Jeanette May attempted to create art for a female audience with her Easy on the Eyes series. The techniques May used to establish this in her photographs are examined in this thesis through...Show moreJeanette May attempted to create art for a female audience with her Easy on the Eyes series. The techniques May used to establish this in her photographs are examined in this thesis through discussions of the posing/acting binary, the spectator object relation and the combination of image and text.Show less
This thesis intends to follow Walker in her quest of opening up discussions toward a renegotiation of history; its pasts and presents; ambiguities and openendedness. The main question of this...Show moreThis thesis intends to follow Walker in her quest of opening up discussions toward a renegotiation of history; its pasts and presents; ambiguities and openendedness. The main question of this thesis is how Walker's book rendition of After the Deluge connects discussions on racial inequalities and the visualization of narratives with a reworking of the divide between the socio-cultural and natural realm through the use of 'muck'. One of the most important aspects of Walker’s work is an interrogation - through art - of the ways in which we tell and visualize our histories; stories which are entanglements of fact and fiction, of desire and shame. In After the Deluge specifically, this is combined with a renegotiation of how we look at the divide between the socio-cultural and the natural realm. In witnessing a disaster like Hurricane Katrina, it becomes apparent that there is no such divide. The messiness of life as both social, cultural and natural, is explored in Kara Walker’s work in ways that also rematerialize notions such as race, sexuality and history.Show less
