The following dissertation discusses the concept of Dualism in Avicenna’s philosophy of the self. This discussion is divided in an attempt to question the self, the self in regards to materiality,...Show moreThe following dissertation discusses the concept of Dualism in Avicenna’s philosophy of the self. This discussion is divided in an attempt to question the self, the self in regards to materiality, and the position of the self in the cosmos. More significantly, the dissertation attempts to develop these concepts by explaining the concept of awareness. In this dissertation, it is found that self-awareness is a universal concept however limited by the human mind. Yet, humans can be enlightened when they understand the dualistic relationship between extramental objects and the self. The dissertation further investigates this complex structure and the relevance thereof in current times.Show less
The main issue that this thesis aims to address is the marginalised position of the affective dimension in theoretical texts or the academic form. By means of an exploration into Severo Sarduy’s...Show moreThe main issue that this thesis aims to address is the marginalised position of the affective dimension in theoretical texts or the academic form. By means of an exploration into Severo Sarduy’s essay “Simulation” (La Simulacíon, 1982), this thesis aims to demonstrate the potential that lies in the employment of the affective dimension in theoretical writing- and reading processes. The analysis focuses on affective strategies in Sarduy’s essay or, in other words, the means in which the reader is incorporated into the text to fulfill an important role in the making of meaning of the text. This thesis aims to emphasise the ways in which the affective dimension is utilised to communicate the ontological perspective of Sarduy’s text as well as it aspires to show how these affective strategies have the ability to criticise and to mobilise change by providing a different kind of knowledge in academic discourses.Show less
The thesis proposes a perspective on contemporary visual arts through the viewpoint of Plato’s notion of χώρα (chôra) – a concept, which in Plato’s philosophy is defined as a third kind of being...Show moreThe thesis proposes a perspective on contemporary visual arts through the viewpoint of Plato’s notion of χώρα (chôra) – a concept, which in Plato’s philosophy is defined as a third kind of being and is designated as a space between the World of Being and the World of Becoming, necessary for the world to originate and become manifested. The text engages with the idea of χώρα in Plato’s dialogue Timaeus, the understanding of the concept in contemporary thought in the work of the philosophers Jacques Derrida and Julia Kristeva, and investigates two distinct yet interconnected artworks – HAEM Blood Bound (2016) by Cecilia Jonsson and Cracks in Time (2009) by Michal Rovner, through the viewpoint of χώρα. In the text, art is considered equal to χώρα, as, it is argued, approaching the main features of Plato’s receptacle – the crucial aspects of ontology, motility and ‘in-betweenness’ as art characteristics could enable a rediscovery of the significance of the messages it implies for contemporary society. In this manner the research offers a different approach towards art, a prospect for widening its understanding, which, in turn, would allow examining its role and disclosing what it can contribute to the societal issues of the present-day world.Show less
Research master thesis | Archaeology (research) (MA/MSc)
open access
This thesis focuses on the interpretation of pages 29 to 46 of the Codex Borgia. This sequence of pages is unique in the corpus of Mexican manuscripts, and it contain very complex imagery. Because...Show moreThis thesis focuses on the interpretation of pages 29 to 46 of the Codex Borgia. This sequence of pages is unique in the corpus of Mexican manuscripts, and it contain very complex imagery. Because of this, these pages have been the centre of many interpretation efforts for already more than a decade. To this day no consensus has been reached about the meaning of the pages. To aid in this matter, this thesis contains three aims: (1) to give an overview of the interpretations made thus far, (2) to identify the specific problems in the interpretation process in order to recommend future lines of research, and (3) to expand upon the knowledge of the imagery through a structural analysis of them from the perspective of narratology. First, an overview of eight interpretations has been created. Secondly, these interpretations have been evaluated on the basis of the analogies that have been drawn in order to identify the problems in the interpretation process. Third and lastly, the narratological aspects time, space, events, actors, and focalization have been selected to analyse the structure (and thereby function) of the pages. It is concluded that that the pages represent various separate rituals in a ceremonial centre, and that the pages are of some kind of descriptive or prescriptive nature. It is very likely that the pages were used as a sort of guide for a variety rituals performed by a group of priests that was closely related to a Temple of Dark Wind, and in which hallucinations play a role.Show less
