Research master thesis | Arts, Literature and Media (research) (MA)
open access
There is a problem with identity. Although people tend towards identifying themselves as something absolute, identity does not coincide with itself. This leaves people's sense of identity open to...Show moreThere is a problem with identity. Although people tend towards identifying themselves as something absolute, identity does not coincide with itself. This leaves people's sense of identity open to manipulation and exploitation. In this thesis, I explore how Catherine Lacey's novel Pew and Toby Fox's video game Undertale deal with this problem. Both works trouble the notion of a stable, internal identity that can be expressed through clean-cut identity categorisations, showing how such a view of identity is unrealistic, restrictive, and potentially harmful. I draw inspiration from Michel Foucault's treatment of art in his Order of Things, in which Foucault gives art the privileged position of being able to foretell a shift in epistemes. Analysing Pew and Undertale alongside the concept of genre as theorised by Jacques Derrida and the concept of the monster as grounded in Jeffrey Jerome Cohen's writing, I show that these works prefigure an episteme that expects difference rather than sameness, reconfiguring the problem of identity into a source of possibilities.Show less
Research master thesis | Literary Studies (research) (MA)
open access
This thesis aims to shed new light on the intersection between the Gawain cycle and its socio-political environment by focusing primarily on the monsters. By analysing the monsters in the...Show moreThis thesis aims to shed new light on the intersection between the Gawain cycle and its socio-political environment by focusing primarily on the monsters. By analysing the monsters in the narratives as cultural projections of a certain period, this thesis aims to gain insight into the feelings and anxieties that accompanied the tensions between the noble houses during the Wars of the Roses. The monsters in the narratives of the Sir Gawain Cycle challenge the Arthurian Court to reflect on different sides of nobility. As outsiders, or as ‘Others’, they try to warn the knights of the Round Table to change their values and beliefs, and they urge them to live by a type of nobility that is more focused on virtue instead of wealth and status. Each monstrous body presents a different flaw within the ideology of the Round Table, and in turn, comments upon real concerns and anxieties that existed in the late-fifteenth century border region.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
closed access
In this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama,...Show moreIn this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama, looking, and the (monstrous) Other/other.Show less
