern Japan and the sharebon and kibyoshi sub-genres of gesaku literature, with reference to M.E....Show moreThis thesis explores the relationship between censorship of the authoritarian government of early modern Japan and the sharebon and kibyoshi sub-genres of gesaku literature, with reference to M.E. Berry's notion of the private public sphere (1998), and compares the situation of these literary sub-genres with the situation of ukiyo-e prints.Show less
