This thesis questions the relation between the painting Kneeling Mother with Child at her Breast (1906) by Paula Modersohn-Becker and the ideal of nature. By investigating the use of the concept of...Show moreThis thesis questions the relation between the painting Kneeling Mother with Child at her Breast (1906) by Paula Modersohn-Becker and the ideal of nature. By investigating the use of the concept of nature in breastfeeding discourses and critically assessing its relation to the painting, it will argue that Kneeling Mother offers a more complex view of the natural and nature than it might seem at first glance. This ambiguity will productively open new perspectives to study Kneeling Mother’s representation of motherhood. Taking the painting out of its original context and analysing it through a feminist lens will make it possible to account for the impact Modersohn-Becker’s maternal paintings still have today. The argumentation will build upon theories by feminist scholars Simone de Beauvoir, Adrienne Rich, Anne McClintock and Sherry B. Ortner to confront the painting with three facets of the conceptualisation of the natural: natural as easy, as related to nature and as being opposed to culture.Show less
Research master thesis | African Studies (research) (MA)
open access
2020-05-31T00:00:00Z
Political conflict and polarization in Zanzibar have been examined by different scholars and from different (inter)disciplinary angles, often, however, to the exclusion of female voices. Trying to...Show morePolitical conflict and polarization in Zanzibar have been examined by different scholars and from different (inter)disciplinary angles, often, however, to the exclusion of female voices. Trying to mend this bias by exclusively exploring women’s perspectives, using mainly qualitative, in-depth interviews, I was able to identify the centrality of motherhood and mothering to the gendered standpoint of Zanzibari women, also in connection to their attitudes towards ‘the political’. Consequently, this thesis explores the roles the institution of motherhood and mothering as practice play in women’s navigation of (political) uncertainty and conflict in the islands. To establish the context in which this navigation takes place and to mend misconceptions about female (non-)participation in Zanzibari electoral politics, the active roles women have filled in the island’s political history are highlighted. To be able to understand the ‘maternal standpoint’, my respondents spoke and navigated from, local ideologies and experiences of motherhood and mothering are explored. The Swahili terms uchungu (bitterness) and kuhangaika (‘to roam about and struggle’) are central here, expressing the sacrifice that is often expected and performed by mothers. I develop the concept of ‘maternal navigation’ which takes into account the practices of actors who not only strategize to ‘get by’ and ‘get on’ as individuals but navigate uncertainty on behalf of and through others. This helps to make sense of my respondents’ practices as they consider risks and vulnerabilities while negotiating prevalent social, cultural, economic and political circumstances, for the sake of bringing about the best possible results for their children and families. In the political context, motherhood and mothering are shown to have a variety of sometimes contradictory influences, e.g. in connection to the promotion or dismissal of political peace-building. Mothers are also shown to develop specific maternal strategies in face of the risks of politics in the islands to safeguard themselves, but – most importantly – their families and children against political dangers and exposure. Overall, the complex and ambivalence force motherhood and maternal subjectivities represent in the political sphere and in relation to the navigational activities of Zanzibari women is highlighted.Show less
Although the Victorian age is popularly understood to be an age in which motherhood was glorified, by the end of the nineteenth century mothers in late Victorian novels were often portrayed as...Show moreAlthough the Victorian age is popularly understood to be an age in which motherhood was glorified, by the end of the nineteenth century mothers in late Victorian novels were often portrayed as negative characters and motherhood as an institution was under attack. The rise of feminism and the introduction of the New Woman could be seen as provoking this negative portrayal. Not only women but also men criticized women’s and mothers’ positions in society. Straightforward criticism on the position of mothers was likely to be censured. Writers took it on themselves to portray the mother’s distorted social position, one that made her practically invisible within the public realm. Some feminist writers attacked motherhood in order to advocate another life and lifestyle equal to men; in literary texts, they used discouraging depictions to show women what would happen to them if they too would walk into the trap of marriage and motherhood. I shall argue that such writers portrayed mothers as undesirable characters in order to expose what the social conventions invented by a patriarchal society did to mothers and how it affected their behaviour. I shall analyse what motherhood meant in the late nineteenth century and how ‘the mother’ was characterized in literature during that time period. Two novels and a play will be analysed for the support of my argument: George Bernard Shaw’s Mrs Warren’s Profession (1894); Henry James’s The Spoils of Poynton (1897); and Kate Chopin’s The Awakening (1899). I shall demonstrate that in each primary source the author criticizes a distorted situation that affects mothers and their behaviour that is regarded as deleterious.Show less
As a reaction to the poor handling by the Japanese government of the aftermath of the Fukushima Daiichi nuclear disaster, the Fukushima Children Network was established whose main goal it is to...Show moreAs a reaction to the poor handling by the Japanese government of the aftermath of the Fukushima Daiichi nuclear disaster, the Fukushima Children Network was established whose main goal it is to prevent children from being irradiated by radioactive materials. With the Fukushima Daiichi nuclear power plant disaster, mother's would yet again take up their motherhood and use in such a way that they are supposedly the expert concerning their children's well being. This research will analyze the activities of the Fukushima Children Network in relation to the concept of civil society in Japan as coined by Jurgen Habermas. The main research question will be: What is the effect of Fukushima Children Network's actions in the public sphere? More specifically, did their actions lead to a growing awareness of the dangers, such as radioactive contamination, that the use of nuclear energy brings about? Starting with only a few people and setting out their course of action, they gained notoriety throughout the country. Also having inspired other members of the public to take action on their own, it can be argued that they have come quite far within the public sphere.Show less
