This thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?”...Show moreThis thesis aims to address the question: “How does the representation of Kurdish cultural resistance in visual art made by the Kurdish-Dutch diaspora fit within the Kurdish political discourse?” To answer this question, films by Beri Shalmashi and Reber Dosky were analyzed by means of Visual Discourse Analysis on the basis of themes and symbols that fit within Kurdish political discourse. Unlike traditional International Relations (IR), this thesis takes an aesthetic turn and presents a more expressive and critical view from a diasporic narrative of the Kurdish question, which will deepen the knowledge concerning this conflict through visual discourse analysis. The themes and symbols discussed are cultural memory and collective trauma, the geo-linguistic homeland, autonomy, feminism, and the Kurdish mountains. These themes and symbols are all linked to Kurdish nationalism and cultural resistance and play an important role in the creation of a Kurdish identity among the Kurds living in diaspora. Moreover, this thesis demonstrates how the Kurdish diasporic community represents itself and how politicized Kurdish culture is.Show less
This thesis analyses the considerations of British officials when arriving at positions on granting sovereignty/ authority to: (i) the Greeks in Smyrna, southwest Anatolia; (ii) the Armenians...Show moreThis thesis analyses the considerations of British officials when arriving at positions on granting sovereignty/ authority to: (i) the Greeks in Smyrna, southwest Anatolia; (ii) the Armenians within north-eastern Anatolia; (iii) the Kurds within south-eastern Anatolia; (iv) and the Kurds within the Mosul vilayet (Southern Kurdistan/ present-day northern Iraq), from 1918-1926. The concepts of “Orientalism” and “civilisation” provide the theoretical basis and are applied to the sources analysed. The thesis argues that Britain’s actions were influenced by the prevailing stereotypes of each people and “civilisation”, but ultimately rooted in political and economic interest. The Paris Peace Conference presented an opportunity to strengthen Britain’s position in the eastern Mediterranean and in the Middle East through support for the design of friendly states and re-drawing the political map of the territory within the former Ottoman empire. Each case was part of the process of erecting a new imperial structure in the Middle East. This new structure was to be based upon the organising principle of ethnic nationalism, as promoted by the Allied powers, including Britain. The British role in each case can be described as: the leading supporter of Greek goals in Anatolia; predominantly a supportive observer of Armenian goals in Anatolia, leaving the French to play the role of lead supporter; a cautiously supportive observer of the Anatolian Kurds with little authority outside of its dictation of the Treaty of Sèvres; and a cautious detractor of the autonomy of southern Kurds, having occupied the Mosul vilayet in 1918 and held full colonial authority over it, experimenting with autonomy but ultimately deciding on its abandonment. By 1926, the goals of the Greeks, Armenians, and Kurds in Anatolia and Southern Kurdistan had not been achieved, and all had withered away in British Middle Eastern policy.Show less
