Research master thesis | Arts and Culture (research) (MA)
open access
This thesis explores how composting can be a fruitful practice and concept in contemporary art. Current artistic practices resonate with the planetary problems that arise when people tend to feel...Show moreThis thesis explores how composting can be a fruitful practice and concept in contemporary art. Current artistic practices resonate with the planetary problems that arise when people tend to feel disconnected from soil. There is an increasing awareness that soil is not merely dirt but is in fact essential for human and other life forms on Earth; still, the understanding of soil as a resource prevails. Composting is one way to counter soil-exhausting systems, such as industrial agriculture, and work towards a soil-nourishing approach since composting is the transformative decomposition of organic waste into nutrient-rich humus. Composting offers a means of caring for and relating to soil instead of disconnecting from it. Material and speculative facets of composting can be observed in art and enable to expand and review the agricultural practice and understanding of composting. The material and speculative qualities of artworks can urge a reconsideration of human relations with earth, soil and our planet, by making them sensible and imaginable. Therefore, the question that guides this thesis is as follows: how can we humans re-imagine our relationships with earth through material and speculative forms of composting in contemporary art? Composting entails a web of interdependent relations between humans and many non-human actors, such as microorganisms and the environment. In her book Staying with the Trouble (2016), the feminist biologist and philosopher Donna Haraway engages with this idea of composting in a metaphorical way to imagine the world as one big compost pile. Hence, it is in this composting world that humans must learn other ways to be part of planet Earth’s web of relations. The material aspects of composting in art are examined primarily on the basis of the exhibition M for Membrane (2020) by the artist TJ Shin at the Wave Hill Public Garden & Cultural Center in New York City. The speculative possibilities of composting are mainly investigated through the artwork Untilled (2012) by the artist Pierre Huyghe at dOCUMENTA (13) in Kassel, Germany. In dialogue with complementary theories, the analyses of contemporary artworks aim to develop ways to replenish Haraway’s concept of composting and substantiate the idea that art can be fertile soil for a flourishing world: art as humus.Show less
Research master thesis | Arts and Culture (research) (MA)
open access
2022-08-31T00:00:00Z
How can you conceptualise a multi-layered and chronologically dense case study in its entirety without losing focus on the parts, and vice versa? This methodological problem lies at the heart of...Show moreHow can you conceptualise a multi-layered and chronologically dense case study in its entirety without losing focus on the parts, and vice versa? This methodological problem lies at the heart of this thesis, in which the seventeenth-century Roman church of Domine Quo Vadis will be used as a case study. Using a palimpsestic framework, this thesis sets out to explore the historical and material dimensions of the Domine Quo Vadis while also acknowledging its status as a mediator of the divine.Show less
Research master thesis | Arts and Culture (research) (MA)
closed access
This thesis intends to explore the relation between memory and matter, through an analysis of contemporary art. The research begins with an investigation of the meaning of memory and explores...Show moreThis thesis intends to explore the relation between memory and matter, through an analysis of contemporary art. The research begins with an investigation of the meaning of memory and explores alternatives to this understanding, as proposed by major theorists in the field of cultural memory studies. These alternatives are then further researched through an analysis of the work by Gabriel Orozco, Anish Kapoor and Navid Nuur. Their work will function as case studies in which certain artworks are related to the comprehension of memory as proposed in the first chapter. Through the study of the performative, transformative and evocative qualities of the artworks, the affect and agency of art will be revealed. These analyses will include an exploration of the connection between memory and matter, as it uses new materialist's notions to reconsider the idea of memory. Through applying a new methodology into an existing field of research, this thesis intends to spark thought for the reconsideration of notions that we take for granted. Ultimately this thesis aims to reevaluate what we know about memory, objects of memory and art.Show less
This thesis intends to follow Walker in her quest of opening up discussions toward a renegotiation of history; its pasts and presents; ambiguities and openendedness. The main question of this...Show moreThis thesis intends to follow Walker in her quest of opening up discussions toward a renegotiation of history; its pasts and presents; ambiguities and openendedness. The main question of this thesis is how Walker's book rendition of After the Deluge connects discussions on racial inequalities and the visualization of narratives with a reworking of the divide between the socio-cultural and natural realm through the use of 'muck'. One of the most important aspects of Walker’s work is an interrogation - through art - of the ways in which we tell and visualize our histories; stories which are entanglements of fact and fiction, of desire and shame. In After the Deluge specifically, this is combined with a renegotiation of how we look at the divide between the socio-cultural and the natural realm. In witnessing a disaster like Hurricane Katrina, it becomes apparent that there is no such divide. The messiness of life as both social, cultural and natural, is explored in Kara Walker’s work in ways that also rematerialize notions such as race, sexuality and history.Show less
