This paper locates sexuality/ies within the field of International Relations by identifying how the latter shapes and is shaped by sexualities. Through the empirical application of the concept of ...Show moreThis paper locates sexuality/ies within the field of International Relations by identifying how the latter shapes and is shaped by sexualities. Through the empirical application of the concept of ‘Ethical Power Europe’ to the 2016 EU-Turkey Statement, and the analysis of Turkish ‘conservative democracy’ and 'traditional social life', it analyses the consequences for sexual minorities in Turkey. The use of Queer International Relations allows for the realisation of Turkey as an ‘unsafe haven’ and of how figurations of LGBTIQ asylum-seekers/refugees are less protected there. In contrast, this reflects on the concepts of ethics and universalism implied in ‘Ethical Power Europe’, and the EU's level of protection of sexual minorities.Show less
This thesis offers an insight into the emergence of the New Woman, who was initially largely a literary phenomenon, but grew out to become a self-identity for many women after World War I, which...Show moreThis thesis offers an insight into the emergence of the New Woman, who was initially largely a literary phenomenon, but grew out to become a self-identity for many women after World War I, which was enabled by their sudden social and economic freedoms. As such, a period of roughly a hundred years, namely from 1830, the beginning of the Victorian Period, to 1930, the aftermath of the Great War, will be studied, and the role of the New Woman in this period will be largely scrutinized through the literature of that era. Specifically, Daphne du Maurier’s 1938 novel Rebecca will be analysed, and in particular the titular character – who, by being both the title character and the antagonist of the story, represents the unstable and volatile characteristics of what identity can be. By employing Queer Theory, this thesis will hopefully provide a closer understanding as to who exactly the New Woman, personified by Rebecca, was, what she wanted, and how she was perceived in her time – effectively exploring if she was not merely a woman defying social boundaries, but a Queer phenomenon.Show less