In this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s...Show moreIn this thesis, I explore depictions of fascism in 1930s American literature. Specifically, I analyse William Faulkner’s Light in August, John Steinbeck’s The Grapes of Wrath, and Sinclair Lewis’s It Can’t Happen Here. The former two novels do not explicitly engage with fascism, but aspects of the texts were linked to fascism by their authors. Faulkner retroactively referred to the character Percy Grimm from his book as a fascist, and Steinbeck linked the agriculture sector in California, which features heavily in his novel, to fascism. Lewis engages with fascism directly in It Can’t Happen Here as he envisions a fascist dictatorship in the United States. These texts are relevant today as fascism is not a concept of the past. They can be used to discuss visions of fascism in 1930s American Literature and what fascism may look like in the United States. I use a combination of close reading and the theory provided by Robert O. Paxton in The Anatomy of Fascism, as well as additional sources for necessary historical context to analyse each of the novels. I will argue that while only one of the novels explicitly engages with fascism, all three texts portray fascism to some extent and can be used to identify possible bases of fascist action.Show less