Bachelor thesis | Cultural Anthropology and Development Sociology (BSc)
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Unconditional love is theorized across different fields to be key for making our politics more forgiving and our social justice more effective. This is because of love’s 1) willed character in...Show moreUnconditional love is theorized across different fields to be key for making our politics more forgiving and our social justice more effective. This is because of love’s 1) willed character in contrast to mere sentimentalism, 2) its dynamic tendency towards turning love into action and help, 3) the forgiveness it brings that is necessary for embracing the heterogeneity of politics, 4) the purpose and embrace it can give to the anger that sprouts out of societal injustice, 5) the embodiedness and personal touch that they give to policies of care, and 6) a common interest with justice towards giving loveable people what they deserve. However, this is not just theory, and as a proper anthropologist I have shown how different actors longing for social justice put this love-justice relation into practice. Ranging from meditating to embody love and turn political and societal ideals of embrace into a reality, to seeing love as entailing and impulsing a drive towards LGBT+ inclusion campaigns and justice, all across the world love is employed as a vital component for making a better world. I have argued that unconditional love has a wide variety of benefits it can bring to social justice, both seen by academics and by actors that put this into practice. Because in the end, love’s dynamic character cannot let us sit still when we see that those we love deserve better.Show less
In recent years, the philosophy of Iris Murdoch has seen a rise in attention, both from philosophers who seek to use elements from her philosophy for their ethical theories, and from those more...Show moreIn recent years, the philosophy of Iris Murdoch has seen a rise in attention, both from philosophers who seek to use elements from her philosophy for their ethical theories, and from those more directly interested in understanding her metaphysics. These latter authors have often either criticised or tried to solve the ambiguity of the metaphysical status of the idea of the Good in her writing. I, too, address the problems in her metaphysics: in what sense does Good exist for Murdoch, and is she able to offer a ‘sophisticated’ form of realism? My theses are, first, that Good, for Murdoch, is a transcendental element in consciousness, i.e., a condition of possibility for the experience of the world, and an ideal end point suggested by experience. To answer the second question I will argue that once Good is read as I argue for, and its role in knowing reality is understood, it becomes clear that Murdoch’s view does not fall into subjectivism or any other form of idealism. Important in this account is love, which, attracted by Good, motivates the work needed for a better grasp of the world.Show less
If one looks at love in popular culture one sees that the current attitude towards love is one of idolatry. This thesis explains what this popular conception of love is (largely) based on. Current...Show moreIf one looks at love in popular culture one sees that the current attitude towards love is one of idolatry. This thesis explains what this popular conception of love is (largely) based on. Current love has its roots in Christianity and thus, by extension, Platonic thought. This thesis therefore examines some of the most essential characteristics of love in Christianity. These characteristics help to analyze the resemblance between love in Christianity and love in popular culture. Furthermore this thesis explores whether or not popular love could have been born out of ancient Greek philosophy or that these resemblances between popular and Christian love come from the fact that both schools are simply right about the nature of love. It is for that reason that this thesis briefly examines the potential heritage (of love) between Christianity and ancient Greece. Moreover, while it is impossible to prove that Christianity and popular culture are not right about love, this thesis provides a secular conceptualization of love which does not share the previously mentioned essential characteristics. This conceptualization ‘love as bestowal and affirmation’ is deeply rooted in the works of Singer, May and Nietzsche and will provide a secular view on love. This to show that it is possible to create a probably conceptualization of love completely separate from the Christian framework.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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In this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama,...Show moreIn this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama, looking, and the (monstrous) Other/other.Show less
Research master thesis | African Studies (research) (MA)
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For many Malawians the concept of home is strongly associated with the rural areas and one’s (supposedly rural) place of birth. This ‘grand narrative about home’, though often reiterated, doesn’t...Show moreFor many Malawians the concept of home is strongly associated with the rural areas and one’s (supposedly rural) place of birth. This ‘grand narrative about home’, though often reiterated, doesn’t necessarily depict lived reality. Malawi’s history of movement and labor migration coupled with contemporary rapid urbanization makes that the amount of people whose lives do not fit this grand narrative, is increasing fast. In the current context of extreme poverty, destitution and devastation – the latter due to the flash floods of January 2015 – slum areas in Blantyre city are growing and so is the number of street children and youth. Some of them are taken in by organizations such as the Samaritan Trust; a street children shelter. This program aims at taking street youth home by ‘reintegrating’ them in their (rural) communities. When asked, the majority of (former) street youth adhere to the grand narrative and state their home to be in a rural village. Yet at the same time, this home is a place they intentionally left and do not wish to (currently) return to. Hence they are generally depicted as ‘homeless’. I wondered: how do (former) street youth in Blantyre, Malawi, engage with ‘the grand narrative about home’ in trying to imagine their ‘becoming at home’ in the city? My thesis departs from the idea that (the search for) home is an integral part of the human condition. During eight months of ethnographic fieldwork in Blantyre, Malawi, I used qualitative methods – mainly interviews and participant observation – to come to an understanding of the meaning of home for (former) street youth. Some of them, the street girls, currently reside at Samaritan Trust and the former street youth are boys who formerly resided there. Their home-making practices in relation to a marginalized socio-economic position in an overall challenging economic context point towards more fluid and diverse constructions of home that exist alongside the grand narrative without rendering it obsolete. Under pressure, (former) street youth paradoxically attempt to solidify home – even though home remains fluid in practice. These attempts assist in coping with life in liquid modernity while they are at the same time fraught with contradictions, especially when these solidifications are themselves solidified in policies. These policies subsequently hamper (former) street youth’s becoming at home in town by following the grand narrative and thus confining their homes to rural areas. I conclude that home can best be seen as a fluid field of tensions (re)created in the everyday, thus leaving space for both (former) street youth’s roots and routes. An alternative way in which (former) street youth try to become at home in the city is by searching for a romantic partner to co-construct this (future) home with.Show less
