This thesis aims to investigate the added value of digital reconstruction technology in archaeological museums. Recent wars and conflict zones have made the world aware again of the vulnerability...Show moreThis thesis aims to investigate the added value of digital reconstruction technology in archaeological museums. Recent wars and conflict zones have made the world aware again of the vulnerability of the archaeological record. Therefore, the reproduction and reconstruction of archaeological material become more relevant to archaeological museums. New cutting edge techniques make museums able to perform admirable results for the communication about the content of the exhibition, the objects themselves and the museum. However, these technologies, methods and devices have both advantages and disadvantages. What defines them to be of added value to the archaeological museum? The following research question has been composed for this study: How can digital reconstruction techniques and devices be of added value to the transfer of the meaning and content of archaeological objects in archaeological museums? This research question is divided into several subquestions and answered in the three chapters this study contains. The first chapter will discuss the definition and history of reconstruction in archaeological museums, the second includes the first case study (Nineveh - The Great City ) and the third chapter includes the second case study ( Etruscans. Eminent Woman, Powerful Men). The study is set up as an inductive research because no applicable theories about added value were found in this field of research. The study will analyse academic literature, reviews, official documents published by the museums, interviews and questionnaires. It can be concluded that the digital reconstruction of the Cerveteri Tomb and the digital devices in the Nineveh exhibition were of added value in three ways: to the archaeological museum and archaeological research, the archaeological material and the visitors of archaeological museums. During the process of conducting this study, critical notes and limitations appeared. Important critical notes were the undefined expectations between the technicians and the museum professionals and the difficulties with communicating about the complex framework of questions and choices behind a reconstruction. The visitor only observes the end product of the digital technology but is not part of the process behind it, while this might be valuable to understand. Moreover, no clear answers can yet be made about if the increase in the amount of digital technology is of added value per se. There is still a long way to go to answer and solve all the questions, problems and limitations that are indirectly connected to digital technology in museums. Questions that should be answered by both museums and visitors. It is identified that authenticity is a key concept that is examined as the backbone of many issues, and it should, therefore, be better understood to analyze, interpret and initiate new future projects.Show less