This thesis analyses French-Canadian filmmaker Xavier Dolan’s body of work, particularly the films Laurence Anyways (2012), Tom at the Farm (2013), and Mommy (2014). Starting from the notion that...Show moreThis thesis analyses French-Canadian filmmaker Xavier Dolan’s body of work, particularly the films Laurence Anyways (2012), Tom at the Farm (2013), and Mommy (2014). Starting from the notion that Dolan explicitly argues against the queer labelling of his films, the piece explores the content and form of his filmography with a range of theories from film, gender and queer studies, and an emphasis on feminist authors. Gender performance and alternative femininities in Laurence Anyways are discussed through camp. The reading of Tom at the Farm draws parallels with the perspectives on masculinities and bisexual desire found in bromance and buddy films. The analysis of Mommy investigates how queerness embodies both the film’s form and text, possibly placing it in a new New Queer Cinema movement.Show less
