This thesis examines a collection of drawings by Abraham Delfos (1731-1820), an eighteenth-century engraver and draftsman from Leiden. Housed in the Print Room of Leiden University Libraries, these...Show moreThis thesis examines a collection of drawings by Abraham Delfos (1731-1820), an eighteenth-century engraver and draftsman from Leiden. Housed in the Print Room of Leiden University Libraries, these drawings predominantly consist of reproductions made after seventeenth-century paintings. Despite the fact that reproductions were a common practice and a typical eighteenth-century phenomenon, they have received limited attention from researchers. By examining Delfos' drawings within the broader context of his time, including his role as a director and his involvement in the establishment of drawing academy Ars Aemula Naturae, as well as his art dealership, this research uncovers the historical significance of these artworks. The study explores the factors that influenced changing attitudes towards reproductions and their growing popularity in the eighteenth century. Through a comprehensive analysis of Delfos' drawings, insights are gained into the influences shaping his artistic approach, the role of art education, and the perception of reproductions. These drawings serve as valuable windows into the past, offering a unique perspective on the interplay between art, education, societal development, and the evolving status of reproductions in the eighteenth century. The exploration not only highlights Delfos as an artist but also enriches our understanding of the artistic and cultural landscape of the time.Show less
