Research master thesis | Literary Studies (research) (MA)
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In popular culture, the European Middle Ages (ca. 500-1500) are commonly portrayed as a culturally homogenous time period in which the supremacy of the white, heterosexual male is taken for granted...Show moreIn popular culture, the European Middle Ages (ca. 500-1500) are commonly portrayed as a culturally homogenous time period in which the supremacy of the white, heterosexual male is taken for granted. This makes the period attractive to the far-right, whose members view the Middle Ages as an alternative to our modern, multicultural times. In the past, Medieval imagery and rhetoric have consequently been appropriated by groups and individuals ranging from the Ku Klux Klan and the Nazis to Anders Breivik, the Charlottesville protesters and Vladimir Putin. In this thesis, Guus van der Peet examines how the appropriation of history has taken place in the Dutch Language Area. He analyses four case studies: 1) an antisemitic sequel to the Middle Dutch classic Vanden Vos Reinarde; 2) the academic publications of Jan de Vries, a national-socialist professor in Leiden; 3) two Youtube videos from the Flemish far-right student association Schild & Vrienden; 4) two speeches by alt-right politician Thierry Baudet. In the end, Van der Peet concludes that there is a significant difference between the Flemish and Dutch appropriation of the past. Whereas the Flemish far-right repeatedly references the Middle Ages, the Dutch far-right deviates from the international tradition by instead appropriating the sixteenth and seventeenth centuries.Show less
This thesis describes the evolution of the characters of Guinevere and Morgan le Fay throughout Arthurian literature in the Middle Ages and the twentieth century, and analyses how Guinevere and...Show moreThis thesis describes the evolution of the characters of Guinevere and Morgan le Fay throughout Arthurian literature in the Middle Ages and the twentieth century, and analyses how Guinevere and Morgan le Fay are depicted in the television series "Merlin" and "Camelot", comparing the shows' versions to their counterparts from medieval and modern times and elaborating on how they fit into the contemporary trend of portraying "strong females characters" in modern fantasy.Show less
The portrayal of women has undergone dramatic change from the Middle English Romance to the Disney films featuring princess. While women in Middle English romances could never be the hero, in the...Show moreThe portrayal of women has undergone dramatic change from the Middle English Romance to the Disney films featuring princess. While women in Middle English romances could never be the hero, in the newest Disney films they can be the hero. Although the Middle English romances "Sir Launfal" and "Sir Gowther", the fairytale "Snow White" and the Disney films "Snow White and the Seven Dwarfs" and "Brave" share several motifs and themes like courtly love and chivalry, there has been a shift concerning their portrayal of women. It can be concluded that the portrayal of women in Snow White and the Seven Dwarfs is in line with its direct predecessor, Snow White, as well as with the medieval romances “Sir Launfal” and “Sir Gowther”. The female characters in these tales are described in a rather passive way. Brave, on the other hand, presents Merida in an active way and, therefore, breaks with the ‘anti-feminist’ tradition. This newest film has become in favour of women who take control over their own future by pursuing their dreams.Show less
