The Dubois Collection, currently patrimony of the Naturalis Biodiversity Center in Leiden (the Netherlands), is a contested assemblage of fossils and personal archival material pertaining to the...Show moreThe Dubois Collection, currently patrimony of the Naturalis Biodiversity Center in Leiden (the Netherlands), is a contested assemblage of fossils and personal archival material pertaining to the Dutch palaeontology and paleoanthropologist Marie Eugène François Thomas Dubois (1858 – 1940). Most notably, the collection contains a skullcap and femurs belonging to the ancient hominid ancestor Homo Erectus. These finds were dubbed ‘Java Man’ and constitute the earliest physical evidence that the human lineage has been subject to evolution according to Darwinian principles of selection and adaptation. While these have always been a subject of great interest to the scientific community, the historicity of the Collection and particularly the contested status of these fossils have attracted much less academic interest over the last 12 decades. This changed when a formal request by the government of Indonesia for restitution of the Dubois Collection was filed with the Dutch government in October 2022. A state commission is now deliberating on the rightful place of residence for the Dubois Collection. Because there is a possibility that the Java Man fossils may remain with their current stewards at Naturalis in Leiden, it is worthwhile to examine their exhibition history and investigate how the current permanent exhibition seeks to educate the public about the historical context in which these fossils were acquired. This text questions whether the permanent exhibition on Dubois and Java Man in Naturalis Biodiversity Center reflects a commitment to researching and informing the public about the historical context in which the Dubois Collection was acquired. It describes the exhibition history of the Dubois Collection and particularly the Java Man fossils and critically examines the narrative that has been presented in these exhibitions. Particularly, this text argues that the perceived differences between natural history and material culture collections are instrumental in explaining why the current permanent exhibition falls short of educating the public about the historical context in which the Java Man fossils were acquired. It also elaborates on the public statements made by museum staff to further contextualise the possible motivations for making certain design choices in this exhibition.Show less
